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Author: Rohan Maitzen
Publisher: Broadview Press
ISBN: 155111769X
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
The Victorian Art of Fiction presents important Victorian statements on the form and function of fiction. The essays in this anthology address questions of genre, such as realism and sensationalism; questions of gender and authorship; questions of form, such as characterization, plot construction, and narration; and questions about the morality of fiction. The editor discusses where Victorian writing on the novel has been placed in accounts of the history of criticism and then suggests some reasons for reconsidering this conventional evaluation. Among the featured essayists and critics are John Ruskin, Walter Bagehot, George Henry Lewes, Leslie Stephen, Anthony Trollope, and Robert Louis Stevenson; the classic essays include George Eliot’s “Silly Novels by Lady Novelists” and Henry James’s “The Art of Fiction.”
Author: Rohan Maitzen
Publisher: Broadview Press
ISBN: 155111769X
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
The Victorian Art of Fiction presents important Victorian statements on the form and function of fiction. The essays in this anthology address questions of genre, such as realism and sensationalism; questions of gender and authorship; questions of form, such as characterization, plot construction, and narration; and questions about the morality of fiction. The editor discusses where Victorian writing on the novel has been placed in accounts of the history of criticism and then suggests some reasons for reconsidering this conventional evaluation. Among the featured essayists and critics are John Ruskin, Walter Bagehot, George Henry Lewes, Leslie Stephen, Anthony Trollope, and Robert Louis Stevenson; the classic essays include George Eliot’s “Silly Novels by Lady Novelists” and Henry James’s “The Art of Fiction.”
Author: Dianne Sachko Macleod
Publisher:
ISBN: 9780521550901
Category : Art
Languages : en
Pages : 530
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Book Description
A look at Victorian art from the perspective of the middle-class patron.
Author: Catherine J. Golden
Publisher: University Press of Florida
ISBN: 0813063736
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
The Victorian illustrated book came into being, flourished, and evolved during the long nineteenth century. While existing scholarship on Victorian illustrators largely centers on the realist artists of the "Sixties," this volume examines the entire lifetime of the Victorian illustrated book. Catherine Golden offers a new framework for viewing the arc of this vibrant genre, arguing that it arose from and continually built on the creative vision of the caricature-style illustrators of the 1830s. She surveys the fluidity of illustration styles across serial installments, British and American periodicals, adult and children’s literature, and--more recently--graphic novels. Serials to Graphic Novels examines widely recognized illustrated texts, such as The Pickwick Papers, Oliver Twist, Alice in Wonderland, Peter Rabbit, and Trilby. Golden explores factors that contributed to the early popularity of the illustrated book—the growth of commodity culture, a rise in literacy, new printing technologies—and that ultimately created a mass market for illustrated fiction. Golden identifies present-day visual adaptations of the works of Austen, Dickens, and Trollope as well as original Neo-Victorian graphic novels like The League of Extraordinary Gentlemen and Victorian-themed novels like Batman: Noël as the heirs to the Victorian illustrated book. With these adaptations and additions, the Victorian canon has been refashioned and repurposed visually for new generations of readers.
Author: Antony H. Harrison
Publisher:
ISBN: 9780875801681
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
This collection of original essays offers a broad and varied discussion of gender issues and treatments of sexuality in Victorian poetry, fiction, and visual arts. Featuring a representative selection of artists--poets, novelists, painters, sculptors, playwrights, and dancers--these critical analyses explore the ways in which women as artists, as subjects, and as icons function either to challenge and revise or to reify their society's gender ideologies. Enhanced by a diversity of approaches, the collection introduces revisionist readings of well-known literary works and examines interconnections between literature and the visual arts. In the first two parts, which address Victorian poetry and fiction, the readings illuminate previously unexplained features of poems and novels by such writers as Alfred Tennyson, Elizabeth Barrett Browning, Matthew Arnold, Christina Rossetti, A. C. Swinburne, Gerard Manley Hopkins, Anne Brontë, Charles Dickens, George Eliot, Rudyard Kipling, Thomas Hardy, Kate Chopin, and Oscar Wilde. The third part of the collection focuses on the themes of gender conventions and subversions that occur in visual representations--paintings and cartoons, sculpture and architectural reliefs, drama, opera, and music-hall dance. Rather than presenting literature and art as self-contained, the collection advances the assumption that creative works participate in a larger ideological current of society. Thus, where relevant, the contributors reference politics, economics, science, and other modes of cultural discourse. Such an approach retrieves the historical contexts surrounding the production and reception of the poetry, fiction, and visual arts examined.
