Art C*, Contemporary Art Auction, Sunday 25 May 2008 PDF Download
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Author: Sidharta Auctioneer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Author: Sidharta Auctioneer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Author: Sotheby's
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 159
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Book Description
Author: Beijing Googut auction
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Marquis
Publisher: Marquis Who's Who
ISBN: 9780872178434
Category : Art
Languages : en
Pages : 1062
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Book Description
Author: Rudolf Frieling
Publisher: Univ of California Press
ISBN: 0520290569
Category : Art
Languages : en
Pages : 384
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Book Description
"This book is published by the San Francisco Museum of Modern Art on the occasion of the exhibition Bruce Conner: It's All True, co-curated by Stuart Comer, Rudolf Frieling, Gary Garrels, and Laura Hoptman, with Rachel Federman"--Colophon.
Author: David Rago
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 264
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Book Description
Explores the characteristics and unique features of the main pottery studios in the U.S.
Author: Bartholomew F. Bland
Publisher:
ISBN: 9780692098677
Category :
Languages : en
Pages : 120
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Book Description
The ticking clock and the draining hourglass are universal symbols of time, but artists possess their own varied and unique vocabularies to tackle Time. In TICK-TOCK, they look at Time's impact through a range of media and find meaning in the tools that chart Time-clocks, calendars, sundials, hourglasses, digital timekeepers, and time-elapsed video. In their skilled hands these everyday working devices can rise to the level of poetry.
Author: William R. Cross
Publisher: Farrar, Straus and Giroux
ISBN: 0374603804
Category : Biography & Autobiography
Languages : en
Pages : 435
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Book Description
The definitive life of the painter who forged American identity visually, in art and illustration, with an impact comparable to that of Walt Whitman and Mark Twain in poetry and prose—yet whose own story has remained largely untold. In 1860, at the age of twenty-four, Winslow Homer (1836–1910) sold Harper’s Weekly two dozen wood engravings, carved into boxwood blocks and transferred to metal plates to stamp on paper. One was a scene that Homer saw on a visit to Boston, his hometown. His illustration shows a crowd of abolitionists on the brink of eviction from a church; at their front is Frederick Douglass, declaring “the freedom of all mankind.” Homer, born into the Panic of 1837 and raised in the years before the Civil War, came of age in a nation in crisis. He created multivalent visual tales, both quintessentially American and quietly replete with narrative for and about people of all races and ages. Whether using pencil, watercolor, or, most famously, oil, Homer addressed the hopes and fears of his fellow Americans and invited his viewers into stories embedded with universal, timeless questions of purpose and meaning. Like his contemporaries Twain and Whitman, Homer captured the landscape of a rapidly changing country with an artist’s probing insight. His tale is one of America in all its complexity and contradiction, as he evolved and adapted to the restless spirit of invention transforming his world. In Winslow Homer: American Passage, William R. Cross reveals the man behind the art. It is the surprising story of a life led on the front lines of history. In that life, this Everyman made archetypal images of American culture, endowed with a force of moral urgency through which they speak to all people today. Includes Color Images and Maps
