Art in Shakespeare and Other Essays PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Art in Shakespeare and Other Essays PDF full book. Access full book title Art in Shakespeare and Other Essays by Rita Severi. Download full books in PDF and EPUB format.
Author: Rita Severi
Publisher:
ISBN: 9788855533997
Category : Literary Criticism
Languages : en
Pages : 152
Get Book Here
Book Description
Author: Rita Severi
Publisher:
ISBN: 9788855533997
Category : Literary Criticism
Languages : en
Pages : 152
Get Book Here
Book Description
Author: Jane Martineau
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284
Get Book Here
Book Description
'Shakespeare in Art' looks at the huge variety of painters who made Shakespeare's extremes of passion, his evocations of nature, his spirit world and his eternally familiar characters the subjects of their own work. This book is essential reading for anyone interested in the history of Western culture.
Author: Wolfgang Clemen
Publisher: Routledge
ISBN: 1136559086
Category : Literary Criticism
Languages : en
Pages : 256
Get Book Here
Book Description
First published in 1972. Studying Shakespeare's 'art of preparation', this book illustrates the relationship between the techniques of preparation and the structure and theme of the plays. Other essays cover Shakespeare's use of the messenger's report, his handling of the theme of appearance and reality and the basic characteristics of Shakespearian drama.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Robert Kimbrough
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 296
Get Book Here
Book Description
Author: Milton Crane
Publisher: Chicago : Published for The George Washington University by the University of Chicago Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 168
Get Book Here
Book Description
Author: Stephen Booth
Publisher: Rowman & Littlefield
ISBN: 161147891X
Category : Literary Criticism
Languages : en
Pages : 201
Get Book Here
Book Description
Dealing mainly with the works of William Shakespeare, the essays in Close Readings without Readings reflect Stephen Booth’s lifelong interest in uncovering the ways great literature works upon readers. As the book’s title suggests, the author does not aim to create new or novel interpretations or to uncover the political agendas of literary works, but to notice language patterns—repetitions, analogies, correspondences, echoes, overtones—and other ways in which the choice and the arrangement of words affect readers. For Booth, close reading is a practice of attentiveness. He notices how, why, and in what ways Shakespeare’s works affect his readers. Whether readers agree with the premises of a literary work or not, they subject themselves, knowingly or not, to its effects. For Booth, what we value in literature is the experience. He has devoted his own work to recognizing the nature, process, and functions of reading literature, and to teaching others to do the same. Recent years have seen Booth’s efforts recognized by volumes dedicated both to close reading and to his achievements as editor, scholar, critic, and teacher.
Author: Sir Sidney Lee
Publisher: London : J. Murray
ISBN:
Category : Performing Arts
Languages : en
Pages : 278
Get Book Here
Book Description
Author: Stephen Orgel
Publisher: Manchester University Press
ISBN: 152613053X
Category : Literary Criticism
Languages : en
Pages : 304
Get Book Here
Book Description
Why did Queen Elizabeth I compare herself with her disastrous ancestor Richard II? Why would Ben Jonson transform Queen Anne and her ladies into Amazons as entertainment for the pacifist King James? How do the concept of costume as high fashion and as self-fashioning, as disguise and as the very essence of theatre, relate to one other? How do portraits of poets help make the author readers want, and why should books, the embodiment of the word, be illustrated at all? What conventions connect image to text, and what impulses generated the great art collections of the early seventeenth century? In this richly illustrated collection on theatre, books, art and personal style, the eminent literary critic and cultural historian Stephen Orgel addresses himself to such questions in order to reflect generally on early modern representation and, in the largest sense, early modern performance. As wide-ranging as they are perceptive, the essays deal with Shakespeare, Jonson and Milton, with Renaissance magic and Renaissance costume, with books and book illustration, art collecting and mythography. All are recent, and five are hitherto unpublished.
Author: Sister Miriam Joseph
Publisher: Ravenio Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 641
Get Book Here
Book Description
The contribution of the present work is to present in organized detail essentially complete the general theory of composition current during the Renaissance (as contrasted with special theories for particular forms of composition) and the illustration of Shakespeare’s use of it. It is organized as follows: Part One: Introduction I. The General Theory of Composition and of Reading in Shakespeare’s England 1. The Concept of Art in Renaissance England 2. Training in the Arts in Renaissance England 3. The English Works on Logic and Rhetoric 4. The Tradition 5. Invention and Disposition Part Two. Shakespeare’s Use of the Theory II. Shakespeare’s Use of the Schemes of Grammar, Vices of Language, and Figures of Repetition 1. The Schemes of Grammar 2. The Vices of Language 3. The Figures of Repetition III. Logos: The Topics of Invention 1. Inartificial Arguments or Testimony 2. Definition 3. Division: Genus and Species, Whole and Parts 4. Subject and Adjuncts 5. Contraries and Contradictories 6. Similarity and Dissimilarity 7. Comparison: Greater, Equal, Less 8. Cause and Effect, Antecedent and Consequent 9. Notation and Conjugates IV. Logos: Argumentation 1. Syllogistic Reasoning 2. Fallacious Reasoning 3. Disputation V. Pathos and Ethos 1. Pathos 2. Ethos Part Three. The General Theory of Composition and Reading as Defined and Illustrated by Tudor Logicians and Rhetoricians VI. Schemes of Grammar, Vices of Language, and Figures of Repetition 1. The Schemes of Grammar 2. Vices of Language VII. Logos: The Topics of Invention 1. Inartificial Arguments or Testimony 2. Definition 3. Division: Genus and Species, Whole and Parts 4. Subject and Adjuncts 5. Contraries and Contradictories 6. Similarity and Dissimilarity 7. Comparison: Greater, Equal, Less 8. Cause and Effect, Antecedent and Consequent 9. Notation and Conjugates 10. Genesis or Composition 11. Analysis or Reading VIII. Logos: Argumentation 1. Syllogistic Reasoning 2. Fallacious Reasoning 3. Disputation IX. Pathos and Ethos 1. Pathos 2. Ethos
