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Author: Aaron Rosen
Publisher:
ISBN: 9780500293034
Category : Art
Languages : en
Pages : 0
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Book Description
Blaspheming artists get all the press. Some exploit the shock potential of religious imagery - but many also reflect deeply on spiritual matters and are, in fact, some of the most profound and sensitive commentators on religion today. Here, Aaron Rosen shows how religious themes and images permeate the work of contemporary artists from across the globe. Contrary to the expectations of twentieth-century rationalists, religion has not faded away in the 21st century, but roared back onto the scene with renewed vitality. This survey shows how religious themes and images continue to permeate the work of contemporary artists from across the globe. Some exploit the shock potential of religious imagery, but many also reflect deeply on spiritual matters. The introduction outlines the debates and controversies that the art-religion connection has precipitated throughout history. Each of the book's chapters opens by introducing a theme - ideas about creation, the sublime, wonder, diaspora and exile, religious and political conflict, ritual practice, mourning and monumentalizing, environmental art and sacred space - followed by a selection of works of art that develop that theme. The book encompasses a wide range of media and genres, from sculpture to street art, and considers faith in its broadest sense - from Islam and Christianity to Aboriginal mythology and meditation. Artists discussed include Ai Weiwei, Francis Alÿs, Vanessa Beecroft, Maurizio Cattelan, Cristo and Jeanne-Claude, Olafur Eliasson, Tracey Emin, Antony Gormley, Mona Hatoum, David LaChapelle, Richard Long, Annette Messager, Mariko Mori, Grayson Perry, Richard Serra, Hiroshi Sugimoto, Bill Viola, Mark Wallinger and more.
Author: Aaron Rosen
Publisher:
ISBN: 9780500293034
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Blaspheming artists get all the press. Some exploit the shock potential of religious imagery - but many also reflect deeply on spiritual matters and are, in fact, some of the most profound and sensitive commentators on religion today. Here, Aaron Rosen shows how religious themes and images permeate the work of contemporary artists from across the globe. Contrary to the expectations of twentieth-century rationalists, religion has not faded away in the 21st century, but roared back onto the scene with renewed vitality. This survey shows how religious themes and images continue to permeate the work of contemporary artists from across the globe. Some exploit the shock potential of religious imagery, but many also reflect deeply on spiritual matters. The introduction outlines the debates and controversies that the art-religion connection has precipitated throughout history. Each of the book's chapters opens by introducing a theme - ideas about creation, the sublime, wonder, diaspora and exile, religious and political conflict, ritual practice, mourning and monumentalizing, environmental art and sacred space - followed by a selection of works of art that develop that theme. The book encompasses a wide range of media and genres, from sculpture to street art, and considers faith in its broadest sense - from Islam and Christianity to Aboriginal mythology and meditation. Artists discussed include Ai Weiwei, Francis Alÿs, Vanessa Beecroft, Maurizio Cattelan, Cristo and Jeanne-Claude, Olafur Eliasson, Tracey Emin, Antony Gormley, Mona Hatoum, David LaChapelle, Richard Long, Annette Messager, Mariko Mori, Grayson Perry, Richard Serra, Hiroshi Sugimoto, Bill Viola, Mark Wallinger and more.
Author: Aaron Rosen
Publisher: National Geographic Books
ISBN: 0500239312
Category : Art
Languages : en
Pages : 0
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Book Description
A fresh approach to the connection between art and religion that seeks to redefine their relationship in the contemporary age The relationship between art and religion has been long, complex, and often conflicted, and it has given rise to many of the greatest works in the history of art. Artists today continue to reflect seriously upon religious traditions, themes, and institutions, suggesting a new approach to spirituality that is more considered than confrontational. Art & Religion in the 21st Century is the first in-depth study to survey an international roster of artists who use their work to explore religion’s cultural, social, political, and psychological impact on today’s world. An introduction outlines the debates and controversies that the art/religion connection has precipitated throughout history. Each of the book’s ten chapters introduces a theme—ideas of the Creation, the figure of Jesus, the sublime, wonder, diaspora and exile, religious and political conflict, ritual practice, mourning and monumentalizing, and spiritual “dwelling” in the body and in space—followed by a selection of works of art that illustrates that theme. Artists discussed include Vanessa Beecroft, Maurizio Cattelan, Makoto Fujimura, David LaChapelle, Annette Messager, Jason Rhoades, Andres Serrano, and Zeng Fanzhi.
