Art, Science, and the Body in Early Romanticism PDF Download
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Author: Stephanie O'Rourke
Publisher: Cambridge University Press
ISBN: 1009019155
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Can we really trust the things our bodies tell us about the world? This work reveals how deeply intertwined cultural practices of art and science questioned the authority of the human body in the late eighteenth and early nineteenth centuries. Focusing on Henry Fuseli, Anne-Louis Girodet and Philippe de Loutherbourg, it argues that romantic artworks participated in a widespread crisis concerning the body as a source of reliable scientific knowledge. Rarely discussed sources and new archival material illuminate how artists drew upon contemporary sciences and inverted them, undermining their founding empiricist principles. The result is an alternative history of romantic visual culture that is deeply embroiled in controversies around electricity, mesmerism, physiognomy and other popular sciences. This volume reorients conventional accounts of romanticism and some of its most important artworks, while also putting forward a new model for the kinds of questions that we can ask about them.
Author: Stephanie O'Rourke
Publisher: Cambridge University Press
ISBN: 1009019155
Category : Literary Criticism
Languages : en
Pages : 273
Get Book Here
Book Description
Can we really trust the things our bodies tell us about the world? This work reveals how deeply intertwined cultural practices of art and science questioned the authority of the human body in the late eighteenth and early nineteenth centuries. Focusing on Henry Fuseli, Anne-Louis Girodet and Philippe de Loutherbourg, it argues that romantic artworks participated in a widespread crisis concerning the body as a source of reliable scientific knowledge. Rarely discussed sources and new archival material illuminate how artists drew upon contemporary sciences and inverted them, undermining their founding empiricist principles. The result is an alternative history of romantic visual culture that is deeply embroiled in controversies around electricity, mesmerism, physiognomy and other popular sciences. This volume reorients conventional accounts of romanticism and some of its most important artworks, while also putting forward a new model for the kinds of questions that we can ask about them.
Author: Stephanie O'Rourke
Publisher: Cambridge University Press
ISBN: 1316519023
Category : Art
Languages : en
Pages : 273
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Book Description
Innovative, alternative account of romanticism, exploring how art and science together contested the evidentiary authority of the human body.
Author: Thora Brylowe
Publisher: Cambridge University Press
ISBN: 1108426409
Category : Art
Languages : en
Pages : 283
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Book Description
Explores the developing cultural tensions and connections that created a 'sister-art' movement between creative visual art and its literary counterparts.
Author: Olivia Ferguson
Publisher: Cambridge University Press
ISBN: 1009274260
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
A counter-intuitive history of literary caricature, exploring how caricature helped make the realist novel in the Romantic period.
Author: Jamison Kantor
Publisher: Cambridge University Press
ISBN: 1009123017
Category : History
Languages : en
Pages : 211
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Book Description
This rich cultural history shows how honor, as much as freedom, inspired poets, novelists, and abolitionists of the nineteenth century.
Author: Neil Ramsey
Publisher: Cambridge University Press
ISBN: 1009100440
Category : History
Languages : en
Pages : 303
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Book Description
This book illuminates the genesis and development of modern war writing in relation to Romanticism, biopolitics and disciplinary theory.
Author: Paul Hamilton
Publisher: Cambridge University Press
ISBN: 1009268244
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Exploring the experiments in individual and national self-consciousness conducted during the Romantic period, this essential comparative study of European literature, philosophy and politics makes original and often surprising connections and contrasts to reveal how personal and social identities were re-orientated and disorientated from the French Revolution onwards. Reviving a contested moment in the history of aesthetic theory, this study shows how the growing awareness of irresolution in Kant's third Kritik allowed Romantic writers to put the aesthetic to radical uses not envisaged by its parent philosophy. It also recounts how they would go on to force philosophy to revise received notions of authority, empowering women and subordinated ethnic groups to re-orientate existing hierarchies. The sheer range and variety of writers covered is testament both to the breadth of writing that Kant's philosophy so rashly legitimated and to the wider importance of philosophy to the understanding of Romantic literature.
Author: Hannah Doherty Hudson
Publisher: Cambridge University Press
ISBN: 1009321919
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Diane Piccitto
Publisher: University of Michigan Press
ISBN: 0472129767
Category : Performing Arts
Languages : en
Pages : 397
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Book Description
The Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.
Author: John Claiborne Isbell
Publisher: Cambridge University Press
ISBN: 1009362720
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
Combating two centuries of sexism, this radical overview of Staël in context reveals a major player in Revolution and Romanticism.
