Arthur Honegger: liste des oeuvres ; Werkverzeichnis ; Né le 10 mars 1892, décédé le 27 nov. 1955 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Arthur Honegger: liste des oeuvres ; Werkverzeichnis ; Né le 10 mars 1892, décédé le 27 nov. 1955 PDF full book. Access full book title Arthur Honegger: liste des oeuvres ; Werkverzeichnis ; Né le 10 mars 1892, décédé le 27 nov. 1955 by Artur Honegger. Download full books in PDF and EPUB format.
Author: Artur Honegger
Publisher:
ISBN:
Category :
Languages : fr
Pages : 72
Get Book Here
Book Description
Author: Artur Honegger
Publisher:
ISBN:
Category :
Languages : fr
Pages : 72
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 72
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : de
Pages : 72
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 616
Get Book Here
Book Description
Author: André George
Publisher: FeniXX
ISBN: 2307063595
Category : Fiction
Languages : fr
Pages : 111
Get Book Here
Book Description
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 34
Get Book Here
Book Description
Author: Erwin Hiebert
Publisher: Springer
ISBN: 9783319383521
Category : Philosophy
Languages : en
Pages : 0
Get Book Here
Book Description
This book explores the interactions between science and music in the late nineteenth- and early twentieth century. It examines and evaluates the work of Hermann von Helmholtz, Max Planck, Shohé Tanaka, and Adriaan Fokker, leading physicists and physiologists who were committed to understanding crucial aesthetic components of the art of music, including the standardization of pitch and the implementation of various types of intonations. With a mixture of physics, physiology, and aesthetics, author Erwin Hiebert addresses throughout the book how just intonation came to intersect with the history of keyboard instruments and exert an influence on the development of Western music. He begins with the work of Hermann von Helmholtz, a leading nineteenth-century physicist and physiologist who not only made important contributions in vision, optics, electrodynamics and thermodynamics, but also helped advanced the field of music theory as well. The author traces the Helmholtzian trends of thought that become inherently more complex by reaching beyond the sciences to perform a bridge with aesthetics and the diverse ways in which the human mind interprets or is taught, in different cultures, to interpret and understand music. Next, the author explores the works of other key physicists and physiologists who were influenced by Helmholtz and added to his legacy. He examines Japanese music theory student Shohé Tanaka, who sought to design a harmonium that was not based on equal temperament but rather on just intonation. Dutch physicist Adriaan Daniel Fokker, who arranged for organs to be built based on 31-tones per octave, orchestrated concerts for these new instruments and even attempted to compose microtonal music, or music whose tonality is based on intervals smaller than the typical twelve semitones of Western music.
Author: David Pantalony
Publisher: Springer Science & Business Media
ISBN: 9048128161
Category : Psychology
Languages : en
Pages : 400
Get Book Here
Book Description
Rudolph Koenig was one of the more prolific and colourful instrument makers in the renowned nineteenth-century precision instrument trade of Paris. Beginning his career as a violin maker, in 1858 the young Prussian immigrant shifted his talents towards the growing field of acoustics. Altered Sensations is a portrait of his vibrant atelier, a place of construction, commerce and experiment. For over forty years it was also a popular meeting place for scientists, artisans, musicians and teachers. Using archival and collection research from across North American and Europe, David Pantalony has traced the material and social influences of this space on the development of modern acoustics. In particular, he has detailed the manner in which Koenig modified, extended, spread and challenged Hermann von Helmholtz's Sensations of Tone. A large part of the research on Koenig comes from the actual products of his workshop which survive in museums and collections around the world. The second section of Altered Sensations provides a Catalogue Raisonné of Koenig’s entire line of instruments, including their history, details from specific examples, locations, and references in the literature. This catalogue will serve as a practical guide for curators and researchers as well as a comprehensive overview of nineteenth-century acoustical practice.
Author:
Publisher:
ISBN:
Category : Music trade
Languages : en
Pages : 366
Get Book Here
Book Description
Author: Benjamin Steege
Publisher: Cambridge University Press
ISBN: 1139510649
Category : Music
Languages : en
Pages : 295
Get Book Here
Book Description
The musical writings of scientist Hermann von Helmholtz (1821–94) have long been considered epoch-making in the histories of both science and aesthetics. Widely regarded as having promised an authoritative scientific foundation for harmonic practice, Helmholtz can also be read as posing a series of persistent challenges to our understanding of the musical listener. Helmholtz was at the forefront of sweeping changes in discourse about human perception. His interrogation of the physiology of hearing threw notions of the self-possessed listener into doubt and conjured a sense of vulnerability to mechanistic forces and fragmentary experience. Yet this new image of the listener was simultaneously caught up in wider projects of discipline, education and liberal reform. Reading Helmholtz in conjunction with a range of his intellectual sources and heirs, from Goethe to Max Weber to George Bernard Shaw, Steege explores the significance of Helmholtz's listener as an emblem of a broader cultural modernity.
