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Author: Fernando Ferandiere
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 116
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Book Description
Author: Fernando Ferandiere
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 116
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Book Description
Author: James Tyler
Publisher:
ISBN: 019816713X
Category : Guitar
Languages : en
Pages : 349
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Book Description
More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholarsof Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its musicfrom the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of theperiod. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers andscholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central tomusic-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-stringinstrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
Author: Manuel Rodriguez
Publisher: Hal Leonard
ISBN: 1476855536
Category : Music
Languages : en
Pages : 283
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Book Description
(Guitar Reference). 100th anniversary updated edition! Rich in beauty, sound, and history, Manuel Rodriguez and Sons' classical and flamenco guitars have been handcrafted in Madrid since 1909, and the company's creations are still acclaimed today. This book presents master luthier Manuel Rodriguez's thoughts on the history of the instrument he loved, including how the guitar attained its prominent position among musical instruments. Filled with fabulous historical photos, memorabilia, and more, this book is essential for all admirers of the guitar. A special new section on "Music with World Leaders," sponsored by the King of Spain, promotes the importance of music for children and much more.
Author: Graham Wade
Publisher: Mel Bay Publications
ISBN: 160974280X
Category : Music
Languages : en
Pages : 225
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Book Description
A Concise History of the Classic Guitar by Graham Wade, one of the foremost international writers on the guitar, explores the history of the instrument from the 16th century to the present day. This compact assessment of five centuries of fretted instruments cover the vihuela in Spain, the history of four-course and five-course guitars, the evolution of tablature, and developments in the six-string guitar in the 19th century. the work also charts the contribution of leading composers, performers and luthiers of the 20th century, and evaluates the influence of Segovia, Llobet, Pujol, Presti, Bream, Williams, etc., among the world's famous guitarists. This book, intended for the general public and guitar students of all ages, is the first interpretative history of the classic guitar to be published in the 21st century, and will be eagerly welcomed by all lovers of the instrument.
Author: Fernando Ferandiere
Publisher:
ISBN:
Category :
Languages : en
Pages : 99
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Book Description
Author: Victor Coelho
Publisher: Cambridge University Press
ISBN: 9780521019439
Category : Music
Languages : en
Pages : 258
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Book Description
The first book-length study in any language dedicated specifically to lute, guitar, and vihuela.
Author: Roland Jackson
Publisher: Routledge
ISBN: 1136767703
Category : Music
Languages : en
Pages : 542
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Book Description
Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.
Author: Neil D. Pennington
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 344
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Book Description
Spanien im 17./18. Jh.: kultureller Hintergrund, Musikleben; Typologie der spanischen Barockgitarre: Instrument, Notation, Stimmung, Spieltechnik, Ornamentation; spanische Quellen für Barockgitarre; der "musikalische Zirkel" und das"musikalische Labyrint"; die "Passacalles y obras..." (1732); Rolle der Barockgitarre in der spanischen Gesellschaft; Transkription rechnet mit "bordones", gibt aber bei "campanella"-Passagen die höhere Oktave in runder Klammer an; gegenwärtig die umfassendste Studie des spanischen Quellenmaterials für Barockgitarre
Author: Fernando Ferandiere
Publisher:
ISBN: 9780906953051
Category : Counterpoint
Languages : en
Pages : 99
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Arte De Tocar La Guitarra Espan�la Por Musica 2 Fernando Ferandiere En la imprrenta de la Viuda de Aznar, 1816 Music; Musical Instruments; Guitar; Counterpoint; Guitar; Guitar music; Music / Musical Instruments / Guitar
Author: Martín Pedreira
Publisher: Mel Bay Publications
ISBN: 1513455877
Category : Music
Languages : en
Pages : 136
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Book Description
As the title of his book attests, guitarist and musicologist Martín Pedreira presents a methodical treatment addressing the most highly refined guitar techniques. In my opinion, we should not confuse the methodical with the routine, because the latter does not facilitate the completion of any task. We applaud Pedreira for his rigorous vision of instrumental practice and his meticulous attention to the physical-motor aspects of the instrumentalist. This reference book is worthy of frequent consultation for its valuable suggestions. Leo Brouwer This comprehensive reference book integrates the historical, structural, technical, and ergonomic aspects of classic guitar performance with the individual player’s cultural, intellectual, creative, and emotional facets in what the author calls a psychophysiological approach to interpretation. In addition to its emphasis on ergonomic posture and technique, the book includes over 200 short musical excerpts by Sor, Giuliani, Coste, Tárrega, Barrios, Montoya, Ponce, Pujol, Villa-Lobos, Rodrigo, Brouwer and others— illustrating practically every aspect of classic and flamenco guitar technique. This unique Wholistic Perspective of Technique Through Repertoire will be useful to teachers, aspiring composers, and to students and professionals forming recital and concert programs. Given the author’s extensive survey of technique and repertoire from an ergonomic point of view, it is likely that even seasoned concert artists and teachers will find something new of intense interest to share with their audiences and students. No classic guitarist’s library would be complete without this landmark book! The author’s goal in presenting this multifaceted approach is to provide theoretical and practical coordinates for improving guitar interpretation while acknowledging the player’s intellectual and emotional contributions. While there is no companion recording for this book, many of its examples can be heard in their entirety on YouTube. The inclusion of numerous quotes from renowned guitar virtuosos and other instrumentalists, plus statements by non-musician artists, scientists, and psychophysical experts from the Renaissance to the present day — emphasize the wholistic nature of this book. Readers are encouraged to put everything they have into their performances, including technique and musicianship, of course, but also general cultural knowledge and, yes – personal experience, feelings and even spirituality in order to: “… Enchant instead of astonishing the audience… [and] play more for the heart than for the eyes.” – Alexandre Lavignac, La Educación Musical
