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Author: Arturo Islas
Publisher: HarperCollins
ISBN: 006203779X
Category : Fiction
Languages : en
Pages : 173
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Book Description
"The Rain God is a lost masterpiece that helped launch a legion of writers. Its return, in times like these, is a plot twist that perhaps only Arturo Islas himself could have conjured. May it win many new readers." — Luis Alberto Urrea, bestselling author of The House of Broken Angels and The Hummingbird’s Daughter "Rivers, rivulets, fountains and waters flow, but never return to their joyful beginnings; anxiously they hasten on to the vast realms of the Rain God." A beloved Southwestern classic—as beautiful, subtle and profound as the desert itself—Arturo Islas's The Rain God is a breathtaking masterwork of contemporary literature. Set in a fictional small town on the Texas-Mexico border, it tells the funny, sad and quietly outrageous saga of the children and grandchildren of Mama Chona the indomitable matriarch of the Angel clan who fled the bullets and blood of the 1911 revolution for a gringo land of promise. In bold creative strokes, Islas paints on unforgettable family portrait of souls haunted by ghosts and madness--sinners torn by loves, lusts and dangerous desires. From gentle hearts plagued by violence and epic delusions to a child who con foretell the coming of rain in the sweet scent of angels, here is a rich and poignant tale of outcasts struggling to live and die with dignity . . . and to hold onto their past while embracing an unsteady future.
Author: Arturo Islas
Publisher: HarperCollins
ISBN: 006203779X
Category : Fiction
Languages : en
Pages : 173
Get Book Here
Book Description
"The Rain God is a lost masterpiece that helped launch a legion of writers. Its return, in times like these, is a plot twist that perhaps only Arturo Islas himself could have conjured. May it win many new readers." — Luis Alberto Urrea, bestselling author of The House of Broken Angels and The Hummingbird’s Daughter "Rivers, rivulets, fountains and waters flow, but never return to their joyful beginnings; anxiously they hasten on to the vast realms of the Rain God." A beloved Southwestern classic—as beautiful, subtle and profound as the desert itself—Arturo Islas's The Rain God is a breathtaking masterwork of contemporary literature. Set in a fictional small town on the Texas-Mexico border, it tells the funny, sad and quietly outrageous saga of the children and grandchildren of Mama Chona the indomitable matriarch of the Angel clan who fled the bullets and blood of the 1911 revolution for a gringo land of promise. In bold creative strokes, Islas paints on unforgettable family portrait of souls haunted by ghosts and madness--sinners torn by loves, lusts and dangerous desires. From gentle hearts plagued by violence and epic delusions to a child who con foretell the coming of rain in the sweet scent of angels, here is a rich and poignant tale of outcasts struggling to live and die with dignity . . . and to hold onto their past while embracing an unsteady future.
Author: Arturo Islas
Publisher: Arte Publico Press
ISBN: 9781611920642
Category : Fiction
Languages : en
Pages : 292
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Book Description
Prolific poet, essayist, and short story writer, Arturo Islas (1938-1991) is well known for his two insightful novels, The Rain God and Migrant Souls. His untimely death to AIDS truncated a productive and influential career that has left a yawning gap in Latino letters. Islas was a dedicated, thoughtful, and style-conscious writer, who promoted a sense of responsibility to community and art for both writers and critics. The quality of his commitment was matched by the example he set in delving into the esthetics and psychology of gay creativity, an exploration that took him to uncompromising confrontations with his own traditional upbringing. Islas has made his mark as a writer of the U.S.-Mexico border and a leader at the forefront of exploring more social, psychological and philosophical boundaries. As a Chicano from El Paso, as a gay Latino writer, Islas surmounted many boundaries, borders and established roles; in this, he is a standard-bearer for all of Latino literature. A seasoned scholar and professor in the English Department at Stanford University for most of his professional life, Islas maintained an extensive collection of works, records, and papers. The present volume is the product of another Stanford graduate, Frederick Luis Aldama, who combed through the Islas archive and recovered the short fiction, poetry, and essays on Chicano letters that Islas did not have the opportunity to publish. Aldama has organized these materials and edited them so that they may be accessible and ñbroaden the vision of Arturo Islas as writer and thinker.î
Author: Arturo Islas
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 268
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Book Description
Author: Arturo Islas
Publisher: UNM Press
ISBN: 9780826317322
Category : Fiction
Languages : en
Pages : 212
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Book Description
A posthumous novel by the pioneering Chicano fiction writer--a tragi-comic tale revealing a new side to Arturo Islas's talent.
Author: José David Saldívar
Publisher: Univ of California Press
ISBN: 0520918363
Category : History
Languages : en
Pages : 268
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Book Description
Border Matters locates the study of Chicano culture in a broad social context. José Saldívar examines issues of representation and expression in a diverse, exciting assortment of texts—corridos, novels, poems, short stories, punk and hip-hop music, ethnography, paintings, performance, art, and essays. Saldívar provides a sophisticated model for a new kind of U.S. cultural studies, one that challenges the homogeneity of U.S. nationalism and popular culture by foregrounding the contemporary experiences and historical circumstances facing Chicanos and Chicanas. This intellectually adventurous, politically engaged study applies borderlands and diaspora theory to Chicano cultural practices in a way that permanently changes our understanding of both the Chicano experience and the meaning of cultural theory. Defying national (and nationalistic) paradigms of culture, Saldívar argues that the culture of the borderlands is trans-national, constituting a social space in which new relations, hybrid cultures, and multi-voiced aesthetics are negotiated. Saldívar's critical readings treat culture as a social force and reveal the presence of social contexts within cultural texts. Border Matters maps out a new terrain for the study of culture, reshaping the way we understand migration, national identity, and intellectual inquiry itself.