Author: Stephen Gislason
Publisher: Persona Digital Books
ISBN: 1894787471
Category : Religion
Languages : en
Pages : 331
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Book Description
This book provides a fresh perspective on world religions. I describe some of the more obvious religious traditions on the planet and note similarities and differences. I am writing brief descriptions as if I were a tour guide introducing a stranger to the history, real and imagined, of five of the more obvious religions. My wish is that even people who live in the cognitive box created by one group will take a vacation, fly outside of your container and enjoy an overview of humans – past, present, and future. If you can go beyond beliefs, faith, claims, arguments and the narcissism that afflicts all of us, then you ask: does membership in any religious group bring us closer to living in a peaceful, constructive, sustainable society? From the Preface Any discussion of religion invites misunderstanding and conflict. Humans have convened in small groups for thousands of years to celebrate, to appease evil spirits and to encourage good spirits to offer more privileges and benefits. Humans continue to dress up in costumes, beat drums, chant, sing, and dance and make offerings to innumerable gods. These celebrations help to maintain group unity and often induce euphoric feelings in the participants. While there has always been an archetypal form to these group activities, each local group develops its own version of myths, rituals and celebrations. The belief in spirits is the universal form. The names, number and idiosyncratic expressions of the spirits is the local content. If you consider “religious” expressions around the world and throughout, history, you would notice that there a number of basic themes with thousands of imaginative variations. You also notice that in every tribe, village or city, people believe they have special relationships with gods and spirits not enjoyed elsewhere. No discussion of religion will make sense until the importance of group identity is understood. Humans may sometimes look like individuals, but the truth is that all humans are members of local groups that determine what they know, how they communicate and how they treat other humans. Each local group develops stories, beliefs and rules. Collections of local groups with special beliefs into larger organizations are often described as “religion.” Members of local groups are described as “religious” if they recite group slogans, attend meetings and celebrations. Religions often claim special privileges for their members so that the term “religious” is used to claim advantages and superior moral authority where none actually exists. The tendency for selective, even exclusive, group membership is deeply embedded in the human mind and shows up everywhere and at all times. The key elements of group identity are recognizable appearance enhanced by costumes, common language, common beliefs and common behaviors, especially ritualistic behaviors. Download eBook in PDF format
Author: George Corbett
Publisher: Open Book Publishers
ISBN: 1783747293
Category : Music
Languages : en
Pages : 339
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Book Description
Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity.
Author: Elaine Pagels
Publisher: HarperLuxe
ISBN: 9780062860989
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
Why is religion still around in the twenty-first century? Why do so many still believe? And how do various traditions still shape the way people experience everything from sexuality to politics, whether they are religious or not? In Why Religion? Elaine Pagels looks to her own life to help address these questions. These questions took on a new urgency for Pagels when dealing with unimaginable loss—the death of her young son, followed a year later by the shocking loss of her husband. Here she interweaves a personal story with the work that she loves, illuminating how, for better and worse, religious traditions have shaped how we understand ourselves; how we relate to one another; and, most importantly, how to get through the most difficult challenges we face. Drawing upon the perspectives of neurologists, anthropologists, and historians, as well as her own research, Pagels opens unexpected ways of understanding persistent religious aspects of our culture. A provocative and deeply moving account from one of the most compelling religious thinkers at work today, Why Religion? explores the spiritual dimension of human experience.
