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Author: Jaime Brihuega
Publisher: Antonio Machado Libros
ISBN: 8491141715
Category : Art
Languages : es
Pages : 379
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Book Description
"Cambio de siglo, República y exilio. Arte del siglo xx en España" reúne un conjunto de trabajos en los que se analiza la paradójica trayectoria del arte de nuestro país, el movimiento de los artistas de vanguardia en el interior, la importancia de los que, en el exterior, protagonizan la historia del arte contemporáneo, los cambios habidos con la IIa República y las funestas "consecuencias" de la Guerra Civil y el exilio. Brihuega traza el perfil de una época azarosa y extrema para la historia de nuestras artes visuales y, en general, para nuestra cultura.
Author: Jaime Brihuega
Publisher: Antonio Machado Libros
ISBN: 8491141715
Category : Art
Languages : es
Pages : 379
Get Book Here
Book Description
"Cambio de siglo, República y exilio. Arte del siglo xx en España" reúne un conjunto de trabajos en los que se analiza la paradójica trayectoria del arte de nuestro país, el movimiento de los artistas de vanguardia en el interior, la importancia de los que, en el exterior, protagonizan la historia del arte contemporáneo, los cambios habidos con la IIa República y las funestas "consecuencias" de la Guerra Civil y el exilio. Brihuega traza el perfil de una época azarosa y extrema para la historia de nuestras artes visuales y, en general, para nuestra cultura.
Author: M.ª Dolores Antigüedad del Castillo-Olivares
Publisher: Editorial Centro de Estudios Ramon Areces SA
ISBN: 8499614191
Category : Art
Languages : es
Pages : 401
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Book Description
Manual de texto, para la asignatura de Historia del Arte Contemporáneo: Siglo XX del Grado en Historia del Arte.
Author: MiriamM. Basilio
Publisher: Routledge
ISBN: 1351537431
Category : Art
Languages : en
Pages : 341
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Book Description
Visual Propaganda, Exhibitions, and the Spanish Civil War is a history of art during wartime that analyzes images in various media that circulated widely and were encountered daily by Spaniards on city walls, in print, and in exhibitions. Tangible elements of the nation?s past?monuments, cultural property, and art-historical icons?were displayed in temporary exhibitions and museums, as well as reproduced on posters and in print media, to rally the population, define national identity, and reinvent distant and recent history. Artists, political-party propagandists, and government administrators believed that images on the street, in print, and in exhibitions would create a community of viewers, brought together during the staging of public exhibitions to understand their own roles as Spaniards. This book draws on extensive archival research, brings to light unpublished documents, and examines visual propaganda, exhibitions, and texts unavailable in English. It engages with questions of national self-definition and historical memory at their intersections with the fine arts, visual culture, exhibition history, tourism, and propaganda during the Spanish Civil War and immediate post-war period, as well as contemporary responses to the contested legacy of the Spanish Civil War. It will be of interest to scholars in art history, visual and cultural history, history, and museum studies.
Author: Eduardo Iáñez Pareja
Publisher:
ISBN: 9788480633208
Category :
Languages : es
Pages : 94
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Book Description
Author: Eugenia Afinoguénova
Publisher: Lexington Books
ISBN: 9780739124017
Category : Business & Economics
Languages : en
Pages : 334
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Book Description
"Spain Is (Still) Different introduces readers to issues concerning the cultural function of tourism in Spain. An international team of scholars addresses both theoretical perspectives on the study of tourism in Spain and specific cases of the cultural impact of travel and tourism on Spanish culture in the late eighteenth to early twenty-first centuries.
