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Author:
Publisher:
ISBN: 9782336250786
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN: 9782336250786
Category :
Languages : en
Pages :
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Book Description
Author: Catherine Mathieu
Publisher:
ISBN: 9782296032521
Category : Flower arrangement
Languages : fr
Pages : 0
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Book Description
Pourquoi créer ? Comment créer ? Pour qui créer ? Qu'aurons-nous envie d'exprimer ? Quelles seront nos sources d'inspiration ? Combien de temps nous autoriserons-nous à régénérer nos énigmes ? Quel sera l'environnement dont nous aurons besoin ? Oser devenir le courageux examinateur de notre propre histoire en résonance et en accord dans l'ici et maintenant. Sollicitons notre imagination, notre créativité et offrons-nous une prise de conscience positive. L'Ikebana nous inspire depuis des siècles et nous prépare à nous placer en congruence pour nous conforter à créer et nous recréer, pourquoi ne pas tenter d'expérimenter l'art thérapie florale à l'occidentale ? Apprivoisons la vie, apprenons à la cultiver, l'aimer sans trop la gaspiller en remerciant notre planète de tous ses dons. Si nous pouvons honorer et respecter la nature en essayant de la protéger au plus juste de nos possibilités, alors nous permettrons-nous de mieux respirer ensemble ? Invitons-nous à la découverte de soi, par la pratique des ateliers d'art thérapie florale, " flore et corps "
Author: Catherine Mathieu
Publisher:
ISBN: 2296599524
Category :
Languages : fr
Pages : 87
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Author: Doris G. Bargen
Publisher: University of Hawaii Press
ISBN: 082485733X
Category : History
Languages : en
Pages : 401
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Book Description
Literary critiques of Murasaki Shikibu's eleventh-century The Tale of Genji have often focused on the amorous adventures of its eponymous hero. In this paradigm-shifting analysis of the Genji and other mid-Heian literature, Doris G. Bargen emphasizes the thematic importance of Japan’s complex polygynous kinship system as the domain within which courtship occurs. Heian courtship, conducted mainly to form secondary marriages, was driven by power struggles of succession among lineages that focused on achieving the highest position possible at court. Thus interpreting courtship in light of genealogies is essential for comprehending the politics of interpersonal behavior in many of these texts. Bargen focuses on the genealogical maze—the literal and figurative space through which several generations of men and women in the Genji moved. She demonstrates that courtship politics sought to control kinship by strengthening genealogical lines, while secret affairs and illicit offspring produced genealogical uncertainty that could be dealt with only by reconnecting dissociated lineages or ignoring or even terminating them. The work examines in detail the literary construction of a courtship practice known as kaimami, or “looking through a gap in the fence,” in pre-Genji tales and diaries, and Sei Shōnagon’s famous Pillow Book. In Murasaki Shikibu’s Genji, courtship takes on multigenerational complexity and is often used as a political strategy to vindicate injustices, counteract sexual transgressions, or resist the pressure of imperial succession. Bargen argues persuasively that a woman observed by a man was not wholly deprived of agency: She could choose how much to reveal or conceal as she peeked through shutters, from behind partitions, fans, and kimono sleeves, or through narrow carriage windows. That mid-Heian authors showed courtship in its innumerable forms as being influenced by the spatial considerations of the Heian capital and its environs and by the architectural details of the residences within which aristocratic women were sequestered adds a fascinating topographical dimension to courtship. In Mapping Courtship and Kinship in Classical Japan readers both familiar with and new to The Tale of Genji and its predecessors will be introduced to a wholly new interpretive lens through which to view these classic texts. In addition, the book includes charts that trace Genji characters’ lineages, maps and diagrams that plot the movements of courtiers as they make their way through the capital and beyond, and color reproductions of paintings that capture the drama of courtship.
Author: Alan Howard
Publisher:
ISBN: 9781425127121
Category : Rotuma Island (Fiji)
Languages : en
Pages : 0
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Book Description
A history of the people from Rotuma Island (Fiji) from legendary times (based on oral history, archaeological, and linguistic evidence), through the era of British colonial domination, until the end of the twentieth century. The book is divided into four sections. The first section presents information about Rotuma's geography; its early history as derived from myths, legends, language affinities, and the limited archaeological work done on the island; the nature of Rotuma's culture and society at the time of European intrusion in the early nineteenth century; and the forms of creative and artistic expression. The second section deals with the impact of explorers, whalers, beachcombers, and returning Rotuman sailors, as well as missionaries who visited or stayed on Rotuma for varying lengths of time. The time period covered by this section is from 1791, when the Pandora, captained by Edward Edwards, made a brief visit, to 1879, when a war between Methodist and Catholic factions culminated in an offer of cession to Great Britain. Section three provides an account of Rotuma's colonial experience, beginning with the events leading to cession; the shape of political and economic experience under colonial rule; and the health and welfare implications of colonial policies. The final section covers the Rotuman experience from the time Fiji gained independence from Great Britain in 1970 until the end of the twentieth century. This section begins with an account of changes on the island of Rotuma, followed by a consideration of the somewhat problematic relationship between Rotuma and Fiji, concluding with a look at the global Rotuman community - a community in the process of formation.
