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Author: Hendrik Roelof Rookmaaker
Publisher: IVP Books
ISBN: 9780877843238
Category : Art and religion
Languages : en
Pages : 61
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Book Description
"[Author] examines recent art, showing that its insignificance is due to the collapse of cultural values. At the same time Christians have lowered their aesthetic standards and failed to interact with contemporary culture. Ours is certainly a time for a response from Christian artist with the highest of aestihtic sensitivity"--Back cover.
Author: Hendrik Roelof Rookmaaker
Publisher: IVP Books
ISBN: 9780877843238
Category : Art and religion
Languages : en
Pages : 61
Get Book
Book Description
"[Author] examines recent art, showing that its insignificance is due to the collapse of cultural values. At the same time Christians have lowered their aesthetic standards and failed to interact with contemporary culture. Ours is certainly a time for a response from Christian artist with the highest of aestihtic sensitivity"--Back cover.
Author: Tony Feliciano
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Hans R Rookmaaker
Publisher:
ISBN: 9781573834414
Category : Art
Languages : en
Pages : 64
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Book Description
One of the 20th century's most incisive art historians and cultural critics issues a prophetic call to artists-craftsmen, musicians, visual artists, and others in all walks of life to "weep, pray, think, and work."
Author: N.T. Wright
Publisher: InterVarsity Press
ISBN: 0830878130
Category : Religion
Languages : en
Pages : 292
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Book Description
Biblical Foundations Book Award Few issues are more central to the Christian faith than the nature, scope and means of salvation. Many have thought it to be largely a transaction that gets one to heaven. In this riveting book, N. T. Wright explains that God's salvation is radically more than this. At the heart of much vigorous debate on this topic is the term the apostle Paul uses in several of his letters to describe what happens to those in Christ--justification. Paul uses this dramatic image from the law court to declare that Christians are acquitted of the cosmic accusations against them. But justification goes beyond this in Paul's writings to offer a vision of God's future for the whole world as well as for his people. Here in one place Wright now offers a comprehensive account and defense of his perspective on this crucial doctrine. He provides a sweeping overview of the central points in the debate before launching into a thorough explanation of the key texts in Paul's writings. While fully cognizant of tradition and controversy, the final authority for his conclusions is the letters of Paul themselves. Along the way Wright responds to critics, such as John Piper, who have challenged what has come to be called the New Perspective. For Wright, what Paul means by justification is nothing less than God's unswerving commitment to the covenant promise he made to bless the whole world through Abraham and his family. This irenic response is an important contribution for those on both sides of the debate--and those still in between--to consider. Whether you're a fan of Wright's work or have read his critics and would like to know the other side of the story, here is a chance to interact with Wright's views on the issues at stake and form your own conclusions.
Author: Kim Grant
Publisher: Penn State Press
ISBN: 0271079479
Category : Art
Languages : en
Pages : 283
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Book Description
In recent years, many prominent and successful artists have claimed that their primary concern is not the artwork they produce but the artistic process itself. In this volume, Kim Grant analyzes this idea and traces its historical roots, showing how changing concepts of artistic process have played a dominant role in the development of modern and contemporary art. This astute account of the ways in which process has been understood and addressed examines canonical artists such as Monet, Cézanne, Matisse, and De Kooning, as well as philosophers and art theorists such as Henri Focillon, R. G. Collingwood, and John Dewey. Placing “process art” within a larger historical context, Grant looks at the changing relations of the artist’s labor to traditional craftsmanship and industrial production, the status of art as a commodity, the increasing importance of the body and materiality in art making, and the nature and significance of the artist’s role in modern society. In doing so, she shows how process is an intrinsic part of aesthetic theory that connects to important contemporary debates about work, craft, and labor. Comprehensive and insightful, this synthetic study of process in modern and contemporary art reveals how artists’ explicit engagement with the concept fits into a broader narrative of the significance of art in the industrial and postindustrial world.
Author: Wassily Kandinsky
Publisher: Courier Corporation
ISBN: 048613248X
Category : Art
Languages : en
Pages : 111
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Book Description
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
Author: Hendrik Roelof Rookmaaker
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
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Book Description
Author: Leo Nikolayevich Tolstoy
Publisher: Read Books Ltd
ISBN: 1528769643
Category : Art
Languages : en
Pages : 327
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Book Description
Originally published in 1930, this book contains the widely respected essay 'What Is Art', by the well-known Russian writer Leo Tolstoy, and is highly recommended for inclusion on the bookshelf of any fan of his works. Many of these earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: John Paul Lederach
Publisher: Oxford University Press
ISBN: 019974758X
Category : Philosophy
Languages : en
Pages : 217
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Book Description
Originally published in hardcover in 2005.
Author: Hans Sedlmayr
Publisher: Routledge
ISBN: 1351531093
Category : Art
Languages : en
Pages : 289
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Book Description
The history of art from the early nineteenth century on- ward is commonly viewed as a succession of conflicts between innovatory and established styles that culminated in the formalism and aesthetic autonomy of high modernism. In Art and Crisis, first published in 1948, Hans Sedlmayr argues that the aesthetic disjunctures of modern art signify more than matters of style and point to much deeper processes of cultural and religious disintegration. As Roger Kimball observes in his informative new introduction, Art in Crisis is as much an exercise in cultural or spiritual analysis as it is a work of art history. Sedlmayr's reads the art of the last two centuries as a fever chart of the modern age in its greatness and its decay. He discusses the advent of Romanticism with its freeing of the imagination as a conscious sundering of art from humanist and religious traditions with the aesthetic treated as a category independent of human need. Looking at the social purposes of architecture, Sedlmayr shows how the landscape garden, the architectural monument, and the industrial exhibition testified to a new relationship not only between man and his handiwork but also between man and the forces that transcend him. In these institutions man deifies his inventive powers with which he hopes to master and supersede nature. Likewise, the art museum denies transcendence through a cultural leveling in which Heracles and Christ become brothers as objects of aesthetic contemplation. At the center of Art in Crisis is the insight that, in art as in life, the pursuit of unqualified autonomy is in the end a prescription for disaster, aesthetic as well as existential. Sedlmayr writes as an Augustinian Catholic. For him, the underlying motive for the pursuit of autonomy is pride. The lost center of his subtitle is God. The dream of autonomy, Sedlmayr argues, is for finite, mortal creatures, a dangerous illusion. The book invites serious analysis from art cri
