Arttalk, Digital Studio Projects

Arttalk, Digital Studio Projects PDF Author: Glencoe/McGraw-Hill
Publisher: McGraw-Hill/Glencoe
ISBN: 9780078520976
Category : Art
Languages : en
Pages : 496

Get Book Here

Book Description
ArtTalk has expanded its coverage of art history, strengthened its technology integration features, and placed more emphasis on the performing arts - all while maintaining its focus on a media approach to the elements and principles of art. ArtTalk integrates lessons in Perception, Creative Expression, Historical and Cultural Heritage, and Evaluation to form a comprehensive approach to art that helps every student - regardless of their learning style - think more creatively, make better decisions, even learn the art of self discipline. - Publisher.

Digital Manga

Digital Manga PDF Author: Ben Krefta
Publisher:
ISBN: 9781784040468
Category : Comic books, strips, etc
Languages : en
Pages : 0

Get Book Here

Book Description
Provides instructions on digitally creating manga characters, including explanations of the latest Photoshop software and digital tools, digital coloring issues, and information about inking and shading.

Exploring Art Student Edition

Exploring Art Student Edition PDF Author: McGraw-Hill Education
Publisher: McGraw-Hill Education
ISBN: 9780026623568
Category : Juvenile Nonfiction
Languages : en
Pages : 368

Get Book Here

Book Description
A MEDIA APPROACH THAT BUILDS ART APPRECIATION EXPLORING ART takes a media approach to art, giving students insights into the ways artists are inspired, and the reasons they choose particular media to realize their artistic visions. Focusing on the elements and principles of art, students learn about various media and techniques, such as drawing, painting, printmaking and sculpting, as the chapters interweave compelling lessons on art, art history, aesthetics, and art criticism with opportunities for studio production.

Digital Art Masters: Volume 4

Digital Art Masters: Volume 4 PDF Author: 3dtotal.Com
Publisher: CRC Press
ISBN: 1136136622
Category : Art
Languages : en
Pages : 289

Get Book Here

Book Description
Meet some of the finest 2D and 3D artists working in the industry today and discover how they create some of the most innovative digital art in the world. More than a gallery book or a coffee table book- Digital Art Masters Volume 4 includes over 50 artists and 900 unique and stunning 2D and 3D digital art. Beyond the breaktaking images is a breakdown of the techniques, challenges and tricks the artists employed while creating stunning imagery. This volume, much like the previous volumes is not your standard coffee table book nor is it our usual how-to-book. This book offers inspiration and insight for the advanced amateur and professional CG artists. The Digital Art Masters series has expanded upon the competition's gallery book concept and has added the insight and experiences of professional CG artists worldwide. Divided into 5 sections, Sci-Fi, Scene, Fantasy, Character and Cartoon, Each featured artist segement will include the thought processes behind creating unique digital images and an artist portfolio for further inspiration. Find your inspiration and discover the tips, tricks and techniques that really work.

Talk Art

Talk Art PDF Author: Russell Tovey
Publisher: Ilex Press
ISBN: 9781781578131
Category :
Languages : en
Pages : 224

Get Book Here

Book Description


Why Art Cannot Be Taught

Why Art Cannot Be Taught PDF Author: James Elkins
Publisher: University of Illinois Press
ISBN: 9780252069505
Category : Art
Languages : en
Pages : 228

Get Book Here

Book Description
He also addresses the phenomenon of art critiques as a microcosm for teaching art as a whole and dissects real-life critiques, highlighting presuppositions and dynamics that make them confusing and suggesting ways to make them more helpful. Elkins's no-nonsense approach clears away the assumptions about art instruction that are not borne out by classroom practice. For example, he notes that despite much talk about instilling visual acuity and teaching technique, in practice neither teachers nor students behave as if those were their principal goals. He addresses the absurdity of pretending that sexual issues are absent from life-drawing classes and questions the practice of holding up great masters and masterpieces as models for students capable of producing only mediocre art. He also discusses types of art--including art that takes time to complete and art that isn't serious--that cannot be learned in studio art classes.

Digital Art Masters

Digital Art Masters PDF Author: 3DTotal.com (Firm)
Publisher: Taylor & Francis
ISBN: 0240521706
Category : Computer art
Languages : en
Pages : 290

Get Book Here

Book Description
Meet some of the finest digital 2D and 3D artists working in the industry today, from Patrick Beaulieu and Alessandro Baldasseroni to Marcel Baumann and Marek Denko, and see how they work.

Making & Being

Making & Being PDF Author: Susan Jahoda
Publisher:
ISBN: 9781945711077
Category : Art
Languages : en
Pages : 0

Get Book Here

Book Description
"Making and Being draws on the lived experience of Susan Jahoda and Caroline Woolard, visual arts educators who have developed a framework for teaching art with the collective BFAMFAPhD that emphasizes contemplation, collaboration, and political economy. The authors share ideas and pedagogical strategies that they have adapted to spaces of learning which range widely, from self-organized workshops for professional artists to Foundations BFA and MFA thesis classes. This hands-on guide includes activities, worksheets, and assignments and is a critical resource for artists and art educators today"--Page 4 of cover.

You Are an Artist

You Are an Artist PDF Author: Sarah Urist Green
Publisher: Penguin
ISBN: 0525505857
Category : Self-Help
Languages : en
Pages : 258

Get Book Here

Book Description
“There are more than 50 creative prompts for the artist (or artist at heart) to explore. Take the title of this book as affirmation, and get started.” —Fast Company More than 50 assignments, ideas, and prompts to expand your world and help you make outstanding new things to put into it Curator Sarah Urist Green left her office in the basement of an art museum to travel and visit a diverse range of artists, asking them to share prompts that relate to their own ways of working. The result is You Are an Artist, a journey of creation through which you'll invent imaginary friends, sort books, declare a cause, construct a landscape, find your band, and become someone else (or at least try). Your challenge is to filter these assignments through the lens of your own experience and make art that reflects the world as you see it. You don't have to know how to draw well, stretch a canvas, or mix a paint color that perfectly matches that of a mountain stream. This book is for anyone who wants to make art, regardless of experience level. The only materials you'll need are what you already have on hand or can source for free. Full of insights, techniques, and inspiration from art history, this book opens up the processes and practices of artists and proves that you, too, have what it takes to call yourself one. You Are an Artist brings together more than 50 assignments gathered from some of the most innovative creators working today, including Sonya Clark, Michelle Grabner, The Guerrilla Girls, Fritz Haeg, Pablo Helguera, Nina Katchadourian, Toyin Ojih Odutola, J. Morgan Puett, Dread Scott, Alec Soth, Gillian Wearing, and many others.

The History of Another

The History of Another PDF Author: Shimon Attie
Publisher: Twin Palms Publishers
ISBN: 9781931885317
Category : Photography
Languages : en
Pages : 0

Get Book Here

Book Description
"For a number of years, Shimon Attie (born 1957) has created his own photographic palimpsests, projecting historical images onto public spaces and then photographing them, trying to bring out buried layers of memory. 'I am trying to give visual form to history and memory which is latent in the architecture and landscape of the present, latent but not visible ... More than my therapeutic training, I think my temperament made me interested in revealing layers of a buried or repressed past.' The projected image, Attie says, is a physical embodiment of the process of memory itself. 'Like memory, the projection appears to have substance and materiality, but in fact it does not--it is only photons, ' he says. 'It's an illusion.' The projections of historical photographs onto actual sites in the present have a ghostly, immaterial, ephemeral quality of fleeting memory." -- Alexander Stille