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Author: Gavin Murphy
Publisher: Onomatopee
ISBN: 9789491677564
Category : Alternative spaces (Arts facilities)
Languages : en
Pages : 204
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Book Description
Part how-to manual, part history, part sociopolitical critique, Artist-Run Europe looks
Author: Gavin Murphy
Publisher: Onomatopee
ISBN: 9789491677564
Category : Alternative spaces (Arts facilities)
Languages : en
Pages : 204
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Book Description
Part how-to manual, part history, part sociopolitical critique, Artist-Run Europe looks
Author: Gabriele Detterer
Publisher: Jrp Ringier
ISBN: 9783037641910
Category : Art
Languages : en
Pages : 0
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Book Description
This volume was developed in collaboration with founders of important and exemplary artist-run spaces of the 1960s-1970s.It represents the first extensive research on this subject and introduces spaces such as Art Metropole in Toronto, Artpool in Budapest, Ecart in Geneva, Franklin Furnace in New York, MOCA in San Francisco, La Mamelle in San Francisco, Printed Matter in New York, Western Front in Vancouver, and Zona in Florence.The founders of these artist-run spaces include Carl Andre, John Armleder, AA Bronson, Sol LeWitt, Lucy Lippard, Tom Marioni, and Maurizio Nannucci. At a time of transition to new aesthetic approaches, these artists promoted community spirit and organizational skills, pioneering a revaluation of traditional art concepts.The book documents not only the activities of these spaces, but also maps the artistic strategies and positions that took currency during this period. It thus shows how the inner life of collective self-organization and the exchange between like-minded artist-run spaces developed dynamically.The book is part of the Documents series and is co-published with Zona Archives.
Author: Klara Kemp-Welch
Publisher: MIT Press
ISBN: 0262038307
Category : Art
Languages : en
Pages : 388
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Book Description
The story of the experimental zeitgeist in Eastern European art, seen through personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. Throughout the 1970s, a network of artists emerged to bridge the East-West divide, and the no less rigid divides between the countries of the Eastern bloc. Originating with a series of creative initiatives by artists, art historians, and critics and centered in places like Budapest, Poznań, and Prague, this experimental dialogue involved Western participation but is today largely forgotten in the West. In Networking the Bloc, Klara Kemp-Welch vividly recaptures this lost chapter of art history, documenting an elaborate web of artistic connectivity that came about through a series of personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. Countering the conventional Cold War narrative of Eastern bloc isolation, Kemp-Welch shows how artistic ideas were relayed among like-minded artists across ideological boundaries and national frontiers. Much of the work created was collaborative, and personal encounters were at its heart. Drawing on archival documents and interviews with participants, Kemp-Welch focuses on the exchanges and projects themselves rather than the personalities involved. Each of the projects she examines relied for its realization on a network of contributors. She looks first at the mobilization of the network, from 1964 to 1972, exploring five pioneering cases: a friendship between a Slovak artist and a French critic, an artistic credo, an exhibition, a conceptual proposition, and a book. She then charts a series of way stations for experimental art from the Soviet bloc between 1972 and 1976—points of distribution between studios, private homes, galleries, and certain cities. Finally, she investigates convergences—a succession of shared exhibitions and events in the second half of the 1970s in locations ranging from Prague to Milan to Moscow. Networking the Bloc, Kemp-Welch invites us to rethink the art of the late Cold War period from Eastern European perspectives.
Author: Museyon Guides
Publisher: Museyon
ISBN: 1938450124
Category : Travel
Languages : en
Pages : 209
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Book Description
Van Gogh, Munch, Vermeer, Caravaggio, and Goya are five iconic European artists whose inspirational works have been obsessed over by art lovers and travelers for years. To see masterpieces such as Starry Night and The Scream up close is awe-inspiring, but this guide offers true devotees even more. The book provides detailed walking tours of Van Gogh's Arles, France; Munch's Oslo, Norway; Vermeer's Delft, Netherlands; Caravaggio's Rome, Italy; and Goya's Madrid, Spain; as well as meticulously researched articles on the artists' lives. It is packed with useful sidebars, suggested itineraries, museum locations, and an extended index of artwork, and features color photographs of more than 150 paintings.
