Author: The Ladies of Mischief LLC
Publisher:
ISBN: 9781937513108
Category : Crafts & Hobbies
Languages : en
Pages : 234
Book Description
The Ladies of Mischief Interrupt Their Knitting to Present to You, Needles and Artifice: A Refined Adventure Story with Ingenious Knitting Patterns Gentle ladies and kind sirs: welcome to the world of Needles and Artifice, where corseted Victorian fashion gets an energized infusion of punk. In this fantastically playful take on steampunk knitwear design, the Ladies of Mischief offer not only 23 original patterns, but also a high-flying, busk-snapping adventure that plays out across each chapter. Pull on your goggles and spats, knitters: you're in for a wild ride.
Needles and Artifice
Author: The Ladies of Mischief LLC
Publisher:
ISBN: 9781937513108
Category : Crafts & Hobbies
Languages : en
Pages : 234
Book Description
The Ladies of Mischief Interrupt Their Knitting to Present to You, Needles and Artifice: A Refined Adventure Story with Ingenious Knitting Patterns Gentle ladies and kind sirs: welcome to the world of Needles and Artifice, where corseted Victorian fashion gets an energized infusion of punk. In this fantastically playful take on steampunk knitwear design, the Ladies of Mischief offer not only 23 original patterns, but also a high-flying, busk-snapping adventure that plays out across each chapter. Pull on your goggles and spats, knitters: you're in for a wild ride.
Publisher:
ISBN: 9781937513108
Category : Crafts & Hobbies
Languages : en
Pages : 234
Book Description
The Ladies of Mischief Interrupt Their Knitting to Present to You, Needles and Artifice: A Refined Adventure Story with Ingenious Knitting Patterns Gentle ladies and kind sirs: welcome to the world of Needles and Artifice, where corseted Victorian fashion gets an energized infusion of punk. In this fantastically playful take on steampunk knitwear design, the Ladies of Mischief offer not only 23 original patterns, but also a high-flying, busk-snapping adventure that plays out across each chapter. Pull on your goggles and spats, knitters: you're in for a wild ride.
Artifice and Illusion
Author: Celeste Brusati
Publisher: University of Chicago Press
ISBN: 9780226077857
Category : Art
Languages : en
Pages : 466
Book Description
Samuel van Hoogstraten is familiar to scholars of Dutch art as a talented pupil and early critic of Rembrandt, and as the author of a major Dutch painting treatise. In this book, Celeste Brusati looks at the art, writing, and career of this multifaceted artist. A rich appreciation of one of the most often cited but least understood figures in seventeenth-century Dutch art, this book will interest scholars and students of art history, social history, and visual culture.
Publisher: University of Chicago Press
ISBN: 9780226077857
Category : Art
Languages : en
Pages : 466
Book Description
Samuel van Hoogstraten is familiar to scholars of Dutch art as a talented pupil and early critic of Rembrandt, and as the author of a major Dutch painting treatise. In this book, Celeste Brusati looks at the art, writing, and career of this multifaceted artist. A rich appreciation of one of the most often cited but least understood figures in seventeenth-century Dutch art, this book will interest scholars and students of art history, social history, and visual culture.
Artifice & Craft
Author: C.E. Murphy
Publisher: Jabberwocky Literary Agency, Inc.
ISBN: 1940709571
Category : Fiction
Languages : en
Pages : 325
Book Description
Would you kill for your art? Would it kill for you? A painter who kills with blood-tinged pigment. A tattoo artist with a dark past who treats with demons. A sculptor on Venus who carves his life’s history into ice at the cost of his sanity. A ceramic vase that might avenge the life of a murder victim. A haunted song that drives listeners to kill. Art surrounds us. It entertains and nurtures. And for some it can do far more. It can protect a family over generations or bridge the boundary between the realms of the living and the dead. It can be a curse or a boon, a path to riches or to damnation. In Artifice and Craft, speculative fiction authors Lyndsay E. Gilbert, Laura E. Price, Adam Stemple, Brian K. Lowe, James R. Tuck, Briana Una McGuckin, Jordan Davidson, James Maxey, Madeline Dau, Joel Armstrong, C.E. Murphy, Mark Painter, Alex Bledsoe, Alethea Kontis, Gerri Leen, and Jelena Dunato craft tales of art and artistry that are shaded with the supernatural, tuned to the fantastic, and glazed with the unexpected. So listen, watch, admire. But don’t touch, and don’t turn your back. Because these works of art are far more than they seem.
Publisher: Jabberwocky Literary Agency, Inc.
