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Author: Eric Carle
Publisher: Penguin
ISBN: 0399176888
Category : Juvenile Fiction
Languages : en
Pages : 39
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Book Description
Silliness takes center stage in this laugh-out-loud book from the creator of The Very Hungry Caterpillar?--now available as a board book! Yes, there’s something strange, something funny and even downright preposterous on every page of this book. But it’s not a mistake – it’s nonsense! Nonsense lies at the heart of many beloved nursery rhymes. Children readily accept odd statements like “the cow jumped over the moon” and “the dish ran away with the spoon.” This fanciful bending of reality is also basic to surrealism. In this book, nonsense and surrealism combine to spark creativity and imagination. What’s true? What’s impossible? What’s absolutely absurd? From Eric Carle, creator of the classic, The Very Hungry Caterpillar, comes a book to make children laugh and think, preparing them for a lifetime of loving both words and art. Praise for The Nonsense Show A TIME Magazine Top 10 Children's Book of 2015! * "Carle creates fun and laughter in this homage to the surrealist artist René Magritte. [P]erfect for storytimes and silly times all round. Carle hits it out of the nonsense park!"–Booklist, starred review * "A sure hit as a read-aloud and a definite purchase for picture book collections."–School Library Journal, starred review * "A picture book made to incite pleasure and joy."–Kirkus Reviews, starred review * "[The Nonsense Show], with its cleanly designed white pages, makes the unexpected elements of the imagery stand out and prompts questions and wonder."–Horn Book, starred review
Author: Eric Carle
Publisher: Penguin
ISBN: 0399176888
Category : Juvenile Fiction
Languages : en
Pages : 39
Get Book Here
Book Description
Silliness takes center stage in this laugh-out-loud book from the creator of The Very Hungry Caterpillar?--now available as a board book! Yes, there’s something strange, something funny and even downright preposterous on every page of this book. But it’s not a mistake – it’s nonsense! Nonsense lies at the heart of many beloved nursery rhymes. Children readily accept odd statements like “the cow jumped over the moon” and “the dish ran away with the spoon.” This fanciful bending of reality is also basic to surrealism. In this book, nonsense and surrealism combine to spark creativity and imagination. What’s true? What’s impossible? What’s absolutely absurd? From Eric Carle, creator of the classic, The Very Hungry Caterpillar, comes a book to make children laugh and think, preparing them for a lifetime of loving both words and art. Praise for The Nonsense Show A TIME Magazine Top 10 Children's Book of 2015! * "Carle creates fun and laughter in this homage to the surrealist artist René Magritte. [P]erfect for storytimes and silly times all round. Carle hits it out of the nonsense park!"–Booklist, starred review * "A sure hit as a read-aloud and a definite purchase for picture book collections."–School Library Journal, starred review * "A picture book made to incite pleasure and joy."–Kirkus Reviews, starred review * "[The Nonsense Show], with its cleanly designed white pages, makes the unexpected elements of the imagery stand out and prompts questions and wonder."–Horn Book, starred review
Author: Eric Gill
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 348
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Book Description
Author: Jenny Uglow
Publisher: Farrar, Straus and Giroux
ISBN: 1466828234
Category : Biography & Autobiography
Languages : en
Pages : 610
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Book Description
A sparkling biography of the poet and artist Edward Lear by the award-winning biographer Jenny Uglow Edward Lear, the renowned English artist, musician, author, and poet, lived a vivid, fascinating life, but confessed, “I hardly enjoy any one thing on earth while it is present.” He was a man in a hurry, “running about on railroads” from London to country estates and boarding steamships to Italy, Corfu, India, and Palestine. He is still loved for his “nonsenses,” from startling, joyous limericks to great love poems like “The Owl and the Pussy Cat” and “The Dong with a Luminous Nose,” and he is famous, too, for his brilliant natural history paintings, landscapes, and travel writing. But although Lear belongs solidly to the age of Darwin and Dickens—he gave Queen Victoria drawing lessons, and his many friends included Tennyson and the Pre-Raphaelite painters—his genius for the absurd and his dazzling wordplay make him a very modern spirit. He speaks to us today. Lear was a man of great simplicity and charm—children adored him—yet his humor masked epilepsy, depression, and loneliness. Jenny Uglow’s beautifully illustrated biography, full of the color of the age, brings us his swooping moods, passionate friendships, and restless travels. Above all, Mr. Lear shows how this uniquely gifted man lived all his life on the boundaries of rules and structures, disciplines and desires—an exile of the heart.
