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Author: Thomas Ridgewell
Publisher: Hachette UK
ISBN: 075156303X
Category : Humor
Languages : en
Pages : 121
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Book Description
In 2008, Thomas "TomSka" Ridgewell uploaded a short animated film to YouTube; he called it asdfmovie. It has since been viewed more than 50 million times and has spawned eight sequels and many, many dedicated fans. Now, for the first time, the weird and wonderful world of asdf has exploded onto the page in ART IS DEAD, a book conceived and written by Tom and illustrated by Matt Ley. Featuring much-loved characters from the films, as well as brand-new, never-before-seen comics and bonus material - including the asdf origin story and Tom's own sketches - ART IS DEAD is a comic book like no other. Expect trains, potatoes, suicidal muffins and jokes about "death, destruction and things talking that don't normally talk", all wrapped up in book so awkwardly shaped it will make your shelves look weird. (Sorry about that.)
Author: Thomas Ridgewell
Publisher: Hachette UK
ISBN: 075156303X
Category : Humor
Languages : en
Pages : 121
Get Book Here
Book Description
In 2008, Thomas "TomSka" Ridgewell uploaded a short animated film to YouTube; he called it asdfmovie. It has since been viewed more than 50 million times and has spawned eight sequels and many, many dedicated fans. Now, for the first time, the weird and wonderful world of asdf has exploded onto the page in ART IS DEAD, a book conceived and written by Tom and illustrated by Matt Ley. Featuring much-loved characters from the films, as well as brand-new, never-before-seen comics and bonus material - including the asdf origin story and Tom's own sketches - ART IS DEAD is a comic book like no other. Expect trains, potatoes, suicidal muffins and jokes about "death, destruction and things talking that don't normally talk", all wrapped up in book so awkwardly shaped it will make your shelves look weird. (Sorry about that.)
Author: Marlowe Granados
Publisher: Verso Books
ISBN: 1839764031
Category : Fiction
Languages : en
Pages : 293
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Book Description
With the verve and bite of Ottessa Moshfegh and the barbed charm of Nancy Mitford, this stunning debut about a young ingénue in the big city is “as refreshing as gin fizz . . . a wild careening joyride through a hot sultry summer in New York” (Rachel Syme, The New Yorker). Isa Epley, all of twenty-one years old, is already wise enough to understand that the purpose of life is the pursuit of pleasure. She arrives in New York with her newly blond best friend looking for adventure. They have little money, but that’s hardly going to stop them. By day, the girls sell clothes on a market stall, pinching pennies for their Bed-Stuy sublet and bodega lunches. By night, they weave between Brooklyn, the Upper East Side, and the Hamptons among a rotating cast of celebrities, artists, Internet entrepreneurs, stuffy intellectuals, and bad-mannered grifters. Resources run ever tighter and the strain tests their friendship as they try to convert social capital into something more lasting than precarious gigs as au pairs, nightclub hostesses, paid audience members, and aspiring foot fetish models. Through it all, Isa’s bold, beguiling voice captures the precise thrill of cultivating a life of glamour and intrigue as she juggles paying her dues with skipping out on the bill. Happy Hour is a novel about getting by and having fun in a system that wants you to do neither.
Author: Phil Cushway
Publisher: National Geographic Books
ISBN: 1593765029
Category : Music
Languages : en
Pages : 0
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Book Description
Inspired by The Grateful Dead and featuring interviews and profiles of key artists, Art of the Dead is the story of the vibrant, charismatic poster art that emerged from the streets of 1960s San Francisco. The Art of the Dead showcases the vibrant, charismatic poster art that emerged from the streets of San Francisco in 1964 and 1966. It traces the cultural, political, and historical influences of posters as art back to Japanese wood blocks through Bell Epoque, on to the Beatniks, the Free Speech Movement, and the Acid Tests. Featuring interviews and profiles of the key artists, including Rick Griffin, Stanley "Mouse" Miller, Alton Kelley, Wes Wilson, and Victor Moscoso. The book uses Grateful Dead as the vehicle to tell the story of poster art as The Dead were the band that ultimately proved to be the most substantive and engaged partner for the artists and hence featured the best art of any rock 'n' roll band ever. The book will follow a chronological evolution of the art from the band's origination in 1965 through Jerry Garcia's death in 1995. The book is in four-color throughout, featuring iconic and rare images as well as extensive "process" material, including sketches, original art, blue lines, film, and printing plates that show how the art was created. It will also include essays by Greil Marcus, Peter Coyote, and Victoria Binder, as well as essays on the elements of the printing process from the original art to the final poster. Ultimately, the Art of the Dead makes the case that poster art is truly an original form of American fine art.
Author: Jeff Gomez
Publisher: Macmillan
ISBN: 0230614469
Category : Computers
Languages : en
Pages : 266
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Book Description
For over 1500 years books have weathered numerous cultural changes remarkably unaltered. Through wars, paper shortages, radio, TV, computer games, and fluctuating literacy rates, the bound stack of printed paper has, somewhat bizarrely, remained the more robust and culturally relevant way to communicate ideas. Now, for the first time since the Middle Ages, all that is about to change. Newspapers are struggling for readers and relevance; downloadable music has consigned the album to the format scrap heap; and the digital revolution is now about to leave books on the high shelf of history. In Print Is Dead, Gomez explains how authors, producers, distributors, and readers must not only acknowledge these changes, but drive digital book creation, standards, storage, and delivery as the first truly transformational thing to happen in the world of words since the printing press.
