Artaria 195: Beethoven's Sketchbook for the Missa solemnis and the Piano Sonata in E Major, Opus 109 (3 vols.) PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Artaria 195: Beethoven's Sketchbook for the Missa solemnis and the Piano Sonata in E Major, Opus 109 (3 vols.) PDF full book. Access full book title Artaria 195: Beethoven's Sketchbook for the Missa solemnis and the Piano Sonata in E Major, Opus 109 (3 vols.) by . Download full books in PDF and EPUB format.
Author:
Publisher: University of Illinois Press
ISBN:
Category :
Languages : en
Pages : 130
Get Book Here
Book Description
Author:
Publisher: University of Illinois Press
ISBN:
Category :
Languages : en
Pages : 130
Get Book Here
Book Description
Author:
Publisher:
ISBN: 9780252027499
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author:
Publisher: University of Illinois Press
ISBN:
Category :
Languages : en
Pages : 140
Get Book Here
Book Description
Author: James Arnold Hepokoski
Publisher: Oxford University Press, USA
ISBN: 0199773912
Category : Music
Languages : en
Pages : 1172
Get Book Here
Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Author: Barry Cooper
Publisher: Routledge
ISBN: 1317037081
Category : Music
Languages : en
Pages : 419
Get Book Here
Book Description
Beethoven’s piano sonatas are a cornerstone of the piano repertoire and favourites of both the concert hall and recording studio. The sonatas have been the subject of much scholarship, but no single study gives an adequate account of the processes by which these sonatas were composed and published. With source materials such as sketches and correspondence increasingly available, the time is ripe for a close study of the history of these works. Barry Cooper, who in 2007 produced a new edition of all 35 sonatas, including three that are often overlooked, examines each sonata in turn, addressing questions such as: Why were they written? Why did they turn out as they did? How did they come into being and how did they reach their final form? Drawing on the composer’s sketches, autograph scores and early printed editions, as well as contextual material such as correspondence, Cooper explores the links between the notes and symbols found in the musical texts of the sonatas, and the environment that brought them about. The result is a biography not of the composer, but of the works themselves.
Author: William Kinderman
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
Get Book Here
Book Description
The Beethoven sketchbook known as Artaria 195, is examined in a three volume format, which allows comparison between the original manuscript and its transcriptions along with a commentary which serves as a critical guide to the Missa solemnis and Piano Sonata in E Major, Opus 109.
Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0198043953
Category : Music
Languages : en
Pages : 445
Get Book Here
Book Description
Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace.
Author: Friedemann Sallis
Publisher: Cambridge University Press
ISBN: 0521866480
Category : Music
Languages : en
Pages : 297
Get Book Here
Book Description
This introduction provides students and scholars with the information and skills they need when studying composers' sketches.
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
Get Book Here
Book Description
The Beethoven sketchbook known as Artaria 195, is examined in a three volume format, which allows comparison between the original manuscript and its transcriptions along with a commentary which serves as a critical guide to the Missa solemnis and Piano sonata in E major, opus 109.
Author: Jos van der Zanden
Publisher: Routledge
ISBN: 1000442772
Category : Music
Languages : en
Pages : 322
Get Book Here
Book Description
Ludwig van Beethoven had a life beyond music. He considered it his duty to spend leisure-time improving his Bildung (sophistication). To this end he familiarised himself with tangible manifestations of Greco-Roman antiquity, for he perceived these cultures and their representatives as examples of intellectual, moral, and artistic perfection. He consumed such writers as Homer, Plutarch, Horace, Tacitus, Euripides, and Greek poets. These texts were morally uplifting for him, and advantageous for building character. They now hold a key to Beethoven’s ideal of a steadfast, austere, and Stoic outlook, necessary for a ‘great man’ to carry out his duties. Jos van der Zanden demonstrates that Beethoven’s engagement with Greco-Roman culture was deep and ongoing, and that it ventured beyond the non-committal. Drawing on a comprehensive investigation of primary sources (letters, conversation books, diaries, recollections of contemporaries) he examines what Beethoven knew of such topics like history, art, politics, and philosophy of antiquity. The book presents new information on the composer’s republicanism, his familiarity with the works of Plato, his admiration of the elderly Brutus, his plan to utilize ‘unresolved dissonances’ in an unknown piece of music, and his decision to subscribe to a book about ancient Greek poetry. A hitherto unknown vocal piece based on lines by Euripides is revealed. The study concludes with a comprehensive survey of all compositions and sketches by Beethoven based on Greco-Roman subjects.
