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Author: Grande John K. Grande
Publisher: Black Rose Books Ltd.
ISBN: 1551647001
Category : Art
Languages : en
Pages : 190
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Book Description
In Art, Space, Ecology, internationally renowned curator and critic John K. Grande interviews twenty major contemporary artists whose works engage with the natural environment. Whether their medium is sculpture, nature interventions, performance, body art, or installation, these discussions, complemented by eighty stunning photographs, reveal the artists' diverse backgrounds and methods, expressions and realizations.Ultimately, the natural world serves as a canvas to explore the intersections of art, space, and the environment, thereby raising questions about our relationship with landscape itself. The essence of the art form is a dynamic interactivity, and the dialogues between Grande and the artists mirror the encounter of object and environment, artist and audience, society and nature. This work is rounded out with an engaging introduction by writer and curator Edward Lucie-Smith, who sets the stage for some of the most insightful and compelling discussions on art to be found.
Author: Grande John K. Grande
Publisher: Black Rose Books Ltd.
ISBN: 1551647001
Category : Art
Languages : en
Pages : 190
Get Book Here
Book Description
In Art, Space, Ecology, internationally renowned curator and critic John K. Grande interviews twenty major contemporary artists whose works engage with the natural environment. Whether their medium is sculpture, nature interventions, performance, body art, or installation, these discussions, complemented by eighty stunning photographs, reveal the artists' diverse backgrounds and methods, expressions and realizations.Ultimately, the natural world serves as a canvas to explore the intersections of art, space, and the environment, thereby raising questions about our relationship with landscape itself. The essence of the art form is a dynamic interactivity, and the dialogues between Grande and the artists mirror the encounter of object and environment, artist and audience, society and nature. This work is rounded out with an engaging introduction by writer and curator Edward Lucie-Smith, who sets the stage for some of the most insightful and compelling discussions on art to be found.
Author: John K. Grande
Publisher:
ISBN: 9781551646961
Category : ART
Languages : en
Pages : 0
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Book Description
John K. Grande is an art critic, curator, and the author of a dozen books about art and artists.
Author: John K. Grande
Publisher: State University of New York Press
ISBN: 0791484521
Category : Nature
Languages : en
Pages : 277
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Book Description
Art Nature Dialogues offers interviews with artists working with, in, and around nature and the environment. The interviews explore art practices, ecological issues, and values as they pertain to the siting of works, the use of materials, and the ethics of artmaking. John K. Grande includes interviews with Hamish Fulton, David Nash, Bob Verschueren, herman de vries, Alan Sonfist, Nils-Udo, Michael Singer, Patrick Dougherty, Ursula von Rydingsvard, and others.
Author: Malcolm Miles
Publisher: Routledge
ISBN: 1134771029
Category : Architecture
Languages : en
Pages : 169
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Book Description
This book examines public art outside the normal confines of art criticism and places it within broader contexts of public space and gender by exploring both the aesthetic and political aspects of the medium.
Author: C. Patrick Heidkamp
Publisher: Zeta Books
ISBN: 6068266648
Category :
Languages : en
Pages : 147
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Book Description
Author: Dylan Gauthier
Publisher: punctum books
ISBN: 1950192954
Category : Art
Languages : en
Pages : 134
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Book Description
"Between Species/Between Spaces assembles text and images resulting from a pilot artistic research residency hosted by the Cape Cod Modern House Trust and the Cape Cod National Seashore in Cape Cod, MA. Artists in the book reflect on the geological forces that are reshaping the landscape and ecology of the Outer Cape which illuminate and to some degree mirror the broader global dynamic of instability, loss, and transition we are facing as a result of anthropogenic climate change. The book collects new artworks in a variety of media by ten contemporary artists whose work investigates the relationships between ecological crisis, communities, individual subjects, and the environment - the result of collaborations between visiting artists and researchers at the NPS field station in the National Seashore. An introductory essay by Peter McMahon, founding director of the Cape Cod Modern House Trust, reflects on the Cape as a site of groundbreaking collaborations between artists, architects, designers, and scientists in the middle of the 20th century, led by visionaries Serge Chermayeff, Bernard Rudofsky, Gyorgy Kepes, and Marcel Breuer. An epistolary essay by NPS cartographer Mark Adams, who is also a painter, meditates on the Outer Cape as a site of community with an uncertain future; Adams' own work has indicated that a predicted 4000 year timeframe for the Cape's dunes and sandy shores to erode entirely into the sea may in fact be accelerating under climate change. Contributions by Adams, along with artists Jean Barberis, Joshua Edwards, Marie Lorenz, Nancy Nowacek, Jeff Williams, Lynn Xu, and Marina Zurkow and artist/curators Kendra Sullivan and Dylan Gauthier, who organized the residency and culminating exhibition, present multimodal research into species extinction, terraforming, ecological restoration and regenerative practices, as a window onto the past, present, and future of this unstable place"--
Author: Mark Cheetham
Publisher: Penn State Press
ISBN: 0271081422
Category : Art
Languages : en
Pages : 255
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Book Description
Dedicated to an articulation of the earth from broadly ecological perspectives, eco art is a vibrant subset of contemporary art that addresses the widespread public concern with rapid climate change and related environmental issues. In Landscape into Eco Art, Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet. An ambitious intervention into eco-criticism and the environmental humanities, this volume provides original ways to understand the issues and practices of eco art in the Anthropocene. Art historians, humanities scholars, and lay readers interested in contemporary art and the environment will find Cheetham’s work valuable and invigorating.