Author: Margaret Atack
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
This book aims to introduce, situate and contextualize the fictional work by women in the post-war period in France as well as to develop a feminist analysis of the work in French feminist theory. The writers treated include those from an earlier generation, such as Simone de Beauvoir, Marguerite Duras, Christine Rochefort, Genevieve Serreau and Monique Wittig, as well as Marie Cardinal, Annie Ernaux, Djanet Lachmet, Claire Etcherelli, Michele Perrein and the exponents of ecriture feminine associated with des femmes publishers and the psychanalyse et politique group, such as Chantal Chawaf and Helene Cixous.
Author: Alastair Hemmens
Publisher: Cambridge Scholars Publishing
ISBN: 1443844292
Category : Literary Collections
Languages : en
Pages : 190
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Book Description
The extreme is an essential aspect of contemporary experience. Thrill-seekers spend the weekend in the search of the adrenaline rush of “extreme sports”. In the political arena, the world has begun to rediscover the split between the “extreme” left and the “extreme” right. Through 24-hour rolling news, images of violence, torture and war are televised unremittingly into the living room; while the Internet places hardcore pornography, snuff film and cannibalism within easy reach of anyone with a personal computer or a smartphone. The “extreme” has even become a quality companies seek to associate with the most banal of commodities such as ice cream and hair gel. These different manifestations of extremity suggest a contradictory, even paradoxical, relationship with the “extreme”. The contributors to this book explore how writing in French, from the Middle Ages to the present day, has interrogated extremity. Taken together, these essays demonstrate that the quality of the extreme can be applied to a great number of texts for different reasons and from myriad perspectives. Moreover, the extreme is revealed as a quality both distinct from, and in tension with, the crossing of boundaries associated with transgression. It is a movement towards and away from a centre of radiation that escapes cultural norms without necessarily reinforcing them. This sensation of rushing and wandering outside the boundaries of what is considered safe and normal provides the extreme with its adrenaline-charged response of excitement or horror. The analyses contained in this volume consider a number of manifestations of the “extrême littéraire”. The ambiguities of gender in medieval romance are explored in the context of the Arthurian court. The 19th century is examined through the prose poems of Baudelaire and the littérature sauvage of the Zutistes. The difficulties of writing the trauma of war and genocide in the 20th century are discussed through the work of Jorges Semprún and Agota Kristof. The contemporary extreme in French literature is examined in the autofiction of Christine Angot, the work of Annie Ernaux and Catherine Millet, the controversial novels of Michel Houellebecq, and the worldwide influence of the Marquis de Sade on writing today. Whilst the “extrême littéraire” may have a wide variety of expressions in French literature, it is always outside, beyond and far from the centre of our everyday experience. It shocks us, excites us and horrifies us, often all at once. This book seeks to provide an insight into how and why the extreme has fascinated, and continues to fascinate, the French literary imagination.
Author: Shirley Ann Jordan
Publisher: Peter Lang
ISBN: 9783039103157
Category : Literary Collections
Languages : en
Pages : 312
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Book Description
In the 1990s the French literary arena was enlivened by the emergence of a new generation of women writers. This book selects six of its most distinctive voices and addresses important questions about the very new in French women's writing. What are young women choosing to write about? What do they tell us about changing perceptions of feminine identities? What does it mean to write (and to read) as women at the start of the new millennium? An introductory chapter explores key issues such as the woman writer in the public imagination and continuity and change within French women's writing since the 1970s. It also highlights thematic threads which recur across the work of the authors studied: history and time, wandering and exile, self and other, the body and sexuality and writing and telling. The remaining chapters propose productive approaches to the fictional worlds of Marie Darrieussecq, Virginie Despentes, Marie Ndiaye, Agnès Desarthe, Lorette Nobécourt and Amélie Nothomb through close readings of their most challenging, popular or telling texts. They focus on perennial preoccupations in women's writing which are given new treatment by these writers and discuss important developments such as uses of the pornographic, myth and fairy tale and parody and irony in new women's writing.
Author: Amaleena Damle
Publisher: Edinburgh University Press
ISBN: 0748668225
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Following a long tradition of objectification, 20th-century French feminism often sought to liberate the female body from the confines of patriarchal logos and to inscribe its rhythms in writing. Amaleena Damle addresses questions of bodies, boundaries and philosophical discourses by exploring the intersections between a range of contemporary philosophers and authors on the subject of contemporary female corporeality and transformation.
Author: Erica L. Johnson
Publisher: Indiana University Press
ISBN: 0253008735
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
The female body, with its history as an object of social control, expectation, and manipulation, is central to understanding the gendered construction of shame. Through the study of 20th-century literary texts, The Female Face of Shame explores the nexus of femininity, female sexuality, the female body, and shame. It demonstrates how shame structures relationships and shapes women's identities. Examining works by women authors from around the world, these essays provide an interdisciplinary and transnational perspective on the representations, theories, and powerful articulations of women's shame.