Author: Frederick Luis Aldama
Publisher: Univ of California Press
ISBN: 0520243927
Category : Biography & Autobiography
Languages : en
Pages : 223
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Book Description
A critical biography of novelist, poet, and former Stanford professor Arturo Islas (1938-1991).
Author: Frederick Luis Aldama
Publisher: University of Texas Press
ISBN: 0292796587
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
Common conceptions permeating U.S. ethnic queer theory tend to confuse aesthetics with real-world acts and politics. Often Chicano/a representations of gay and lesbian experiences in literature and film are analyzed simply as propaganda. The cognitive, emotional, and narrational ingredients (that is, the subject matter and the formal traits) of those representations are frequently reduced to a priori agendas that emphasize a politics of difference. In this book, Frederick Luis Aldama follows an entirely different approach. He investigates the ways in which race and gay/lesbian sexuality intersect and operate in Chicano/a literature and film while taking into full account their imaginative nature and therefore the specific kind of work invested in them. Also, Aldama frames his analyses within today's larger (globalized) context of postcolonial literary and filmic canons that seek to normalize heterosexual identity and experience. Throughout the book, Aldama applies his innovative approach to throw new light on the work of authors Arturo Islas, Richard Rodriguez, John Rechy, Ana Castillo, and Sheila Ortiz Taylor, as well as that of film director Edward James Olmos. In doing so, Aldama aims to integrate and deepen Chicano literary and filmic studies within a comparative perspective. Aldama's unusual juxtapositions of narrative materials and cultural personae, and his premise that literature and film produce fictional examples of a social and historical reality concerned with ethnic and sexual issues largely unresolved, make this book relevant to a wide range of readers.
Author: D. Contreras
Publisher: Springer
ISBN: 1403978840
Category : Social Science
Languages : en
Pages : 150
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Book Description
Drawing on a wide range of material from art, theater, music, and literature, Contreras argues that historical memory is embedded in these forms of art and can perhaps take us "somewhere better than this place." The critical energies in the book come from Chicana/o and queer studies. Contreras views unrequited love as a utopian space of possibility and transformation. The discussion includes The Boys in the Band, Arturo Islas, Paris is Burning, Judy Garland, and Kiss of the Spider Woman.
Author: José David Saldívar
Publisher: Duke University Press
ISBN: 9780822311690
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Joining the current debates in American literary history, José David Saldívar offers a challenging new perspective on what constitutes not only the canon in American literature, but also the notion of America itself. His aim is the articulation of a fresh, transgeographical conception of American culture, one more responsive to the geographical ties and political crosscurrents of the hemisphere than to narrow national ideologies. Saldívar pursues this goal through an array of oppositional critical and creative practices. He analyzes a range of North American writers of color (Rolando Hinojosa, Gloria Anzaldúa, Arturo Islas, Ntozake Shange, and others) and Latin American authors (José Martí, Roberto Fernández Retamar, Gabriel García Márquez, and others), whose work forms a radical critique of the dominant culture, its politics, and its restrictive modes of expression. By doing so, Saldívar opens the traditional American canon to a dialog with other voices, not just the voices of national minorities, but those of regional cultures different from the prevalent anglocentric model. The Dialectics of Our America, in its project to expand the “canon” and define a pan-American literary tradition, will make a critical difference in ongoing attempts to reconceptualize American literary history.
Author: Stephen P. Knadler
Publisher: Univ. Press of Mississippi
ISBN: 1604730404
Category : Literary Collections
Languages : en
Pages : 279
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Book Description
Denying its formative dialogues with minorities, the white race, Stephen P. Knadler contends, has been a fugitive race. While the "white question," like the "Negro question," and the "woman question" a century earlier, has garnered considerable critical attention among scholars looking to find new anti-race strategies, these investigations need to highlight not just the exclusion of people of color, but also examine minority writers' resistance to and disruption of this privileged racial category. "Highly original, wonderfully detailed, and thought provoking," says Professor Candace Waid of Knadler's intellectually challenging book. Although excluded, people of color looked back in anger, laughter, and wisdom to challenge the unexamined lie of a self-evident whiteness. Looking at fictional and nonfictional texts written between 1850 and 1984, The Fugitive Race traces a long cultural and literary history of the ways African Americans, Asian Americans, Jewish Americans, Chicanos, gays, and lesbians have challenged the shape and meaning of so-called white identities. From the antebellum period to the 1980s, the belief in a white racial superiority, or simply a white difference, has denied that people of color might and do have an influence on the supposedly pure or protected character of whiteness. In contrast, this book attempts to define a new way of analyzing minority literature that questions this segregated color line. In addition to creating a new racial awareness, many writers of color tried to interfere in the historical formulation of whiteness. They created unsettling moments when white readers had to see themselves for the first time from the outside-in, or from the critical perspective of non-white writers. These writers--including William Wells Brown, Pauline Hopkins, Abraham Cahan, Young-hill Kang, Zora Neale Hurston, and Arturo Islas--did not simply resist assimilation. They sought to dismantle the white identities that lay as the foundation of the master's house. Stephen P. Knadler, an assistant professor of English at Spelman College, has been published in American Literature, American Literary History, American Quarterly, Minnesota Review, and Modern Fiction Studies.