ISBN: 1940709571
Category : Fiction
Languages : en
Pages : 325
Book Description
Would you kill for your art? Would it kill for you? A painter who kills with blood-tinged pigment. A tattoo artist with a dark past who treats with demons. A sculptor on Venus who carves his life’s history into ice at the cost of his sanity. A ceramic vase that might avenge the life of a murder victim. A haunted song that drives listeners to kill. Art surrounds us. It entertains and nurtures. And for some it can do far more. It can protect a family over generations or bridge the boundary between the realms of the living and the dead. It can be a curse or a boon, a path to riches or to damnation. In Artifice and Craft, speculative fiction authors Lyndsay E. Gilbert, Laura E. Price, Adam Stemple, Brian K. Lowe, James R. Tuck, Briana Una McGuckin, Jordan Davidson, James Maxey, Madeline Dau, Joel Armstrong, C.E. Murphy, Mark Painter, Alex Bledsoe, Alethea Kontis, Gerri Leen, and Jelena Dunato craft tales of art and artistry that are shaded with the supernatural, tuned to the fantastic, and glazed with the unexpected. So listen, watch, admire. But don’t touch, and don’t turn your back. Because these works of art are far more than they seem.
Making Matters
Author: Leigh Gruwell
Publisher: University Press of Colorado
ISBN: 1646422554
Category : Language Arts & Disciplines
Languages : en
Pages : 192
Book Description
Craft is a process-oriented practice that takes seriously the relationships between bodies—both human and nonhuman—and makes apparent how these relationships are mired in and informed by power structures. Making Matters introduces craft agency, a feminist vision of new materialist rhetorics that enables scholars to identify how power circulates and sometimes stagnates within assemblages of actors and provides tools to rectify that uneven distribution. To recast new materialist rhetorics as inherently crafty, Leigh Gruwell historicizes and locates the concept of craft both within rhetorical history as well as in the disciplinary history of writing studies. Her investigation centers on three specific case studies: craftivism, the fibercraft website Ravelry, and the 2017 Women’s March. These instances all highlight how a material, ecological understanding of rhetorical agency can enact political change. Craft agency models how we humans might work with and alongside things—nonhuman, sometimes digital, sometimes material—to create more equitable relationships. Making Matters argues that craft is a useful starting point for addressing criticisms of new materialist rhetorics not only because doing so places rhetorical action as a product of complex relationships between a network of human and nonhuman actors, but also because it does so with an explicitly activist agenda that positions the body itself as a material interface.
Publisher: University Press of Colorado
ISBN: 1646422554
Category : Language Arts & Disciplines
Languages : en
Pages : 192
Book Description
Craft is a process-oriented practice that takes seriously the relationships between bodies—both human and nonhuman—and makes apparent how these relationships are mired in and informed by power structures. Making Matters introduces craft agency, a feminist vision of new materialist rhetorics that enables scholars to identify how power circulates and sometimes stagnates within assemblages of actors and provides tools to rectify that uneven distribution. To recast new materialist rhetorics as inherently crafty, Leigh Gruwell historicizes and locates the concept of craft both within rhetorical history as well as in the disciplinary history of writing studies. Her investigation centers on three specific case studies: craftivism, the fibercraft website Ravelry, and the 2017 Women’s March. These instances all highlight how a material, ecological understanding of rhetorical agency can enact political change. Craft agency models how we humans might work with and alongside things—nonhuman, sometimes digital, sometimes material—to create more equitable relationships. Making Matters argues that craft is a useful starting point for addressing criticisms of new materialist rhetorics not only because doing so places rhetorical action as a product of complex relationships between a network of human and nonhuman actors, but also because it does so with an explicitly activist agenda that positions the body itself as a material interface.
A Practical Dictionary of the English and German Languages: German and English
Author: Felix Flügel
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1226
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1226
Book Description
A complete dictionary of the English and German and English languages
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1290
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1290
Book Description
A Practical Dictionary of the English and German Languages in Two Parts ...
Author: Felix Flügel
Publisher:
ISBN:
Category :
Languages : en
Pages : 1300
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1300
Book Description
Artifice and Design
Author: Barry Allen
Publisher: Cornell University Press
ISBN: 0801457025
Category : Technology & Engineering
Languages : en
Pages : 227
Book Description
"As familiar and widely appreciated works of modern technology, bridges are a good place to study the relationship between the aesthetic and the technical. Fully engaged technical design is at once aesthetic and structural. In the best work (the best design, the most well made), the look and feel of a device (its aesthetic, perceptual interface) is as important a part of the design problem as its mechanism (the interface of parts and systems). We have no idea how to make something that is merely efficient, a rational instrument blindly indifferent to how it appears. No engineer can design such a thing and none has ever been built."—from Artifice and Design In an intriguing book about the aesthetics of technological objects and the relationship between technical and artistic accomplishment, Barry Allen develops the philosophical implications of a series of interrelated concepts-knowledge, artifact, design, tool, art, and technology-and uses them to explore parallel questions about artistry in technology and technics in art. This may be seen at the heart of Artifice and Design in Allen's discussion of seven bridges: he focuses at length on two New York bridges—the Hell Gate Bridge and the Bayonne Bridge—and makes use of original sources for insight into the designers' ideas about the aesthetic dimensions of their work. Allen starts from the conviction that art and technology must be treated together, as two aspects of a common, technical human nature. The topics covered in Artifice and Design are wide-ranging and interdisciplinary, drawing from evolutionary biology, cognitive psychology, and the history and anthropology of art and technology. The book concludes that it is a mistake to think of art as something subjective, or as an arbitrary social representation, and of Technology as an instrumental form of purposive rationality. "By segregating art and technology," Allen writes, "we divide ourselves against ourselves, casting up self-made obstacles to the ingenuity of art and technology."