Author: David Tilman
Publisher: Princeton University Press
ISBN: 069118836X
Category : Science
Languages : en
Pages : 368
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Book Description
Spatial Ecology addresses the fundamental effects of space on the dynamics of individual species and on the structure, dynamics, diversity, and stability of multispecies communities. Although the ecological world is unavoidably spatial, there have been few attempts to determine how explicit considerations of space may alter the predictions of ecological models, or what insights it may give into the causes of broad-scale ecological patterns. As this book demonstrates, the spatial structure of a habitat can fundamentally alter both the qualitative and quantitative dynamics and outcomes of ecological processes. Spatial Ecology highlights the importance of space to five topical areas: stability, patterns of diversity, invasions, coexistence, and pattern generation. It illustrates both the diversity of approaches used to study spatial ecology and the underlying similarities of these approaches. Over twenty contributors address issues ranging from the persistence of endangered species, to the maintenance of biodiversity, to the dynamics of hosts and their parasitoids, to disease dynamics, multispecies competition, population genetics, and fundamental processes relevant to all these cases. There have been many recent advances in our understanding of the influence of spatially explicit processes on individual species and on multispecies communities. This book synthesizes these advances, shows the limitations of traditional, non-spatial approaches, and offers a variety of new approaches to spatial ecology that should stimulate ecological research.
Author: Lisa Jones
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Through the lens of Situationist theory on value and economy, entertainment mechanisms and socio-spatial conditions that revolve around the abstract processes of detournement, I will argue that it is necessary to move away from an emphasis on controlled critical minds and move towards critical bodies. In part I, Art Gallery Ecology, I will engage with several authors, theorists, artists, curators, architects, and city officials, to develop a dialogue between these critical bodies and the conditions of a 'cultural' landscape; a dialogue integral to the dialectic practices of some contemporary artist initiatives. I will begin by drawing connections between Lukacian and Situationist theory to serve as a debate from which I will describe what happens to the products of labour when social relationships make them commodities or capital and question the autonomous tactics that revolve around spaces of contemporary art employed by curators and artists who engage with those spaces. I will outline a series of typologies that frame the conditions of what constitutes a 'cultural' landscape. In the contemporary art world the gallery operates under multiple masks, constituting a transformation of a project space into an apparatus for programming the space itself - by curating exhibitions, events, and workshops. As such, the role of the gallery and the artist is shifting towards new collective forms. I argue a diverse set of social, economic, political, and spatial strategies, which revolve around spaces of contemporary art, assist a continuous cultural ecology. In part II, Mobile Permanence I will investigate cultural spaces in Vancouver and their relationship to occupancy and time. Part II will begin with my analytical research and end with a proposal for four theoretical projects that will demonstrate how autonomous, temporary and highly mobile environments for contemporary art can be used to validate new models of permanence and a heightened awareness of social tensions between art, public and private space in Vancouver.
Author: Francis T. Marchese
Publisher: Springer
ISBN: 3319151533
Category : Science
Languages : en
Pages : 308
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Book Description
This text formally appraises the innovative ways new media artists engage urban ecology. Highlighting the role of artists as agents of technological change, the work reviews new modes of seeing, representing and connecting within the urban setting. The book describes how technology can be exploited in order to create artworks that transcend the technology’s original purpose, thus expanding the language of environmental engagement whilst also demonstrating a clear understanding of the societal issues and values being addressed. Features: assesses how data from smart cities may be used to create artworks that can recast residents’ understanding of urban space; examines transformations of urban space through the reimagining of urban information; discusses the engagement of urban residents with street art, including collaborative community art projects and public digital media installations; presents perspectives from a diverse range of practicing artists, architects, urban planners and critical theorists.
