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Author: The Mexican Museum
Publisher: Chronicle Books
ISBN: 1797209035
Category : Art
Languages : en
Pages : 170
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Book Description
Arte Popular features 100 pieces from Rex May's extensive collection of exquisite hand-crafted objects from all over Mexico. Coming from the reputable Mexican Museum, this volume demonstrates the dramatic power of folk art. This bilingual volume provides a veritable treasure trove of discoveries for the curious reader. • Features bold and atmospheric photographs • Includes scholarly essays that delve into the collection's origins and significance • A visual treat for lovers of Mexican art, craft, and visual culture The Rex May Collection–bequeathed to the Mexican Museum by the legendary 39-Mile-Drive sign designer–demonstrates the dramatic power of folk art. This book is a companion to the opening of the Mexican Museum building in downtown San Francisco's Yerba Buena museum neighborhood. • Perfect for museum goers and fans of Mexican arts and crafts • The Mexican Museum has been a San Francisco cultural destination and educational resource for 37 years, and became the only San Francisco affiliate of the Smithsonian Institution in 2012. • You'll love this book if you love books like Mexican Details by Joe P. Carr and Karen Witynski, Crafts of Mexico by Margarita de Orellana and Alberto Ruy Sanchez, and Masks of Mexico: Tigers, Devils, and the Dance of Life by Barbara Mauldin.
Author: The Mexican Museum
Publisher: Chronicle Books
ISBN: 1797209035
Category : Art
Languages : en
Pages : 170
Get Book Here
Book Description
Arte Popular features 100 pieces from Rex May's extensive collection of exquisite hand-crafted objects from all over Mexico. Coming from the reputable Mexican Museum, this volume demonstrates the dramatic power of folk art. This bilingual volume provides a veritable treasure trove of discoveries for the curious reader. • Features bold and atmospheric photographs • Includes scholarly essays that delve into the collection's origins and significance • A visual treat for lovers of Mexican art, craft, and visual culture The Rex May Collection–bequeathed to the Mexican Museum by the legendary 39-Mile-Drive sign designer–demonstrates the dramatic power of folk art. This book is a companion to the opening of the Mexican Museum building in downtown San Francisco's Yerba Buena museum neighborhood. • Perfect for museum goers and fans of Mexican arts and crafts • The Mexican Museum has been a San Francisco cultural destination and educational resource for 37 years, and became the only San Francisco affiliate of the Smithsonian Institution in 2012. • You'll love this book if you love books like Mexican Details by Joe P. Carr and Karen Witynski, Crafts of Mexico by Margarita de Orellana and Alberto Ruy Sanchez, and Masks of Mexico: Tigers, Devils, and the Dance of Life by Barbara Mauldin.
Author: Anita Brenner
Publisher: Courier Corporation
ISBN: 9780486423036
Category : Art
Languages : en
Pages : 456
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Book Description
Art critic, historian and journalist Anita Brenner (1905-1974) is acknowledged to be one of the most important and perceptive writers on the art, culture, and political history of Mexico. Idols Behind Altars is her influential historical and critical study of modern Mexican art and its roots. It was one of the first books to afford Mexican art the same serious considerations as European and Asian art and remains indispensable for anyone interested in the subject. The works of such major figures as Diego Rivera, Jóse Clemente Orozco, David Alfaro Siqueiros, Francisco Goitia and Jean Charlot are examined in the cultural context of pre-Columbian times through the 19th century. Brenner's astute analysis of Mexican history, her keen insights into revolutionary politics, and her passionate advocacy of Mexican art infuse this book with seminal importance. 117 illustrations — including some early photographs by Edward Weston — enhance the text.
Author: Rick A. López
Publisher: Duke University Press
ISBN: 0822391732
Category : History
Languages : en
Pages : 437
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Book Description
After Mexico’s revolution of 1910–1920, intellectuals sought to forge a unified cultural nation out of the country’s diverse populace. Their efforts resulted in an “ethnicized” interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture. In this rich history, Rick A. López explains how thinkers and artists, including the anthropologist Manuel Gamio, the composer Carlos Chávez, the educator Moisés Sáenz, the painter Diego Rivera, and many less-known figures, formulated and promoted a notion of nationhood in which previously denigrated vernacular arts—dance, music, and handicrafts such as textiles, basketry, ceramics, wooden toys, and ritual masks—came to be seen as symbolic of Mexico’s modernity and national distinctiveness. López examines how the nationalist project intersected with transnational intellectual and artistic currents, as well as how it was adapted in rural communities. He provides an in-depth account of artisanal practices in the village of Olinalá, located in the mountainous southern state of Guerrero. Since the 1920s, Olinalá has been renowned for its lacquered boxes and gourds, which have been considered to be among the “most Mexican” of the nation’s arts. Crafting Mexico illuminates the role of cultural politics and visual production in Mexico’s transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity.
Author: Marian Harvey
Publisher: Associated University Presses
ISBN: 9780879825126
Category : Artisans
Languages : en
Pages : 254
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Book Description
Author: Susan Danly
Publisher: UNM Press
ISBN: 9780826328052
Category : Art
Languages : en
Pages : 224
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Book Description
Provides a detailed look at the political and artistic climate in Mexican-American relations through an examination of the folk art collection amassed by Dwight and Elizabeth Morrow when he was U.S. ambassador to Mexico in the late 1920s.
