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Author: Matthew Baigell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
Papers of the First American Artists' Congress
Author: Matthew Baigell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 336
Get Book Here
Book Description
Papers of the First American Artists' Congress
Author: Asato Ikeda
Publisher: University of Hawaii Press
ISBN: 0824872126
Category : Art
Languages : en
Pages : 165
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Book Description
This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic. Yokoyama Taikan produced countless paintings of Mount Fuji as the embodiment of Japan’s “national body” and spirituality, in contrast to the modern West’s individualism and materialism. Yasuda Yukihiko located Japan in the Minamoto warriors of the medieval period, depicting them in the yamato-e style, which is defined as classically Japanese. Uemura Shōen sought to paint the quintessential Japanese woman, drawing on the Edo-period bijin-ga (beautiful women) genre while alluding to noh aesthetics and wartime gender expectations. For his subjects, Fujita Tsuguharu looked to the rural snow country, where, it was believed, authentic Japanese traditions could still be found. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Throughout Ikeda takes into account the changing relationships between visual iconography/artistic style and its significance by carefully situating artworks within their specific historical and cultural moments. She reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy. The Politics of Painting will be welcomed by those interested in modern Japanese art and visual culture, and war art and fascism. Its analysis of painters and painting within larger currents in intellectual history will attract scholars of modern Japanese and East Asian studies.
Author: David McCarthy
Publisher: Univ of California Press
ISBN: 0520286707
Category : Art
Languages : en
Pages : 258
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Book Description
Artists against war and fascism -- Doom -- End your silence -- A network of artist/activists -- Not in our name.
Author: Cécile Whiting
Publisher: Yale University Press
ISBN: 9780300042597
Category : Philosophy
Languages : en
Pages : 262
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Book Description
Whiting examines the various manifestations of antifacist art, showing how each negotiated the competing demands of artistic conventions, aesthetic and political theories, and historical developments.
Author: Mark Antliff
Publisher: Duke University Press
ISBN: 9780822340348
Category : Art
Languages : en
Pages : 380
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Book Description
An investigation of the central role that theories of the visual arts and creativity played in the development of fascism in France between 1909 and 1939.
Author: Miguel Ferguson
Publisher: NYU Press
ISBN: 1583679626
Category : Comics & Graphic Novels
Languages : en
Pages : 121
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Book Description
A graphic history featuring the true story of three friends from Brooklyn who join in the global fight against fascism In this exhilarating graphic novel about the Spanish Civil War, three American friends set off from Brooklyn to join in the fight—determined to make Spain “the tomb of fascism” for the sake of us all. Together they defy the U.S. government and join the legendary Abraham Lincoln Brigade, throw themselves into battle, and conduct sabotage missions behind enemy lines. As Spain is shattered by the savagery of combat during the Spanish Civil War (1936-1939), readers see the darkening clouds of the World War to come. Artist Anne Timmons has created a thrilling graphic novel in the spirit of the “war comic” genre that appeared after the attack on Pearl Harbor and the United States' entry into World War II. Drawing upon the real-life experiences of Lincoln Brigade veteran Abe Osheroff, writer Miguel Ferguson offers a lively, accessible resource based on actual events during the Great Depression and the Spanish Civil War. ¡Brigadistas! will stir the memories of older audiences who remember the Spanish Civil War as a time of unparalleled international solidarity and heartbreak, and it will expose young audiences to the passions, politics, and conflicts of a bygone era with striking contemporary relevance.
Author: Peter N. Carroll
Publisher: NYU Press
ISBN: 0814716814
Category : History
Languages : en
Pages : 123
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Book Description
When the Spanish Civil War began in 1936, loosely affiliated groups of writers, artists, and other politically aware individuals emerged in New York City to give voice to anti-fascist sentiment by supporting the Spanish Republic. Facing Fascism: New York and the Spanish Civil War examines the participation of New Yorkers in the political struggles and armed conflict that many historians consider a critical precursor to World War II. Nearly half of the 2,800 Americans who volunteered to fight in the Abraham Lincoln Brigade against Generalissimo Francisco Franco came from the New York area. Fundraising, propaganda, and deployment for anti-fascists everywhere in America were orchestrated through New York City. At the same time, powerful voices in New York expressed sympathy for the pro-fascist side. The fighting in Spain brought to the surface the complex ideological and ethnic identities always present in New York politics. Facing Fascism examines the full range of this experience, including that of the New Yorkers who supported Franco. It addresses the role of doctors, nurses, and social workers who left New York hospitals to provide assistance to the defenders of the Spanish Republic, as well as those who remained active on the home front. The book also describes the involvement of students in the war, the key role of writers and the media, and the contributions made by members of New York's art and theater communities. Facing Fascism also serves as the catalog to an exhibition of the same name appearing at the Museum of the City of New York in the spring of 2007. The book and exhibition both make use of the Abraham Lincoln Brigade Archives' extensive holdings, which range from historical documents to video recordings of oral histories. Numerous other libraries, archives, museums, and private collectors have also been consulted to make this the most complete exhibition of its kind ever mounted. The exhibition will also appear in Spain.
