Author: Elizabeth Netto Calil Zarur
Publisher: UNM Press
ISBN: 9780826323248
Category : Architecture
Languages : en
Pages : 370
Book Description
Studies retabloes--Mexican paintings on tin created in the latter half of the nineteenth century--from art, religious, and historical perspectives, and discusses efforts made to restore and conserve the artwork.
Art and Faith in Mexico
Author: Elizabeth Netto Calil Zarur
Publisher: UNM Press
ISBN: 9780826323248
Category : Architecture
Languages : en
Pages : 370
Book Description
Studies retabloes--Mexican paintings on tin created in the latter half of the nineteenth century--from art, religious, and historical perspectives, and discusses efforts made to restore and conserve the artwork.
Publisher: UNM Press
ISBN: 9780826323248
Category : Architecture
Languages : en
Pages : 370
Book Description
Studies retabloes--Mexican paintings on tin created in the latter half of the nineteenth century--from art, religious, and historical perspectives, and discusses efforts made to restore and conserve the artwork.
Art and Faith
Author: Makoto Fujimura
Publisher: Yale University Press
ISBN: 0300255934
Category : Religion
Languages : en
Pages : 184
Book Description
From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.
Publisher: Yale University Press
ISBN: 0300255934
Category : Religion
Languages : en
Pages : 184
Book Description
From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.
Christian Texts for Aztecs
Author: Jaime Lara
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 392
Book Description
Christian Texts for Aztecs: Art and Liturgy in Colonial Mexico is a cultural history of the missionary enterprise in sixteenth-century Mexico, seen primarily through the work of Catholic missionaries and the native populations, principally the Aztecs. Also known as the Mexica or Nahuas, speakers of the Nahuatl tongue, these Mesoamerican people inhabited the central plateau around Lake Texcoco and the sacred metropolis of Tenochtitlan, the site of present-day Mexico City. It was their language that the mendicant missionaries adopted as the lingua franca of the evangelization enterprise. Conceived as a continuation of his earlier, well-received City, Temple, Stage, Jaime Lara's new work addresses the inculturation of Catholic sacraments and sacramentals into an Aztec worldview in visual and material terms. He argues that Catholic liturgy--similar in some ways to pre-Hispanic worship--effectively "conquered" the religious imagination of its new Mesoamerican practitioners, thus creating the basis for a uniquely Mexican Catholicism. The sixteenth-century friars, in partnership with indigenous Christian converts, successfully translated the Christian message from an exclusively Eurocentric worldview to a system of symbols that made sense to the indigenous civilizations of Central Mexico. While Lara is interested in liturgical texts with novel or recycled metaphors, he is equally interested in visual texts such as neo-Christian architecture, mural painting, feather work, and religious images made from corn. These, he claims, were the sensorial bridges that allowed for a successful, if not wholly orthodox, inculturation of Christianity into the New World. Enriched by more than 280 color images and eleven appendices of translations from Latin and Nahuatl, Lara's study provides rich insights on the development of sacramental practice, popular piety, catechetical drama, and parish politics. Song, dance, flowers, and feathers--of utmost importance in the ancient religion of the Aztecs--were reworked in ingenious ways to serve the Christian cause. Human blood, too, found renewed importance in art and devotion when the indigenous religious leaders and the mendicant friars addressed the fundamental topic of the Man on the cross. An important work on worship, liturgy, and the visual imagination, Christian Texts for Aztecs: Art and Liturgy in Colonial Mexico is a vivid look at a unique cultural adaptation of Christianity. "I have deeply enjoyed and have been intellectually enriched by reading Jaime Lara's Christian Texts for Aztecs: Art and Liturgy in Colonial Mexico. This book will transform how we understand the process of evangelization of Mexico in the sixteenth-century. Clearly written and persuasively argued, Lara reveals how metaphor allows for cross-cultural communication as the deepest level of the Human experience, religious belief. This is demonstrated by a nuanced but richly documented history of the period. Drawing upon architecture, painting and a variety of different kinds of primary sources, this study blends a deep understanding of Aztec religious beliefs so as to articulate the very complex development of Colonial Mexican Christianity. Most importantly, Lara demonstrates how Aztec beliefs and practices were not only incorporated into Catholic teaching and ritual practice, but how they transformed that teaching and practice. Moreover, Lara makes so very evident the centrality of Music and Art in this complicated interaction." --Thomas Cummins, Dumbarton Oaks Professor of the History of Pre-Columbian and Colonial Art, Harvard University "We have seen many interpretations of the story of the faith in America; some have called it 'black,' and others 'white' or 'grey.' Whatever version one may appropriate, Jaime Lara has provided us with a unique, rich focus: the worship experience of a people called to be renewed by Christianity and the creative expressions of Christian faith in unique images and paintings. Jaime Lara's book is a treasure to cherish for many years, an addition to any personal or public Library, and a legacy that engages readers to embark on a journey in which history, liturgical theology, and good art become one's traveling companions." --Rev. Fr. Juan J. Sosa, Presidente, Instituto Nacional Hispano de Liturgia, Inc.