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Author: Janet Catherine Berlo
Publisher: Pearson
ISBN:
Category : Art
Languages : en
Pages : 404
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Book Description
By focusing on the original scholarly contributions, rather than secondary description, this reader in tribal arts exposes the reader to the best original scholarship of 29 noted scholars in anthropology and art history. Each scholarly essay is well-illustrated, often with original field photographs as well as museum objects. For artists, art historians, sociologists, and all those interested in the arts of the fourth world.
Author: Janet Catherine Berlo
Publisher: Pearson
ISBN:
Category : Art
Languages : en
Pages : 404
Get Book
Book Description
By focusing on the original scholarly contributions, rather than secondary description, this reader in tribal arts exposes the reader to the best original scholarship of 29 noted scholars in anthropology and art history. Each scholarly essay is well-illustrated, often with original field photographs as well as museum objects. For artists, art historians, sociologists, and all those interested in the arts of the fourth world.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 72
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Book Description
Author: Arnold Rubin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Diane Pelrine
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 236
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Book Description
This is both a study of the art of collecting and a look at the objects in the Wielgus collection of arts from Africa, Oceania and the Americas. The book examines the motives that led Raymond Wielgus to become a collector, and puts the Wielgus collection i
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 52
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Book Description
This Bulletin and the exhibition it accompanies, "The Nelson A. Rockefeller Vision: In Pursuit of the Best in Arts of Africa, Oceania, and the Americas," reflect on an extraordinary act of philanthropy that was also a catalyst for momentous change in the art world. In establishing the Museum of Primitive Art (MPA) in 1956—the precursor to what is today the Department of the Arts of Africa, Oceania, and the Americas (AAOA) at the Metropolitan Museum—Nelson Rockefeller was a true pioneer, assembling what remains the greatest collection of fine art from these disparate fields. Perhaps even more important than this singular achievement, however, was Rockefeller's long campaign to place his collection at the Metropolitan Museum as a gift to the city and to the world, which he finally achieved in 1969 after nearly forty years of effort. Rockefeller's gift carried the unequivocal message that artists from Africa, Oceania, and the Americas are equal in every respect to those of their peers across the globe and throughout history. Yet until that time there was, famously, skepticism in the Western art world on this point as well as resistance from earlier generations of Metropolitan directors in viewing non-Western art as part of the institution's mission. Relying on his formidable powers of persuasion, Rockefeller eventually brokered an agreement to transfer the collections, staff, and library of the of the MPA to the Metropolitan, an astounding triumph that fundamentally changed the character of the museum, making the collections truly encyclopedic.
Author: Jane Powell Dwyer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
Author: Diane Pelrine
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Thomas K. Seligman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 126
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Book Description
Author: George A. Corbin
Publisher: Routledge
ISBN: 0429973055
Category : Art
Languages : en
Pages : 699
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Book Description
This introduction to the art of tribal peoples of North America, Africa, and the South Pacific does not briefly cover the hundreds of artistic traditions in these three vast areas but rather studies in depth thirty-six art styles within all three areas using the methods of art history, including stylistic analysis and iconographic interpretation. Emphasis is on the art in cultural context and as a system of visual communication within each tribal area. Where appropriate for a more complete understanding of the art, data from archaeology, ethnology, linguistics, religion, and other humanistic disciplines are included.Among the peoples and cultures whose art is studied are the Haida, Kwakiutl, and Tlingit; the Hohokam and Mongollon, the Anasazi and Hopi; the Dogon and Bamana of Mali; the Asante of Ghana; the Benin, Yoruba, and Ibo of Nigeria; the Fan, the Bamum, and the Kuba of Central Africa; Australian aboriginal and Island New Guinea art; Island Melanesia art; central and eastern Polynesia; Hawaii and the Maori in Marginal Polynesia.The format of the text and selected illustrations is based on seventeen years of teaching African, North American Indian, and South Pacific art to undergraduate and graduate students at Herbert H. Lehman College (CUNY), New York University, and Columbia University. The book is intended for art history and anthropology students and the interested lay reader or collector. The detailed notes at the end of the book are for further study, research, and understanding of the tribal art style under discussion.