Author: Sophia Andres
Publisher: Ohio State University Press
ISBN: 0814209742
Category : Aesthetics, British
Languages : en
Pages : 236
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Book Description
A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings. Concentrating on Elizabeth Gaskell, Wilkie Collins, George Eliot, and Thomas Hardy and aligning each novelist with specific painters, this work interprets narrative redrawings of Pre-Raphaelite paintings within a range of cultural contexts as well as alongside recent theoretical work on gender. Letters, reviews, and journals convincingly reinforce the contentions about the novels and their connection with paintings. Featuring color reproductions of Pre-Raphaelite paintings, this book reveals the great achievement of Pre-Raphaelite art and its impact on the Victorian novel. Arguing for the direct relationship between Pre-Raphaelite painting and the Victorian novel, this book fills a gap in the currently available literature devoted to the Victorian novel, the Pre-Raphaelites, and the connection of Pre-Raphaelite art to Victorian poetry. Visual readings of the Victorian novel channel the twenty-first-century readers' desire for the visual into the exploration of Pre-Raphaelite art in the Victorian novel, in the process offering fresh insights into the representation of gender in Victorian culture. Through a textual and a visual journey, this work reveals a new approach to the Victorian novel and Pre-Raphaelite art with profound implications for the study of both.
Author: T. J. Barringer
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300103809
Category : Art
Languages : en
Pages : 379
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Book Description
For artists of the increasingly mechanized Victorian age, questions about the meaning and value of labour presented a series of urgent problems: Is work a moral obligation or a religious duty? Must labour be the preserve of men alone? Does the amount of work bestowed on a painting affect its value? Should art celebrate wholesome rural work or reveal the degradations of the industrial workplace? In this highly original book, Tim Barringer considers how artists and theorists addressed these questions and what their solutions reveal about Victorian society and culture. Based on extensive new research, Men at Work offers a compelling study of the image as a means of exploring the relationship between labour and art in Victorian Britain. Barringer arrives at a major reinterpretation of the art and culture of nineteenth-century Britain and its empire as well as new readings of such key figures as Ford Madox Brown and John Ruskin.
Author: Peter Allan Dale
Publisher:
ISBN:
Category : History
Languages : en
Pages : 354
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Book Description
One of the preoccupations of Victorian writers was the search for a philosophical replacement of romanticism. This book traces the course of that search. Peter Dale centers his analysis on positivism. In clear opposition to romanticism, positivism was militantly realistic and antiromantic. Its realism was based on observation of the structures of the natural world and on the scientific method that provided the way to understand those structures. Positivism became the dominant ideology of the later Victorian age; Dale argues that because of its influence on both practical and contemplative life, it was the true intellectual successor to romanticism. Dale approaches positivism through the important writings of George Henry Lewes, but extends his focus to include the effect of positivism on such writers as George Eliot, Leslie Stephen, Charles Darwin, George Meredith, Thomas Hardy, and others, in an attempt to show an ongoing engagement between science and the imagination.
Author: Caroline Dakers
Publisher: Yale University Press
ISBN: 9780300081640
Category : Art
Languages : en
Pages : 328
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Book Description
This book - the first major study of the Holland Park Circle of artists, architects, and their patrons - is both an engrossing narrative of their lives, works and influence and a perceptive analysis of the subtle relationships between high Victorian taste and mercantile values."--BOOK JACKET.
Author: Kirby-Jane Hallum
Publisher: Routledge
ISBN: 1317317971
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Based on close readings of five Victorian novels, Hallum presents an original study of the interaction between popular fiction, the marriage market and the aesthetic movement. She uses the texts to trace the development of aestheticism, examining the differences between the authors, including their approach, style and gender.
Author: New Haven, Conn. Yale University. Yale Center for British Art (utstilling)
Publisher:
ISBN: 9780300067521
Category :
Languages : en
Pages : 0
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Book Description