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 392
Book Description
Christian Texts for Aztecs: Art and Liturgy in Colonial Mexico is a cultural history of the missionary enterprise in sixteenth-century Mexico, seen primarily through the work of Catholic missionaries and the native populations, principally the Aztecs. Also known as the Mexica or Nahuas, speakers of the Nahuatl tongue, these Mesoamerican people inhabited the central plateau around Lake Texcoco and the sacred metropolis of Tenochtitlan, the site of present-day Mexico City. It was their language that the mendicant missionaries adopted as the lingua franca of the evangelization enterprise. Conceived as a continuation of his earlier, well-received City, Temple, Stage, Jaime Lara's new work addresses the inculturation of Catholic sacraments and sacramentals into an Aztec worldview in visual and material terms. He argues that Catholic liturgy--similar in some ways to pre-Hispanic worship--effectively "conquered" the religious imagination of its new Mesoamerican practitioners, thus creating the basis for a uniquely Mexican Catholicism. The sixteenth-century friars, in partnership with indigenous Christian converts, successfully translated the Christian message from an exclusively Eurocentric worldview to a system of symbols that made sense to the indigenous civilizations of Central Mexico. While Lara is interested in liturgical texts with novel or recycled metaphors, he is equally interested in visual texts such as neo-Christian architecture, mural painting, feather work, and religious images made from corn. These, he claims, were the sensorial bridges that allowed for a successful, if not wholly orthodox, inculturation of Christianity into the New World. Enriched by more than 280 color images and eleven appendices of translations from Latin and Nahuatl, Lara's study provides rich insights on the development of sacramental practice, popular piety, catechetical drama, and parish politics. Song, dance, flowers, and feathers--of utmost importance in the ancient religion of the Aztecs--were reworked in ingenious ways to serve the Christian cause. Human blood, too, found renewed importance in art and devotion when the indigenous religious leaders and the mendicant friars addressed the fundamental topic of the Man on the cross. An important work on worship, liturgy, and the visual imagination, Christian Texts for Aztecs: Art and Liturgy in Colonial Mexico is a vivid look at a unique cultural adaptation of Christianity. "I have deeply enjoyed and have been intellectually enriched by reading Jaime Lara's Christian Texts for Aztecs: Art and Liturgy in Colonial Mexico. This book will transform how we understand the process of evangelization of Mexico in the sixteenth-century. Clearly written and persuasively argued, Lara reveals how metaphor allows for cross-cultural communication as the deepest level of the Human experience, religious belief. This is demonstrated by a nuanced but richly documented history of the period. Drawing upon architecture, painting and a variety of different kinds of primary sources, this study blends a deep understanding of Aztec religious beliefs so as to articulate the very complex development of Colonial Mexican Christianity. Most importantly, Lara demonstrates how Aztec beliefs and practices were not only incorporated into Catholic teaching and ritual practice, but how they transformed that teaching and practice. Moreover, Lara makes so very evident the centrality of Music and Art in this complicated interaction." --Thomas Cummins, Dumbarton Oaks Professor of the History of Pre-Columbian and Colonial Art, Harvard University "We have seen many interpretations of the story of the faith in America; some have called it 'black,' and others 'white' or 'grey.' Whatever version one may appropriate, Jaime Lara has provided us with a unique, rich focus: the worship experience of a people called to be renewed by Christianity and the creative expressions of Christian faith in unique images and paintings. Jaime Lara's book is a treasure to cherish for many years, an addition to any personal or public Library, and a legacy that engages readers to embark on a journey in which history, liturgical theology, and good art become one's traveling companions." --Rev. Fr. Juan J. Sosa, Presidente, Instituto Nacional Hispano de Liturgia, Inc.