Author:
Publisher: Penn State Press
ISBN: 9780271047201
Category : Art
Languages : en
Pages : 328
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Book Description
The news media have given us potent demonstrations of the ambiguity of ostensibly truthful representations of public events. Jordana Mendelson uses this ambiguity as a framework for the study of Spanish visual culture from 1929 to 1939--a decade marked, on the one hand, by dictatorship, civil war, and Franco's rise to power and, on the other, by a surge in the production of documentaries of various types, from films and photographs to international exhibitions. Mendelson begins with an examination of El Pueblo Español, a model Spanish village featured at the 1929 International Exposition in Barcelona. She then discusses Buñuel's and Dalí's documentary films, relating them not only to French Surrealism but also to issues of rural tradition in the formation of regional and national identities. Her highly original book concludes with a discussion of the 1937 Spanish Pavilion, where Picasso's famed painting of the Fascist bombing of a Basque town--Guernica--was exhibited along with monumental photomurals by Josep Renau. Based upon years of archival research, Mendelson's book opens a new perspective on the cultural politics of a turbulent era in modern Spain. It explores the little-known yet rich intersection between avant-garde artists and government institutions. It shows as well the surprising extent to which Spanish modernity was fashioned through dialogue between the seemingly opposed fields of urban and rural, fine art, and mass culture.
Author: J. Pedro Lorente
Publisher: Routledge
ISBN: 1317023536
Category : Art
Languages : en
Pages : 331
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Book Description
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musée des Artistes Vivants in Paris and its equivalents in the rest of Europe during the nineteenth century. The second part takes the story forward from 1930 to the present, presenting New York's Museum of Modern Art as a new universal role model that found emulators or 'contramodels' in the rest of the Western world during the twentieth century. An epilogue, reviews recent museum developments in the last decades. Through its adoption of a long-term, worldwide perspective, the book not only provides a narrative of the development of museums of contemporary art, but also sets this into its international perspective. By assessing the extent to which the great museum-capitals - Paris, London and New York in particular - created their own models of museum provision, as well as acknowledging the influence of such models elsewhere, the book uncovers fascinating perspectives on the practice of museum provision, and reveals how present cultural planning initiatives have often been shaped by historical uses.
Author: Aránzazu Ascunce
Publisher: Lexington Books
ISBN: 1611484243
Category : History
Languages : en
Pages : 289
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Book Description
For hundreds of years, Barcelona and Madrid have shared a deep rivalry. Throughout history, they have competed in practically every aspect of social life, sport, politics, and culture. While competition between cities is commonplace in many nations around the world, in the case of Barcelona and Madrid it has been, on occasion, excessively antagonistic. Over time they have each tried to demonstrate that one was more modern than the other, or more avant-garde, or richer, or more athletic, and so on. Fortunately, the Spain of today is a democracy and every nation and region of the State has the liberty to act. As such, the rivalry between these two capitals has become productive not only for the cities themselves, but also for Spain as a whole. One hundred years ago, at the onset of the Historical Avant-Garde in Spain, the connections between Barcelona and Madrid consisted of a complicated web of politics, friendships, publications, and inter-art collaborations. Over the last century, the antagonistic relationship between these two cultural capitals has been dismissed as simply a fact of life and thereby scholars, for the most part, have focused only on Barcelona or Madrid when addressing this cultural moment. By delving deep into the myriad of cultural and political complexities that surround these two cities from the onset of Futurism (1909) to the arrival of Surrealism in Spain (1929), a complex social and cultural network is revealed. Networking between artists, poets, journalists and thinkers connected avant-garde Barcelona and Madrid, thereby creating synergy for this artistic and literary movement. In a hybrid, transdisciplarian, translingual and historical approach using a wide range of visual and textual artifacts, the complexity of interactions described here opens our imagination to new ways of thinking about culture.
Author: Jeremy Treglown
Publisher: Macmillan
ISBN: 0374108420
Category : Architecture
Languages : en
Pages : 338
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Book Description
This thought-provoking reexamination of the cultural artifacts of Francisco Franco's Spain looks at monuments, paintings, public works, novels, movies and computer games to present a new perspective on the events of the Spanish Civil War.
Author: Equipo 57
Publisher:
ISBN:
Category : Art, Abstract
Languages : en
Pages : 228
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Book Description