Author: Jonathan A. Anderson
Publisher: InterVarsity Press
ISBN: 0830899979
Category : Art
Languages : en
Pages : 388
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Book Description
In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian, who argue that modernist art is underwritten by deeply religious concerns.
Author: Sandra Cardarelli
Publisher: Cambridge Scholars Publishing
ISBN: 9781443836289
Category : Art and society
Languages : en
Pages : 0
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Book Description
This book provides a fully contextualised overview on aspects of visual culture, and how this was the product of patronage, politics, and religion in some European countries between the 13th and 17th centuries. The research that is showcased here offers new perspectives on the conception, production and reception of artworks as a means of projecting core values, ideals, and traditions of individuals, groups, and communities. This volume features contributions from established scholars and new researchers in the field, and examines how art contributed to the construction of identities by means of new archival research and a thorough interdisciplinary approach. The authors suggest that the use of conventions in style and iconography allowed the local and wider community to take part in rituals and devotional practices where these works were widely recognized symbols. However, alongside established traditions, new, ad-hoc developments in style and iconography were devised to suit individual requirements, and these are fully discussed in relevant case-studies. This book also contributes to a new understanding of the interaction between artists, patrons, and viewers in Medieval and Renaissance times.
Author: Robert Ellwood
Publisher: Routledge
ISBN: 1315507196
Category : Religion
Languages : en
Pages : 376
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Book Description
Introducing Religion, 4/e explores the different ways of looking at religion in the twenty-first century. A broad overview to religious studies as a discipline introduces students to the various subjects of religion. Introducing Religion teaches readers how to think in academic religious studies and its main areas, including: sociology of religion, psychology of religion, history of religion, religion and art, ethics, and more. The fourth edition has been expanded with new chapters exploring topics of contemporary interest: myth, spiritual paths, religion and popular culture, religion in the computer age, religion and war. Contemporary topics engage today’s students, relating the topics to the changing world around them.
Author: David M. Black
Publisher: Routledge
ISBN: 1134181477
Category : Psychology
Languages : en
Pages : 298
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Book Description
What can be gained from a dialogue between psychoanalysis and religion? Freud described religion as the universal obsessional neurosis, and uncompromisingly rejected it in favour of "science." Ever since, there has been the assumption that psychoanalysts are hostile to religion. Yet, from the beginning, individual analysts have questioned Freud's blanket rejection of religion. In this book, David Black brings together contributors from a wide range of schools and movements to discuss the issues. They bring a fresh perspective to the subject of religion and psychoanalysis, answering vital questions such as: How do religious stories carry (or distort) psychological truth? How do religions 'work', psychologically? What is the nature of religious experience? Are there parallels between psychoanalysis and particular religious traditions? Psychoanalysis and Religion in the 21st Century will be of great interest to psychoanalysts, psychoanalytic therapists, psychodynamic counsellors, and anyone interested in the issues surrounding psychoanalysis, religion, theology and spirituality.
Author: Aaron Rosen
Publisher: Wipf and Stock Publishers
ISBN: 1532649339
Category : Art
Languages : en
Pages : 224
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Book Description
Contemporary artists are engaging more deeply than ever with religious imagery, themes, practices, and audiences. With a bracing, jargon-free style, Aaron Rosen--a leading scholar, art critic, and curator--takes readers into studios, galleries, and worship spaces as he paints a compelling picture of art and religion today. Focusing on individual artists, from eminent names to emerging stars, Rosen's essays and interviews tackle key questions, from how art might sustain communities to how it might offer new approaches to conflict resolution. Drawing on years spent developing relationships with artists around the globe--from Algeria to India to the United States--Rosen gets artists to talk, often for the first time, about how religion impacts their practice. Whether inspiring or unsettling, these brushes with faith challenge and invigorate the artists in question, and those who ponder the results. Replete with more than seventy color images of works ranging from video art to outdoor installations, this volume is indispensable reading for those looking to see contemporary art in a new light.