Publisher: Cornell University Press
ISBN: 0801457025
Category : Technology & Engineering
Languages : en
Pages : 227
Book Description
"As familiar and widely appreciated works of modern technology, bridges are a good place to study the relationship between the aesthetic and the technical. Fully engaged technical design is at once aesthetic and structural. In the best work (the best design, the most well made), the look and feel of a device (its aesthetic, perceptual interface) is as important a part of the design problem as its mechanism (the interface of parts and systems). We have no idea how to make something that is merely efficient, a rational instrument blindly indifferent to how it appears. No engineer can design such a thing and none has ever been built."—from Artifice and Design In an intriguing book about the aesthetics of technological objects and the relationship between technical and artistic accomplishment, Barry Allen develops the philosophical implications of a series of interrelated concepts-knowledge, artifact, design, tool, art, and technology-and uses them to explore parallel questions about artistry in technology and technics in art. This may be seen at the heart of Artifice and Design in Allen's discussion of seven bridges: he focuses at length on two New York bridges—the Hell Gate Bridge and the Bayonne Bridge—and makes use of original sources for insight into the designers' ideas about the aesthetic dimensions of their work. Allen starts from the conviction that art and technology must be treated together, as two aspects of a common, technical human nature. The topics covered in Artifice and Design are wide-ranging and interdisciplinary, drawing from evolutionary biology, cognitive psychology, and the history and anthropology of art and technology. The book concludes that it is a mistake to think of art as something subjective, or as an arbitrary social representation, and of Technology as an instrumental form of purposive rationality. "By segregating art and technology," Allen writes, "we divide ourselves against ourselves, casting up self-made obstacles to the ingenuity of art and technology."
A Practical Dictionary of the English and German Languages
Author: Felix Flügel
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1222
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1222
Book Description
Pure Adulteration
Author: Benjamin R. Cohen
Publisher: University of Chicago Press
ISBN: 022637792X
Category : Science
Languages : en
Pages : 332
Book Description
In the latter nineteenth century, extraordinary changes in food and agriculture gave rise to new tensions in the ways people understood, obtained, trusted, and ate their food. This was the Era of Adulteration, and its concerns have carried forward to today: How could you tell the food you bought was the food you thought you bought? Could something manufactured still be pure? Is it okay to manipulate nature far enough to produce new foods but not so far that you question its safety and health? How do you know where the line is? And who decides? In Pure Adulteration, Benjamin R. Cohen uses the pure food crusades to provide a captivating window onto the origins of manufactured foods and the perceived problems they wrought. Cohen follows farmers, manufacturers, grocers, hucksters, housewives, politicians, and scientific analysts as they struggled to demarcate and patrol the ever-contingent, always contested border between purity and adulteration, and as, at the end of the nineteenth century, the very notion of a pure food changed. In the end, there is (and was) no natural, prehuman distinction between pure and adulterated to uncover and enforce; we have to decide. Today’s world is different from that of our nineteenth-century forebears in many ways, but the challenge of policing the difference between acceptable and unacceptable practices remains central to daily decisions about the foods we eat, how we produce them, and what choices we make when buying them.
Publisher: University of Chicago Press
ISBN: 022637792X
Category : Science
Languages : en
Pages : 332
Book Description
In the latter nineteenth century, extraordinary changes in food and agriculture gave rise to new tensions in the ways people understood, obtained, trusted, and ate their food. This was the Era of Adulteration, and its concerns have carried forward to today: How could you tell the food you bought was the food you thought you bought? Could something manufactured still be pure? Is it okay to manipulate nature far enough to produce new foods but not so far that you question its safety and health? How do you know where the line is? And who decides? In Pure Adulteration, Benjamin R. Cohen uses the pure food crusades to provide a captivating window onto the origins of manufactured foods and the perceived problems they wrought. Cohen follows farmers, manufacturers, grocers, hucksters, housewives, politicians, and scientific analysts as they struggled to demarcate and patrol the ever-contingent, always contested border between purity and adulteration, and as, at the end of the nineteenth century, the very notion of a pure food changed. In the end, there is (and was) no natural, prehuman distinction between pure and adulterated to uncover and enforce; we have to decide. Today’s world is different from that of our nineteenth-century forebears in many ways, but the challenge of policing the difference between acceptable and unacceptable practices remains central to daily decisions about the foods we eat, how we produce them, and what choices we make when buying them.