Author: George Puttenham
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 322
Book Description
The Arte of English Poesie
Author: George Puttenham
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 322
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 322
Book Description
The Arte of English Poesie, 1589
Author: Richard Puttenham
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 330
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 330
Book Description
Carnegie Institution of Washington Publication
Author:
Publisher:
ISBN:
Category : History
Languages : en
Pages : 286
Book Description
Publisher:
ISBN:
Category : History
Languages : en
Pages : 286
Book Description
Ancient Critical Essays Upon English Poets and Poësy: Puttenham, George. Arte of English poesie.- Vol. 2. Gascoigne, George. Certayne notes of instruction; Webbe, William. A discourse of English poetrie; King James. A treatise of the airt of Scottis poesie; Harington, Sir John. An apologie of poetrie; Meres, Francis. A comparative discourse of our English poets; Campion, Thomas. Observations in the art of English poesie; Daniel, Samuel. A defence of ryme; Bolton, Edmund. Hypercritica, or, A Rule of judgment for writing or reading our histories; Spenser, Edmund and Harvey, Gabriel. Three proper and wittie familiar letters lately passed between two universitie men, and two other very commendable letters of the same men's writing
Author: Joseph Haslewood
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 350
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 350
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 708
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 708
Book Description
The Arte of English Poesie ... 1589. Carefully Edited by Edward Arber
Author: George Puttenham
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
Catalogue of the Library of the Peabody Institute of the City of Baltimore ...
Author: George Peabody Library
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 892
Book Description
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 892
Book Description
European Painting and Sculpture, Ca. 1770-1937, in the Museum of Art, Rhode Island School of Design
Author: Rhode Island School of Design. Museum of Art
Publisher: University of Pennsylvania Press
ISBN: 0911517553
Category : Art
Languages : en
Pages : 296
Book Description
This documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.
Publisher: University of Pennsylvania Press
ISBN: 0911517553
Category : Art
Languages : en
Pages : 296
Book Description
This documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.
Abstract Crossings
Author: María Amalia García
Publisher: University of California Press
ISBN: 0520302192
Category : Art
Languages : en
Pages : 320
Book Description
Toward the middle of the 1950s, abstract art became a dominant trend in the Latin American cultural scene. Many artists incorporated elements of abstraction into their rigorous artistic vocabularies, while at the same time, the representation of geometric lines and structures filtered into everyday life, appearing in textiles, posters, murals, and landscapes. The translation of a field-changing Spanish-language book, Abstract Crossings analyzes the relationship between, on the one hand, the emergence of abstract proposals in avant-garde groups and, on the other, the institutionalization and newfound hegemony of abstract poetics as part of Latin America’s imaginary of modernization. A profusion of mid-century artistic institutional exchanges between Argentina and Brazil makes a study of the trajectories of abstraction in these two countries particularly valuable. Examining the work of artists such as Max Bill, Lygia Clark, Waldemar Cordeiro, and Tomás Maldonado, author María Amalia García rewrites the artistic history of the period and proposes a novel reading of the cultural dialogue between Argentina and Brazil. This is the first book in the new Studies on Latin American Art series, supported by a gift from the Institute for Studies on Latin American Art.
Publisher: University of California Press
ISBN: 0520302192
Category : Art
Languages : en
Pages : 320
Book Description
Toward the middle of the 1950s, abstract art became a dominant trend in the Latin American cultural scene. Many artists incorporated elements of abstraction into their rigorous artistic vocabularies, while at the same time, the representation of geometric lines and structures filtered into everyday life, appearing in textiles, posters, murals, and landscapes. The translation of a field-changing Spanish-language book, Abstract Crossings analyzes the relationship between, on the one hand, the emergence of abstract proposals in avant-garde groups and, on the other, the institutionalization and newfound hegemony of abstract poetics as part of Latin America’s imaginary of modernization. A profusion of mid-century artistic institutional exchanges between Argentina and Brazil makes a study of the trajectories of abstraction in these two countries particularly valuable. Examining the work of artists such as Max Bill, Lygia Clark, Waldemar Cordeiro, and Tomás Maldonado, author María Amalia García rewrites the artistic history of the period and proposes a novel reading of the cultural dialogue between Argentina and Brazil. This is the first book in the new Studies on Latin American Art series, supported by a gift from the Institute for Studies on Latin American Art.
Classified Catalogue of the Carnegie Library of Pittsburgh
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 1310
Book Description
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 1310
Book Description