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Author: Christoph Behnke
Publisher:
ISBN: 9783956790775
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today's power law-based economies. These themes triggered not only the development of new artworks but also gave rise to reflexive discourses and discussions surrounding art theory, philosophy, sociology, and economics. The book contains a visual documentation of a number of group shows - which also included the works of winners of the Daniel Frese Prize - at Agathenburg Castle, Halle für Kunst Lüneburg, Kunstraum of Leuphana University of Lüneburg, and Kunstverein Springhornhof. The contributions by critics, curators, theoreticians, and scientists include essays and in-depth conversations.
Author: Christoph Behnke
Publisher:
ISBN: 9783956790775
Category : Art, Modern
Languages : en
Pages : 0
Get Book Here
Book Description
This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today's power law-based economies. These themes triggered not only the development of new artworks but also gave rise to reflexive discourses and discussions surrounding art theory, philosophy, sociology, and economics. The book contains a visual documentation of a number of group shows - which also included the works of winners of the Daniel Frese Prize - at Agathenburg Castle, Halle für Kunst Lüneburg, Kunstraum of Leuphana University of Lüneburg, and Kunstverein Springhornhof. The contributions by critics, curators, theoreticians, and scientists include essays and in-depth conversations.
Author: Pat Villeneuve
Publisher: National Art Education Association (NAEA)
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
This book examines museum education from the perspective of 33 authors from the field, resulting in a collective vision elevating the function of education within museums. A variety of perspectives offered throughout the collection of essays push further thinking and encourage robust debate. Both museum practitioners and university-level students will find the contents of this book useful as it delves into theory, but it also informs on exemplary models of practice. Museum education has developed much over the past 20 years, yet there remains an opportunity to advance its position within art museums with effective practice and the creation of successful programs.
Author: Stephen J. Campbell
Publisher: University of Chicago Press
ISBN: 022648145X
Category : Art
Languages : en
Pages : 374
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Book Description
While the masterpieces of the Italian Renaissance are usually associated with Italy’s historical seats of power, some of the era’s most characteristic works are to be found in places other than Florence, Rome, and Venice. They are the product of the diversity of regions and cultures that makes up the country. In Endless Periphery, Stephen J. Campbell examines a range of iconic works in order to unlock a rich series of local references in Renaissance art that include regional rulers, patron saints, and miracles, demonstrating, for example, that the works of Titian spoke to beholders differently in Naples, Brescia, or Milan than in his native Venice. More than a series of regional microhistories, Endless Periphery tracks the geographic mobility of Italian Renaissance art and artists, revealing a series of exchanges between artists and their patrons, as well as the power dynamics that fueled these exchanges. A counter history of one of the greatest epochs of art production, this richly illustrated book will bring new insight to our understanding of classic works of Italian art.
Author: Tessa Hauswedell
Publisher: UCL Press
ISBN: 1787350991
Category : History
Languages : en
Pages : 211
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Book Description
Historians often assume a one-directional transmission of knowledge and ideas, leading to the establishment of spatial hierarchies defined as centres and peripheries. In recent decades, transnational and global history have contributed to a more inclusive understanding of intellectual and cultural exchanges that profoundly challenged the ways in which we draw our mental maps. Covering the early modern and modern periods, Re-Mapping Centre and Periphery investigates the asymmetrical and multi-directional structure of such encounters within Europe as well as in a global context. Exploring subjects from the shores of the Russian Empire to nation-making in Latin America, the international team of contributors demonstrates how, as products of human agency, centre and periphery are conditioned by mutual dependencies; rather than representing absolute categories of analysis, they are subjective constructions determined by a constantly changing discursive context. Through its analysis, the volume develops and implements a conceptual framework for remapping centres and peripheries, based on conceptual history and discourse history. As such, it will appeal to a wide variety of historians, including transnational, cultural and intellectual, and historians of early modern and modern periods.
Author: Rika Burnham
Publisher: Getty Publications
ISBN: 1606060589
Category : Art
Languages : en
Pages : 182
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Book Description
Teaching in the Art Museum investigates the mission, history, theory, practice, and future prospects of museum education. In this book Rika Burnham and Elliott Kai-Kee define and articulate a new approach to gallery teaching, one that offers groups of visitors deep and meaningful experiences of interpreting art works through a process of intense, sustained looking and thoughtfully facilitated dialogue.--[book cover].
