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Author: Rakhee Balaram
Publisher: National Geographic Books
ISBN: 0500023328
Category : Art
Languages : en
Pages : 0
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Book Description
A major publication showcasing the history of Indian art across the subcontinent and South Asia from the late-nineteenth century to the present day. This landmark collection presents a new history of Indian art from the twentieth century to the present day. Recent decades have seen an overdue interest in the acquisition and exhibition of modern Indian and South Asian art and artists by major international museums. This essential, lavishly illustrated volume presents an engaging, informative history of modern art from the subcontinent as seen through the eyes of prominent Indian art historians. Illustrations are paired with a strong narrative through line, where key experts contribute multiple perspectives on modernism, modernity, and plurality, as well as expansive ideas about contemporary art practices. A range of subjects, including Group 1890, the Madras Art Movement, Regional Modern, and Dalit art, are contextualized, along with key artists such as Amrita Sher-Gil and Raqs Media Collective. There are also sections devoted to the art of Pakistan, Nepal, Bangladesh, and other parts of South Asia. Together with lively expert discussions and a selection of absorbing interviews with artists, 20th Century Indian Art meets a clear demand for a comprehensive and authoritative sourcebook on modern, postmodern, and contemporary Indian art. This is the definitive reference for anyone with an interest in Indian art and non-Western art histories. Published in association with Art Alive
Author: Rakhee Balaram
Publisher: National Geographic Books
ISBN: 0500023328
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
A major publication showcasing the history of Indian art across the subcontinent and South Asia from the late-nineteenth century to the present day. This landmark collection presents a new history of Indian art from the twentieth century to the present day. Recent decades have seen an overdue interest in the acquisition and exhibition of modern Indian and South Asian art and artists by major international museums. This essential, lavishly illustrated volume presents an engaging, informative history of modern art from the subcontinent as seen through the eyes of prominent Indian art historians. Illustrations are paired with a strong narrative through line, where key experts contribute multiple perspectives on modernism, modernity, and plurality, as well as expansive ideas about contemporary art practices. A range of subjects, including Group 1890, the Madras Art Movement, Regional Modern, and Dalit art, are contextualized, along with key artists such as Amrita Sher-Gil and Raqs Media Collective. There are also sections devoted to the art of Pakistan, Nepal, Bangladesh, and other parts of South Asia. Together with lively expert discussions and a selection of absorbing interviews with artists, 20th Century Indian Art meets a clear demand for a comprehensive and authoritative sourcebook on modern, postmodern, and contemporary Indian art. This is the definitive reference for anyone with an interest in Indian art and non-Western art histories. Published in association with Art Alive
Author: Rebecca M. Brown
Publisher: Duke University Press
ISBN: 0822392267
Category : Art
Languages : en
Pages : 222
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Book Description
Following India’s independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an “Indianness” representative of their newly independent nation, while connecting to modernism, an aesthetic then understood as both universal and presumptively Western. These artists depicted India’s precolonial past while embracing aspects of modernism’s pursuit of the new, and they challenged the West’s dismissal of non-Western places and cultures as sources of primitivist imagery but not of modernist artworks. In Art for a Modern India, Rebecca M. Brown explores the emergence of a self-conscious Indian modernism—in painting, drawing, sculpture, architecture, film, and photography—in the years between independence and 1980, by which time the Indian art scene had changed significantly and postcolonial discourse had begun to complicate mid-century ideas of nationalism. Through close analyses of specific objects of art and design, Brown describes how Indian artists engaged with questions of authenticity, iconicity, narrative, urbanization, and science and technology. She explains how the filmmaker Satyajit Ray presented the rural Indian village as a socially complex space rather than as the idealized site of “authentic India” in his acclaimed Apu Trilogy, how the painter Bhupen Khakhar reworked Indian folk idioms and borrowed iconic images from calendar prints in his paintings of urban dwellers, and how Indian architects developed a revivalist style of bold architectural gestures anchored in India’s past as they planned the Ashok Hotel and the Vigyan Bhavan Conference Center, both in New Delhi. Discussing these and other works of art and design, Brown chronicles the mid-twentieth-century trajectory of India’s modern visual culture.
Author: Sunil Kumar Bhattacharya
Publisher: M.D. Publications Pvt. Ltd.