Author: Juan José Gómez Gutiérrez
Publisher: Cambridge Scholars Publishing
ISBN: 1443882143
Category : Art
Languages : en
Pages : 255
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Book Description
This book examines the artistic policies of the Italian Communist Party (PCI) during the early post-war years (1944–1951), after the defeat of Fascism in Europe and the outbreak of the Cold War. It brings together theoretical debates on artists’ political engagement and an extensive critical apparatus, providing the reader with an historical framework for wider reflections on the relationship between art and politics. After 1944, the PCI became the biggest Communist organisation in the West, placing Italy in an ambiguous position regarding the other European countries. Nevertheless, the immediate strategy of the Communists was not revolution, but liberation from Fascism and the establishment of a democratic system from which a genuine Italian path to Socialism could be found. Taking Antonio Gramsci’s notion of hegemony as a theoretical basis, the Communists intended to generate a progressive social bloc capable of achieving wide consensus within civil society before taking power. In order to accomplish this goal, the collaboration from intellectuals was necessary. The artistic policy of the Italian Communist Party was tailored to this end, counting on representatives from all groups and tendencies of the time, particularly those artists who rejected the imperialistic, autarchic pseudo-classicism that characterised most of Italian art throughout the Fascist years. In the 1930s, international, Modernist and cosmopolitan European culture became an escape route to artists seeking a way out of the oppressive cultural atmosphere of inter-war Italy. However, in the 1940s and 1950s, many of these artists experienced a deep transformation in their work after they became politically involved with the PCI, and were exposed to international Communist culture – and Socialist Realism in particular. This was conveyed not only by conscious changes in their subjects, their style and their material means of expression, but also in the public they addressed and in their own conception of themselves as artistic authors. Hence, at a time when the world was divided into two opposed camps, each heavily inflected by ideological allegiance and supported by powerful propaganda apparatuses, Italian Communist artists became the protagonists of a novel intellectual-political project which pursued the synthesis between antagonistic cultural blocs.
Author: Rosemary Sullivan
Publisher: Harper Collins
ISBN: 0061856894
Category : History
Languages : en
Pages : 749
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Book Description
“Rosemary Sullivan goes beyond the confines of Air-Bel to tell a fuller story of France during the tense years from 1933 to 1941. . . . A moving tale of great sacrifice in tumultuous times.” — Publishers Weekly Paris 1940. Andre Breton, Max Ernst, Marc Chagall, Consuelo de Saint-Exupery, and scores of other cultural elite denounced as enemies of the conquering Third Reich, live in daily fear of arrest, deportation, and death. Their only salvation is the Villa Air-Bel, a chateau outside Marseille where a group of young people, financed by a private American relief organization, will go to extraordinary lengths to keep them alive. In Villa Air-Bel, Rosemary Sullivan sheds light on this suspenseful, dramatic, and intriguing story, introducing the brave men and women who use every means possible to stave off the Nazis and the Vichy officials, and goes inside the chateau’s walls to uncover the private worlds and the web of relationships its remarkable inhabitants developed.
Author: Yoshimi Yoshiaki
Publisher: Columbia University Press
ISBN: 0231538596
Category : History
Languages : en
Pages : 357
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Book Description
Grassroots Fascism profiles the Asia Pacific War (1937–1945)—the most important though least understood experience of Japan's modern history—through the lens of ordinary Japanese life. Moving deftly from the struggles of the home front to the occupied territories to the ravages of the front line, the book offers rare insights into popular experiences from the war's troubled beginnings through Japan's disastrous defeat in 1945 and the new beginning it heralded. Yoshimi Yoshiaki mobilizes diaries, letters, memoirs, and government documents to portray the ambivalent position of ordinary Japanese as both wartime victims and active participants. He also provides penetrating accounts of the war experiences of Japan's minorities and imperial subjects, including Koreans and Taiwanese. His book challenges the idea that the Japanese people operated as a mere conduit for the military during the war, passively accepting an imperial ideology imposed upon them by the political elite. Viewed from the bottom up, wartime Japan unfolds as a complex modern mass society, with a corresponding variety of popular roles and agendas. In chronicling the diversity of wartime Japanese social experience, Yoshimi's account elevates our understanding of "Japanese Fascism." In its relation of World War II to the evolution—and destruction—of empire, it makes a fresh contribution to the global history of the war. Ethan Mark's translation supplements the Japanese original with explanatory notes and an in-depth introduction that situates the work within Japanese studies and global history.