Author: Mary Kay Vaughan
Publisher: Duke University Press
ISBN: 0822387522
Category : History
Languages : en
Pages : 396
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Book Description
When the fighting of the Mexican Revolution died down in 1920, the national government faced the daunting task of building a cohesive nation. It had to establish control over a disparate and needy population and prepare the country for global economic competition. As part of this effort, the government enlisted the energy of artists and intellectuals in cultivating a distinctly Mexican identity. It devised a project for the incorporation of indigenous peoples and oversaw a vast, innovative program in the arts. The Eagle and the Virgin examines the massive nation-building project Mexico undertook between 1920 and 1940. Contributors explore the nation-building efforts of the government, artists, entrepreneurs, and social movements; their contradictory, often conflicting intersection; and their inevitably transnational nature. Scholars of political and social history, communications, and art history describe the creation of national symbols, myths, histories, and heroes to inspire patriotism and transform workers and peasants into efficient, productive, gendered subjects. They analyze the aesthetics of nation building made visible in murals, music, and architecture; investigate state projects to promote health, anticlericalism, and education; and consider the role of mass communications, such as cinema and radio, and the impact of road building. They discuss how national identity was forged among social groups, specifically political Catholics, industrial workers, middle-class women, and indigenous communities. Most important, the volume weighs in on debates about the tension between the eagle (the modernizing secular state) and the Virgin of Guadalupe (the Catholic defense of faith and morality). It argues that despite bitter, violent conflict, the symbolic repertoire created to promote national identity and memory making eventually proved capacious enough to allow the eagle and the virgin to coexist peacefully. Contributors. Adrian Bantjes, Katherine Bliss, María Teresa Fernández, Joy Elizabeth Hayes, Joanne Hershfield, Stephen E. Lewis, Claudio Lomnitz, Rick A. López, Sarah M. Lowe, Jean Meyer, James Oles, Patrice Olsen, Desmond Rochfort, Michael Snodgrass, Mary Kay Vaughan, Marco Velázquez, Wendy Waters, Adriana Zavala
Author: Erica Segre
Publisher: Berghahn Books
ISBN: 9781845452919
Category : Art
Languages : en
Pages : 342
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Book Description
There has always been an important visual element to the construction and questioning of national identity in post-Independence Mexico, though one that has not always been given its due, outside of the celebrated and much-studied muralists. Ranging from the early nineteenth century to the present - from the vogue for the picturesque, illustrated periodicals and the influential writings of Altamirano to a wealth of twentieth-century graphic artists, filmmakers and photographers - this book re-examines the complex variety of ways in which that visual element has operated. In particular, it looks at the ways in which discourses concerning ethnicity and cultural hybridity have been echoed and transformed in Mexican visual culture, resulting in fields of visual discourse which are eclectic and increasingly self-reflexive.
Author: Michele Greet
Publisher: Routledge
ISBN: 1351777904
Category : Art
Languages : en
Pages : 333
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Book Description
Since the late nineteenth century, art museums have played crucial social, political, and economic roles throughout Latin America because of the ways that they structure representation. By means of their architecture, collections, exhibitions, and curatorial practices, Latin American art museums have crafted representations of communities, including nation states, and promoted particular group ideologies. This collection of essays, arranged in thematic sections, will examine the varying and complex functions of art museums in Latin America: as nation-building institutions and instruments of state cultural politics; as foci for the promotion of Latin American modernities and modernisms; as sites of mediation between local and international, private and public interests; as organizations that negotiate cultural construction within the Latin American diaspora and shape constructs of Latin America and its nations; and as venues for the contestation of elitist and Eurocentric notions of culture and the realization of cultural diversity rooted in multiethnic environments.
Author: Eli Bartra
Publisher: University of Wales Press
ISBN: 1783160756
Category : Art
Languages : en
Pages : 233
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Book Description
The aim of this book is to engender Mexican folk art and locate women at its centre by studying the processes of creation, distribution, and consumption, as well as examining iconographic aspects, and elements of class and ethnicity, from the perspective of gender. The author will demonstrate that the topic provides unique insights into Mexican culture, and has enormous relevance within and without the country, given the fact that much folk art is made for the United States and Europe, either in terms of the tourists who buy it on coming to Mexico, or that which is exported.
Author: Jennifer Jolly
Publisher: University of Texas Press
ISBN: 1477314202
Category : Art
Languages : en
Pages : 363
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Book Description
In the 1930s, the artistic and cultural patronage of celebrated Mexican president Lázaro Cárdenas transformed a small Michoacán city, Pátzcuaro, into a popular center for national tourism. Cárdenas commissioned public monuments and archeological excavations; supported new schools, libraries, and a public theater; developed tourism sites and infrastructure, including the Museo de Artes e Industrias Populares; and hired artists to paint murals celebrating regional history, traditions, and culture. The creation of Pátzcuaro was formative for Mexico; not only did it provide an early model for regional economic and cultural development, but it also helped establish some of Mexico's most enduring national myths, rituals, and institutions. In Creating Pátzcuaro, Creating Mexico, Jennifer Jolly argues that Pátzcuaro became a microcosm of cultural power during the 1930s and that we find the foundations of modern Mexico in its creation. Her extensive historical and archival research reveals how Cárdenas and the artists and intellectuals who worked with him used cultural patronage as a guise for radical modernization in the region. Jolly demonstrates that the Pátzcuaro project helped define a new modern body politic for Mexico, in which the population was asked to emulate Cárdenas by touring the country and seeing and embracing its land, history, and people. Ultimately, by offering Mexicans a means to identify and engage with power and privilege, the creation of Pátzcuaro placed art and tourism at the center of Mexico's postrevolutionary nation building project.