ISBN: 9788185880211
Category : Art
Languages : en
Pages : 142
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Book Description
Trends in Modern Indian Art is a study of Indian Art from the end of 19th century to 1990. Indian Art started with academic realism of Raja Ravi Varma at the close of the 19th century. Abanindranath Tagore who was trained by Samuel Palmer and Japanese artist. Okakura, established the wash process of water colour painting known as the Bengal School in the beginning of the 20th century. His disciples like Nandalal Bosa and Ventappa further elaborated the style of the Bengal School later known as the Oriental Style.
Author: Balraj Khanna
Publisher: Thames & Hudson
ISBN: 9780500280461
Category : Art, Indic
Languages : en
Pages : 144
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Book Description
This is an explanation of the reasons behind the current artistic renaissance in India, a country steeped in traditionalism, and ruled by a foreign power for two centuries. It demonstrates that the coming of independence created an uninhibited context for Indian creative genius to flower again. In the 1950s artists embarked on a quest for identity that was new, and yet would reflect their country's heritage. Since then, Indian artists have quietly brought about what may be described as a charmed revolution in Indian art. The results of this revolution, as yet little known in the West and seen in this text in colour reproductions, connect India's timeless tribal and folk art traditions with developments in 20th-century Western art, in ways which are as Indian in spirit as they are universal in appeal.
Author: Harsha V. Dehejia
Publisher: Motilal Banarsidass Publishe
ISBN: 9788120817555
Category : Art
Languages : en
Pages : 148
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Book Description
Dehejia has tried to create a place within the main frame of culture and philosophy of Indian art for a legitimate analytic theory called despair. Dehejia's effort creates a space for the modern within Indian classicism by negotiating the philosophy of despair in classical terms. As a result the basic schism that has grown in recent years between the philosophy and history of modern art on the one hand and the philosophy and history of traditional arts is today cloder to being breached.
Author: Zehra Jumabhoy
Publisher: Prestel Publishing
ISBN: 9783791357683
Category : Art, Indic
Languages : en
Pages : 0
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Book Description
"Formed within months of the 1947 Partition of India and the ensuing violence and protest, the Progressive Artists' Group (PAG) included artists seeking a break with their country's past and its cultural constraints. Through lush illustrations and scholarly essays, this volume looks at the brand of modernism the Group espoused and its relevance and importance to contemporary art. The careers of artists K.H. Ara, S.K. Bakre, H.A. Gade, V.S. Gaitonde, M.F. Husain, Krishen Khanna, Ram Kumar, Tyeb Mehta, Akbar Padamsee, S.H. Raza, Mohan Samant, and F.N. Souza are presented in three sections. Progressives in Their Time explores how the artists turned away from the trauma of colonial rule and Partition, and embraced the land and varied peoples of the new nation. National/International demonstrates how the Progressives drew on multiple traditions of visual iconography, both from within India and from Asia and the wider world, to creat their own distinct genre. Masters of the Game brings together works created after the PAG's dissolution and shows how these pieces collectively gave visual form to the idea of India as secular, heterogeneous, international, and united. A valuable examination of the ways artistic expression can preserve and advance its cultural heritage, this volume captures an exciting time in India's art history"--Back cover.
Author: Rochona Majumdar
Publisher: Columbia University Press
ISBN: 0231553900
Category : Performing Arts
Languages : en
Pages : 222
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Book Description
Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.
Author: Yashodhara Dalmia
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 490
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Book Description
This Pioneering Book Is An Authentic Portrayal Of The Formative Years Of Modern Indian Art, When Its Parameters Were Being Established. Looks At Painters As Diverse As M.F. Hussain, S.M. Raza, F.N. Souza, K.H. Ara, Tyeb Mehta, Ram Kumar Among Many Others.
Author: Craig Jeffrey
Publisher: Oxford University Press
ISBN: 0198769342
Category : HISTORY
Languages : en
Pages : 153
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Book Description
India has become one of the world's emerging powers, rivaling China in terms of global influence. Yet many people know relatively little about the economic, social, political, and cultural changes unfolding in India today. To what extent are people benefiting from the economic boom? In what ways is education transforming society? And how is India's culture industry responding to technological change? In this "Very Short Introduction", Craig Jeffrey provides a compelling account of the recent history of India, investigating the contradictions that are plaguing modern India and the manner in which people, especially young people, are actively remaking the country in the twenty first century. -- From publisher's description.
Author: Geeta Kapur
Publisher: Vikas Publishing House Private
ISBN:
Category : Art
Languages : en
Pages : 306
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Book Description