Author: Jamie Holmes
Publisher: Crown
ISBN: 0385348398
Category : Psychology
Languages : en
Pages : 338
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Book Description
An illuminating look at the surprising upside of ambiguity—and how, properly harnessed, it can inspire learning, creativity, even empathy Life today feels more overwhelming and chaotic than ever. Whether it’s a confounding work problem or a faltering relationship or an unclear medical diagnosis, we face constant uncertainty. And we’re continually bombarded with information, much of it contradictory. Managing ambiguity—in our jobs, our relationships, and daily lives—is quickly becoming an essential skill. Yet most of us don’t know where to begin. As Jamie Holmes shows in Nonsense, being confused is unpleasant, so we tend to shutter our minds as we grasp for meaning and stability, especially in stressful circumstances. We’re hard-wired to resolve contradictions quickly and extinguish anomalies. This can be useful, of course. When a tiger is chasing you, you can’t be indecisive. But as Nonsense reveals, our need for closure has its own dangers. It makes us stick to our first answer, which is not always the best, and it makes us search for meaning in the wrong places. When we latch onto fast and easy truths, we lose a vital opportunity to learn something new, solve a hard problem, or see the world from another perspective. In other words, confusion—that uncomfortable mental place—has a hidden upside. We just need to know how to use it. This lively and original book points the way. Over the last few years, new insights from social psychology and cognitive science have deepened our understanding of the role of ambiguity in our lives and Holmes brings this research together for the first time, showing how we can use uncertainty to our advantage. Filled with illuminating stories—from spy games and doomsday cults to Absolut Vodka’s ad campaign and the creation of Mad Libs—Nonsense promises to transform the way we conduct business, educate our children, and make decisions. In an increasingly unpredictable, complex world, it turns out that what matters most isn’t IQ, willpower, or confidence in what we know. It’s how we deal with what we don’t understand.
Author: Darren Coffield
Publisher: Troubador Publishing Ltd
ISBN: 1780885261
Category : Art
Languages : en
Pages : 280
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Book Description
Joshua's gallery 'Factual Nonsense' was quite unlike any other. Called a 'crazy powerhouse of ideas' it was a kind of cultural think-tank located in the then run-down East End area known as Shoreditch, which would later become a cohesive and creative hub (since rebranded as 'Silicon Roundabout'). Joshua was the driving force that turned the area's fortune and reputation around. Under the auspices of his Factual Nonsense banner, he held some of the most important and influential public art events of the late 20th Century. The first of these was an anarchic swipe at the notion of a traditional village fete called 'A Fete Worse than Death', with some of the biggest but the still yet unknown stars of the art world, including Damien Hirst and Angus Fairhurst, famously dressed as clowns and produced the first spin paintings at the Fete (for sale for the princely sum of £1). Whilst Hirst's spin machine has, from lowly beginnings at the Fete, gone on to appear recently at the World Economic Forum, a billionaire's playground, creating spin paintings for rich oligarch's wives as entertainment, Joshua was to die alone, poverty stricken back in 1996 on the cusp of international fame. Never reaping the rewards that were to come from the economic upturn and Charles Saatchi's Sensation exhibition, his death was a marker for the beginning of an era of international fame and success for his contemporaries and the end of the 'classic' avant-garde. The list of the seventy or so names of people I have interviewed for the book over the past year reads like a who's who of the contemporary art world, with contributions from the likes of Jay Jopling, Damien Hirst, Sarah Lucas, Sam Taylor-Wood, Gary Hume, Gavin Turk, Maureen Paley and Sir Peter Blake. Although Joshua never achieved the recognition that he deserved in his lifetime, he was a pivotal figure in the London art scene during the early 1990's. Josh moved into Hoxton and opened a gallery there and started a veritable art movement, while the place was a neglected London backwater. His lasting legacy was to bring together a group of artists and gallerists and create what is now known as the YBA scene. The text is illustrated with previously unseen photographs, letters and extracts from Joshua's diaries, which give insight into his thought process as well as the deterioration of his mental state towards the end of his brief but eventful life.