Author: Elsa Coustou
Publisher: Yale University Press
ISBN: 0300216998
Category : Art
Languages : en
Pages : 267
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Book Description
A global survey of Pop art that reassesses its roots, impact, and legacy This groundbreaking book surveys the concurrent engagements with the spirit of Pop throughout the world, from the frequently studied activity in the United States, England, and France to less well-known developments in Central and Eastern Europe, Latin America, Asia, Africa, and the Middle East. One of the first publications to examine Pop art with this global scope, The World Goes Pop explores the wide-ranging movements that developed on different continents, such as Nouveau Réalisme, Neo Dada, New Figuration, and Spiritual Pop. This unique presentation offers the opportunity to compare how Pop art around the world differed due to geography, local traditions, and different cultures' social and political underpinnings. Fascinating essays touch upon key themes that factored into various Pop movements, including feminism, political representation, sexual politics, and seriality. A bold design and 200 striking illustrations showcase pieces by more than 60 artists, many of whose works have never been exhibited outside their home nations. The book also features a combined interview with a number of the living artists featured within, giving important insight into the thoughts and processes of Pop's international practitioners.
![Artist-Run Europe Practice/Projects/Spaces [set Margins#14] PDF](https://books.google.com/books/content/images/frontcover/ljjOzwEACAAJ?fife=w80-h100)
Author: Mark Cullen Gavin Murphy
Publisher:
ISBN: 9789083270661
Category :
Languages : en
Pages : 0
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Book Description
Author: Gabriela Świtek
Publisher: Jrp Ringier
ISBN: 9783037640944
Category : Art, Polish
Languages : en
Pages : 0
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Book Description
"Avant-garde in the Bloc" is a publication devoted to an eponymous conference dedicated to the oeuvre and studio of Henryk Stazewski (1894-1988) and Edward Krasinski (1925-2004) and the founding of the Institute of the Avant-garde established in the two artists' studio. The issues related to the studio/apartment of Henryk Stazewski and Edward Krasinski refer to "other spaces" of art and art history in Poland after 1945, which invalidate binary oppositions of private/public, interior/exterior, history/memory. The publication reflects upon the history and the artistic and social phenomenon of the studio, as well as to new research perspectives related to the work of Henryk Stazewski and Edward Krasinski.
Author: Melissa Rachleff
Publisher: National Geographic Books
ISBN: 3791355589
Category : Art
Languages : en
Pages : 0
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Book Description
This enlightening and thought-provoking look at New York City’s postwar art scene focuses on the galleries and the artists that helped transform American art. While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline— have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more well- known figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period—uncovering its diversity, creativity, and nuances, and tracing the spaces’ influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area’s multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klu&̈ver and Julie Martin, offer unique personal insight into the era’s creative milieu. Taken together, the book’s essays and interviews provide a distinctly new assessment of how downtown New York’s fertile environment nurtured an innovative art scene.
Author: Hans von Aachen
Publisher: Deutscher Kunstverlag
ISBN: 9783422069725
Category : Artists
Languages : en
Pages : 0
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Book Description
After first studying in Cologne, Hans von Aachen moved to Italy in 1574 to further his studies. He toured Rome and Florence, eventually settling in Venice. Combining Flemish traditions and Italian innovation he developed a style of his own. Returning to Germany, he lived in Cologne and Munich as a painter of the nobility. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor in Prague, finally moving to Prague in 1601, where he painted commissions from Emperor Rudolph II and his successor, Matthias I. The elegance, humour, and sensuality of his mythological and allegoric paintings continue to be a fascination. His religious presentations are symbolic of the constant change in a turbulent world. The Los Angeles Museum of Art (LACMA) numbers paintings from Hans von Aachen among its collection.
Author: JONES
Publisher:
ISBN: 9789462988194
Category :
Languages : en
Pages :
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Book Description
1. The book is the first devoted to the topic of women artists across the courts of early modern Europe. 2. The essays consider women artists and their experiences in a variety of European courts, in Italy, Flanders, Spain, and England. 3. The essays included address a variety of forms of artistic production by women in the courts, including large and small-scale paintings, sculpture, prints, and textiles.