Author: Meiling Cheng
Publisher: Univ of California Press
ISBN: 0520235150
Category : Art
Languages : en
Pages : 442
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Book Description
"Will be a 'must read' for anyone studying performance art or the art and culture of Southern California. Cheng is a brilliant and original thinker and writes with a lively, engaged and engaging poetic style through which she attempts to enact the very passion and performativity that she explores in her objects of study."—Amelia Jones, author of Body Art/Performing the Subject "Dazzling on many levels, a major contribution not only to performance art scholarship but more generally to contemporary American art, feminist, and cultural studies. In Other Los Angeleses is going to transform performance studies because of the richness of Cheng's facts and scholarship and the equal richness of her theoretical frameworks and references."—Moira Roth, author of Difference Indifference
Author: Thomas DaCosta Kaufmann
Publisher: University of Chicago Press
ISBN: 9780226133119
Category : Art
Languages : en
Pages : 512
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Book Description
Art history traditionally classifies works of art by country as well as period, but often political borders and cultural boundaries are highly complex and fluid. Questions of identity, policy, and exchange make it difficult to determine the "place" of art, and often the art itself results from these conflicts of geography and culture. Addressing an important approach to art history, Thomas DaCosta Kaufmann's book offers essays that focus on the intricacies of accounting for the geographical dimension of art history during the early modern period in Europe, Latin America, and Asia. Toward a Geography of Art presents a historical overview of these complexities, debates contemporary concerns, and completes its exploration with a diverse collection of case studies. Employing the author's expertise in a variety of fields, the book delves into critical issues such as transculturation of indigenous traditions, mestizaje, the artistic metropolis, artistic diffusion, transfer, circulation, subversion, and center and periphery. What results is a foundational study that establishes the geography of art as a subject and forces us to reconsider assumptions about the place of art that underlie the longstanding narratives of art history.
Author: Andy Grundberg
Publisher: Yale University Press
ISBN: 0300259891
Category : Photography
Languages : en
Pages : 554
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Book Description
A leading critic’s inside story of “the photo boom” during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers—many of whom he knew personally—including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography’s relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period’s leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography.
Author: Gina Wouters
Publisher: The Monacelli Press, LLC
ISBN: 1580934579
Category : Art
Languages : en
Pages : 257
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Book Description
In collaboration with Miami’s Vizcaya Museum and Gardens, a rediscovery of a lost figure of American modernism—the early-twentieth-century American painter born into the Astor family, whose imagination and patrician clientele provide a fascinating artistic and biographical saga. American modernism is populated with a cast of extraordinary characters, but few were as exuberant as Robert Winthrop Chanler, who made his artistic reputation with exotic and brilliantly colored lacquered screens and architectural interiors whose compositions feature fantastical avian, jungle, and aquatic creatures, many overlaid with iridescent metallic finishes. Chanler painted what entertained and interested him, while attracting wealthy Gilded Age patrons and earning popular and critical acclaim at numerous exhibitions—including the 1905 Salon d’Automne, the show featuring paintings by “les fauves,” with Henri Matisse as their leader; and the legendary “International Exhibition of Modern Art” in New York City, popularly known as the 1913 Armory Show. But, despite such a prolific career and a fascinating body of work, Chanler quickly became an obscure figure after his death in 1930. Robert Winthrop Chanler: Discovering the Fantastic is the first comprehensive examination in more than eighty years of an artist who straddled the divide between fine and decorative art, defined notions of originality and authorship during the birth of American modernism, and posthumously challenges twenty-first century preservationists through his idiosyncratic techniques and unorthodox material choices. Co-published with Vizcaya Museum and Gardens, which preserves Chanler’s fantastic undersea mural on the swimming pool grotto ceiling of the historic estate, the book includes essays that explore major commissions and conservation issues, all illustrated with new color photography, as well as a chronology and exhibition history, making this the definitive study on an indelible American modernist.
Author: Rocío Aranda-Alvarado
Publisher: Univ of California Press
ISBN: 0520385969
Category : Art
Languages : en
Pages : 383
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Book Description
A curated selection of key texts and artists' voices exploring US Latinx art and art history from the 1960s to the present. A Handbook of Latinx Art is the first anthology to explore the rich, deep, and often overlooked contributions that Latinx artists have made to art in the United States. Drawn from wide-ranging sources, this volume includes texts by artists, critics, and scholars from the 1960s to the present that reflect the diversity of the Latinx experience across the nation, from the West Coast and the Mexican border to New York, Miami, and the Midwest. The anthology features essential writings by Mexican American, Puerto Rican, Cuban American, Dominican American, and Central American artists to highlight how visionaries of diverse immigrant groups negotiate issues of participation and belonging, material, style, and community in their own voices. These intersectional essays cut across region, gender, race, and class to lay out a complex emerging field that reckons with different histories, geographies, and political engagements and, ultimately, underscores the importance of Latinx artists to the history of American art.
