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Author: Hippolyte Taine
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages :
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Author: Hippolyte Taine
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages :
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Author: Marie-Dominique Philippe
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
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Author: Hippolyte Taine
Publisher:
ISBN:
Category : Aesthetics
Languages : fr
Pages : 398
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Author: Hippolyte Taine
Publisher: Forgotten Books
ISBN: 9780365837268
Category : Philosophy
Languages : fr
Pages : 184
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Excerpt from Philosophie de l'Art Le point de départ de cette méthode consiste à reconnaître qu'une oeuvre d'art n'est pas iso lee, par conséquent à chercherl'ensemble dont elle dépend et qui l'explique. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Hans Rainer Sepp
Publisher:
ISBN: 9788072980918
Category : Art and philosophy
Languages : en
Pages : 83
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Author: Hippolyte Adolphe Taine
Publisher:
ISBN:
Category :
Languages : fr
Pages : 318
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Author: Friedrich Wilhelm Joseph von Schelling
Publisher: U of Minnesota Press
ISBN: 1452908087
Category : Literary Criticism
Languages : en
Pages : 403
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Book Description
Annotation. A new translation of Schelling's Die Philosophie der Kunst, 1859 with extensive commentary by the translator, Douglas W. Stott. Annotation copyrighted by Book News, Inc., Portland, OR.
Author: Peter Goldie
Publisher: Clarendon Press
ISBN: 0191536547
Category : Philosophy
Languages : en
Pages : 312
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The fourteen prominent analytic philosophers writing here engage with the cluster of philosophical questions raised by conceptual art. They address four broad questions: What kind of art is conceptual art? What follows from the fact that conceptual art does not aim to have aesthetic value? What knowledge or understanding can we gain from conceptual art? How ought we to appreciate conceptual art? Conceptual art, broadly understood by the contributors as beginning with Marcel Duchamp's ready-mades and as continuing beyond the 1970s to include some of today's contemporary art, is grounded in the notion that the artist's 'idea' is central to art, and, contrary to tradition, that the material work is by no means essential to the art as such. To use the words of the conceptual artist Sol LeWitt, 'In conceptual art the idea of the concept is the most important aspect of the work . . . and the execution is a perfunctory affair'. Given this so-called 'dematerialization' of the art object, the emphasis on cognitive value, and the frequent appeal to philosophy by many conceptual artists, there are many questions that are raised by conceptual art that should be of interest to analytic philosophers. Why, then, has so little work been done in this area? This volume is most probably the first collection of papers by analytic Anglo-American philosophers tackling these concerns head-on. Contributors Margaret Boden, Diarmuid Costello, Gregory Currie, David Davies, Peter Goldie, Robert Hopkins, Matthew Kieran, Peter Lamarque, Dominic McIver Lopes, Derek Matravers, Elisabeth Schellekens, Kathleen Stock, Carolyn Wilde, and the 'Art & Language' group.
Author: Sarah Kofman
Publisher:
ISBN:
Category : Aesthetics
Languages : fr
Pages : 114
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La 4ème de couverture indique : « Et si la beauté qui camoufle le caractère évanescent de toute chose était elle-même éphémère ? Le déclin de ce qui rend tolérable l’intolérable susciterait vertige et désarroi. Ce refus de deuil de la beauté est révélateur de la fonction cathartique de l’art aussi mystifiante que celle du spéculatif, miroir captateur d’images par trop bouleversantes, insupportables. Briser avec ce qui dans l’art répond à notre demande d’éternité c’est disloquer l’espace de la représentation et du sens, c’est inventer un espace d’indétermination et de jeu – ouvrir un tout autre espace. Aussi la beauté n’est-elle jamais exempte de mélancolie : elle échoue à faire le deuil de la philosophie, pleure la brisure du sens, la perte de la référence et du discours, le “sacrifice” du sujet et de l’objet. »
Author: John Durand
Publisher: Legare Street Press
ISBN: 9781015539372
Category : Art
Languages : en
Pages : 0
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