Author: Shannan Clark
Publisher:
ISBN: 0199731624
Category : Business & Economics
Languages : en
Pages : 609
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Book Description
The Making of the American Creative Class narrates the history of workers in New York's publishing, advertising, design, and broadcasting industries and their efforts to improve their working conditions, set against the backdrop of the economic dislocations of twentieth-century capitalism.
Author: Ian Frisch
Publisher: HarperCollins
ISBN: 0062839306
Category : Biography & Autobiography
Languages : en
Pages : 398
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Book Description
A journalist recounts his life-changing journey through the secret world of underground magic in this “funny, illuminating, and personal” memoir (Brooklyn Rail) When struggling journalist Ian Frisch came across magician Chris Ramsey on Instagram, he knew he had the makings of a good story. But what began as a simple profile piece led Ian to the52—a secret society of magicians determined to revolutionize their ancient artform under the mantra Magic Is Dead. As Ian gains entry to the52, he forms close bonds with its founding members—Laura London, Daniel Madison, and Chris Ramsay. He attends private gatherings of the most extraordinary magicians working today, follows them to magic conventions in Las Vegas and England, and discovers some of the best tricks of the trade. He also goes behind the scenes of a Netflix magic show and encounters David Blaine, Penn Jillette, and Dynamo, the U.K.’s most famous magician. As Ian tells the story of the52, and his role as its most unlikely member, he reveals his own connection with trickery and deceit, sharing how he first learned the elements of magic from his poker-playing mother. Rich with the history of magic and populated with a cast of fascinating characters, Magic Is Dead is a page-turning work of immersive journalism coupled with a young man searching for himself.
Author: Kamila Mlynarczyk
Publisher:
ISBN: 9781777081782
Category : Art
Languages : en
Pages : 150
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Book Description
I can be myself when everyone I know is dead... That's the title of the thing I made. The thing that I made is a book. It houses a collection of my art (some from online and some not) created from 2017 - 2019. The writing delves uncomfortably into my mind and life. It describes the rhyme and reason behind why everyone needs a little snail friend, why cute poops make this world a better place, and why werewolves always hesitate before devouring the sacrificial girl-child. Actually, it's really about how horribly influential and affecting childhood is and how babcia's soup is actually her life-blood. No, no, it's more about how Audri is planning to take over the world. It's probably about too many things for one book, which means it's really all about breaking the rules. There are no rules in art, so there are no rules in my book, hence the title: I can be myself when everyone I know is dead... which is much too long to be usefully searchable. Eye of Newt Books wants to let you know that someone in this process took it seriously, tried to follow the rules, and is going to make it a nice artbook that will have you laughing, crying, and cringing by the end. That is...if you read it from cover to cover (which I don't recommend because that would be following the "rules").
Author: Lilly Dancyger
Publisher: Santa Fe Writers Project
ISBN: 1951631048
Category : Biography & Autobiography
Languages : en
Pages : 298
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Book Description
Despite her parents' struggles with addiction, Lilly Dancyger always thought of her childhood as a happy one. But what happens when a journalist interrogates her own rosy memories to reveal the instability around the edges? Dancyger's father, Joe Schactman, was part of the iconic 1980s East Village art scene. He created provocative sculptures out of found materials like animal bones, human hair, and broken glass, and brought his young daughter into his gritty, iconoclastic world. She idolized him—despite the escalating heroin addiction that sometimes overshadowed his creative passion. When Schactman died suddenly, just as Dancyger was entering adolescence, she went into her own self-destructive spiral, raging against a world that had taken her father away. As an adult, Dancyger began to question the mythology she'd created about her father—the brilliant artist, struck down in his prime. Using his sculptures, paintings, and prints as a guide, Dancyger sought out the characters from his world who could help her decode the language of her father's work to find the truth of who he really was.
Author: Ivan Jenson
Publisher: Hen House Press
ISBN: 0983460434
Category : Art
Languages : en
Pages : 172
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Book Description
Pop artist Milo Sonas was a New York City art world star in the 80s and 90s. After 9/11, a nervous breakdown and years of obscurity, Milo now finds himself sheltered in a government subsidized motel room in the Midwest, wandering in the streets, coffee shops and shopping malls in the afternoons, and experiencing frequent supernatural visitations from famous dead artists.When Milo is suddenly rediscovered by a former collector, his fortunes start to shift. His reemergence from obscurity is underway. However, first he must deal with his eccentric family members, plan his dying mother's funeral (that she intends to attend) and his own wedding to a University coed, all in the same afternoon. Will Milo escape the drone of suburbia, and stop fearing that art history would rather see him dead, before he is allowed to feel, touch and taste success?Jenson's tour de force written with a unique new voice, will also please those familiar with Kurt Vonnegut Jr. and Philip Jose Farmer. Readers will be taken on a hilarious, sensual, heartfelt ride. Dead Artist features riotous stream-of-consciousness and time shifting literary riffs. In this high energy novel Pop art icon, poet and author Ivan Jenson creates a vivid portrait of an artist as a post-modern man.
Author: William Deresiewicz
Publisher: Henry Holt and Company
ISBN: 1250125529
Category : Art
Languages : en
Pages : 235
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Book Description
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
