Author: Prithwish Neogy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180

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Book Description

Author: Joan Clarke
Publisher: University of Hawaii Press
ISBN: 0824818598
Category : Art
Languages : en
Pages : 157

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Book Description
Artists/Hawaii celebrates the fiftieth state's visual arts through the featured works and personal profiles of twenty-two of Hawaii's most respected contemporary artists. Artists from Oahu, Maui, Kauai, and Hawaii are profiled in this lavishly illustrated volume. From an original list of 160 artists working in a variety of media, the twenty-two chosen through peer selection describe in their own words their life, work, and reflections on the role of art in society. Each artist was interviewed by the editors and responded to a series of questions about their background, their style and medium, and how Hawaii has influenced their creative endeavors. These personal and revealing sketches are followed by four signature pieces of each artist's work. University of Hawaii art professors Tom Klobe and Duane Preble visited with each artist prior to selecting the works featured in this book. Two pieces were identified as "career best" and two as outstanding recent works. Artists/Hawaii presents a captivating visual statement of the remarkable individual style of these twenty-two artists.

Author: Peter Henry Buck
Publisher:
ISBN:
Category : Ethnology
Languages : en
Pages :

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Book Description

Author: Stacy L. Kamehiro
Publisher: University of Hawaii Press
ISBN: 0824874374
Category : Art
Languages : en
Pages : 282

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Book Description
The Arts of Kingship offers a sustained and detailed account of Hawaiian public art and architecture during the reign of David Kalakaua, the nativist and cosmopolitan ruler of the Hawaiian Kingdom from 1874 to 1891. Stacy Kamehiro provides visual and historical analysis of Kalakaua’s coronation and regalia, the King Kamehameha Statue, ‘Iolani Palace, and the Hawaiian National Museum, drawing them together in a common historical, political, and cultural frame. Each articulated Hawaiian national identities and navigated the turbulence of colonialism in distinctive ways and has endured as a key cultural symbol. These cultural projects were part of the monarchy’s concerted effort to promote a national culture in the face of colonial pressures, internal political divisions, and declining social conditions for Native Hawaiians, which, in combination, posed serious threats to the survival of the nation. The Kalakaua leadership endorsed images that boosted international relations and appeased foreign agitators in the kingdom while addressing indigenous political cleavages. Kamehiro interprets the images, spaces, and institutions as articulations of the complex cultural entanglements and creative engagement with international communities that occur with prolonged colonial contact. Nineteenth-century Hawaiian sovereigns celebrated Native tradition, history, and modernity by intertwining indigenous conceptions of superior chiefly leadership with the apparati and symbols of Asian, American, and European rule. The resulting symbolic forms speak to cultural intersections and historical processes, claims about distinctiveness and commonality, and the power of objects, institutions, and public display to create meaning and enable action. The Arts of Kingship pursues questions regarding the nature of cultural exchange, how precolonial visual culture engaged and shaped colonial contexts, and how colonial art informs postcolonial visualities and identities. It will be welcomed by readers with a general and scholarly interest in Hawaiian history and art. As it contributes to discussions about colonial cultures, nationalism, and globalization, this interdisciplinary work will appeal to art and architectural historians as well as those studying Pacific history, cultural and museum studies, and anthropology.

Author: Adam Johnson
Publisher: Random House Incorporated
ISBN: 0812992792
Category : Fiction
Languages : en
Pages : 465

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Book Description
The son of a singer mother whose career forcibly separated her from her family and an influential father who runs an orphan work camp, Pak Jun Do rises to prominence using instinctive talents and eventually becomes a professional kidnapper and romantic rival to Kim Jong Il. By the author of Parasites Like Us.

Author: Patricia Jennings
Publisher: Bess Press
ISBN: 9780982165645
Category : Hawaii
Languages : en
Pages : 0

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Book Description
Reproduces O'Keeffe's 20 Hawai'i paintings, plus 50 period and locational photographs.

Author: Karen Holmes
Publisher:
ISBN: 9780974030074
Category : Women artists
Languages : en
Pages : 143

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Book Description

Author: Shar Tuiasoa
Publisher: HarperCollins
ISBN: 9780063079236
Category : Juvenile Fiction
Languages : en
Pages : 32

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Book Description
Meet Punky Aloha: a girl who uses the power of saying "aloha" to experience exciting and unexpected adventures! Punky loves to do a lot of things--except meeting new friends. She doesn't feel brave enough. So when her grandmother asks her to go out and grab butter for her famous banana bread, Punky hesitates. But with the help of her grandmother's magical sunglasses, and with a lot of aloha in her heart, Punky sets off on a BIG adventure for the very first time. Will she be able to get the butter for grandma? Punky Aloha is a Polynesian girl who carries her culture in her heart and in everything she does. Kids will love to follow this fun character all over the island of O'ahu.

Author: Tiffany DeEtte Shafto
Publisher:
ISBN: 9780615299440
Category : Art woodwork
Languages : en
Pages : 223

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Book Description
"A journey into the lives and minds of 36 artists creating fine wood art in the Hawaiian Islands. From furniture makers to sculptors, woodturners to woodcarvers, they all thrive here, surrounded by Hawaiʻi's abundance"--Publisher's description.

Author: Olga Kanzaki Sooudi
Publisher: University of Hawaii Press
ISBN: 0824847814
Category : Social Science
Languages : en
Pages : 266

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Book Description
Spend time in New York City and, soon enough, you will encounter some of the Japanese nationals who live and work there—young English students, office workers, painters, and hairstylists. New York City, one of the world’s most vibrant and creative cities, is also home to one of the largest overseas Japanese populations in the world. Among them are artists and designers who produce cutting-edge work in fields such as design, fashion, music, and art. Part of the so-called “creative class” and a growing segment of the neoliberal economy, they are usually middle-class and college-educated. They move to New York for anywhere from a few years to several decades in the hope of realizing dreams and aspirations unavailable to them in Japan. Yet the creative careers they desire are competitive, and many end up working illegally in precarious, low paying jobs. Though they often migrate without fixed plans for return, nearly all eventually do, and their migrant trajectories are punctuated by visits home. Japanese New York offers an intimate, ethnographic portrait of these Japanese creative migrants living and working in NYC. At its heart is a universal question—how do adults reinvent their lives? In the absence of any material or social need, what makes it worthwhile for people to abandon middle-class comfort and home for an unfamiliar and insecure life? Author Olga Sooudi explores these questions in four different venues patronized by New York’s Japanese: a grocery store and restaurant, where hopeful migrants work part-time as they pursue their ambitions; a fashion designer’s atelier and an art gallery, both sites of migrant aspirations. As Sooudi’s migrant artists toil and network, biding time until they “make it” in their chosen industries, their optimism is complicated by the material and social limitations of their lives. The story of Japanese migrants in NYC is both a story about Japan and a way of examining Japan from beyond its borders. The Japanese presence abroad, a dynamic process involving the moving, settling, and return to Japan of people and their cultural products, is still underexplored. Sooudi’s work will help fill this lacuna and will contribute to international migration studies, to the study of contemporary Japanese culture and society, and to the study of Japanese youth, while shedding light on what it means to be a creative migrant worker in the global city today.