Author: John Hughes
Publisher: John Wiley & Sons
ISBN: 047076614X
Category : Religion
Languages : en
Pages : 264
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Book Description
Surveys twentieth century theologies of work, contrasting differing approaches to consider the “problem of labor” from a theological perspective. Aimed at theologians concerned with how Christianity might engage in social criticism, as well those who are interested in the connection between Marxist and Christian traditions Explores debates about labor under capitalism and considers the relationship between divine and human work Through a thorough reading of Weber’s Protestant Work Ethic, argues that the triumph of the "spirit of utility" is crucial to understanding modern notions of work Draws on the work of various twentieth century Catholic thinkers, including Josef Pieper, Jacques Maritain, Eric Gill, and David Jones Published in the new and prestigious Illuminations series.
Author: Maria de Lurdes Craveiro
Publisher: Vernon Press
ISBN: 1622735919
Category : Art
Languages : en
Pages : 362
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Book Description
'The Centre as Margin. Eccentric Perspectives on Art' is a multi-authored volume of collected essays that answer the challenge of thinking Art History, and the Arts in a broader sense, from a liminal point of view. Its main goal is thus to discuss the margin from the centre - drawing on its concomitance within study themes and subjects, ontological and epistemological positions, or research methodologies themselves. Marginality, eccentricity, liminality, and superfluity are all part of a dynamic relationship between centre and margin(s) that will be approached and discussed, from the point of view of disciplines as different and as close as art history, philosophy, literature and design, from medieval to contemporary art. Resulting from recent research developed from the privileged viewpoint offered by the margin, this volume brings together the contributions of young researchers along with the work of career scholars. Likewise, it does not obey a traditional or a rigid diachronic structure, being rather organized in three major parts that organically articulate the different essays. Within each of these parts in which the book is divided, papers are sometimes organized according to their timeframes, providing the reader with an encompassing (though not encyclopedic) overview of the common ground over which the various artistic disciplines build their methodological, theoretical, and thematic centers and margins. The intended eccentricity of this volume – and the original essays herein presented – should provide researchers, scholars, students, artists, curators, and the general reader interested in art with a refreshing approach to its various scientific strands.
Author: Scott Naismith
Publisher: Northern Arts Publication
ISBN: 9781911148005
Category : Landscape painting
Languages : en
Pages : 109
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Book Description
Author: Bernard Shaw
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 126
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Book Description
A criticism of Max Nordau's "Degeneration."
Author: Heidi Luerra
Publisher:
ISBN: 9781733224703
Category : Art
Languages : en
Pages : 314
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Book Description
The Work of Art is an essential twenty-first century roadmap for turning your creative work into a thriving business. Featuring brass-tacks useful information for creative entrepreneurs of every skill set, this book covers topics from personal branding, budgeting, and mental health, to guidance on clearing the hurdles that come forth as you rise to steady success. Heidi Luerra is the Founder & CEO of RAW: natural born artists, the world's largest independent arts organization. For almost 20 years, Heidi has worked with artists of all creative genres. Starting her own clothing line at a young age, she earned her business stripes the hard way. Over the past decade, Heidi has grown RAW to a worldwide operation in over 80 cities with over 200k artists in the RAW community (so she's got some stuff to say). Heidi offers no-nonsense advice (because who needs the fluff?), warnings against common creative pitfalls (because we don't have to fall for them), and real step-by-step action guides (because creative success takes planning). Heidi uses her own personal stories and sloppy mistakes (perhaps even oversharing) to demonstrate key lessons for creatives, including patience, persistence and best practices. She also profiles 15 working creative entrepreneurs from an array of artistic fields who have arrived at their own rewarding success. You'll travel along the path of what it really looks like to charge in the direction of your dreams. The Work of Art is cheeky, fun, and as honest as it gets.