The Catholic Social Imagination
Author: Joseph M. Palacios
Publisher: University of Chicago Press
ISBN: 0226645029
Category : Social Science
Languages : en
Pages : 328
Book Description
The reach of the Catholic Church is arguably greater than that of any other religion, extending across diverse political, ethnic, class, and cultural boundaries. But what is it about Catholicism that resonates so profoundly with followers who live under disparate conditions? What is it, for instance, that binds parishioners in America with those in Mexico? For Joseph M. Palacios, what unites Catholics is a sense of being Catholic—a social imagination that motivates them to promote justice and build a better world. In The Catholic Social Imagination, Palacios gives readers a feeling for what it means to be Catholic and put one’s faith into action. Tracing the practices of a group of parishioners in Oakland, California, and another in Guadalajara, Mexico, Palacios reveals parallels—and contrasts—in the ways these ordinary Catholics receive and act on a church doctrine that emphasizes social justice. Whether they are building a supermarket for the low-income elderly or waging protests to promote school reform, these parishioners provide important insights into the construction of the Catholic social imagination. Throughout, Palacios also offers important new cultural and sociological interpretations of Catholic doctrine on issues such as poverty, civil and human rights, political participation, and the natural law.
Publisher: University of Chicago Press
ISBN: 0226645029
Category : Social Science
Languages : en
Pages : 328
Book Description
The reach of the Catholic Church is arguably greater than that of any other religion, extending across diverse political, ethnic, class, and cultural boundaries. But what is it about Catholicism that resonates so profoundly with followers who live under disparate conditions? What is it, for instance, that binds parishioners in America with those in Mexico? For Joseph M. Palacios, what unites Catholics is a sense of being Catholic—a social imagination that motivates them to promote justice and build a better world. In The Catholic Social Imagination, Palacios gives readers a feeling for what it means to be Catholic and put one’s faith into action. Tracing the practices of a group of parishioners in Oakland, California, and another in Guadalajara, Mexico, Palacios reveals parallels—and contrasts—in the ways these ordinary Catholics receive and act on a church doctrine that emphasizes social justice. Whether they are building a supermarket for the low-income elderly or waging protests to promote school reform, these parishioners provide important insights into the construction of the Catholic social imagination. Throughout, Palacios also offers important new cultural and sociological interpretations of Catholic doctrine on issues such as poverty, civil and human rights, political participation, and the natural law.
Josef Albers in Mexico
Author: Lauren Hinkson
Publisher: Guggenheim Museum
ISBN: 9780892075362
Category : Indian architecture
Languages : en
Pages : 0
Book Description
Albers in Mexico reveals the profound link between the magnificent art and architecture of ancient Mesoamerica and Albers's abstract works on canvas and paper. 'Mexico is truly the promised land of abstract art', Josef Albers once wrote to Vassily Kandinsky. Albers in Mexico reveals the profound link between the magnificent art and architecture of ancient Mesoamerica and Albers's abstract works on canvas and paper. With his wife, the artist Anni Albers, he visited Mexico and other Latin American countries more than a dozen times from 1935 to 1968, where he toured pre-Columbian archeological sites and monuments. On each visit, Albers took blackand- white photographs of the pyramids, shrines, sanctuaries and landscapes in and around these ancient sites, often grouping multiple images printed at various scales onto 8 x 10 inch sheets. The result was nearly 200 photo-collages that illustrate formal characteristics of the pre-Columbian aesthetic. Albers in Mexico brings together rarely exhibited photographs, photo-collages, prints and significant paintings from the Homage to the Square and Variants/Adobe series from the Guggenheim Museum collection and the Anni and Josef Albers Foundation. This catalogue includes two scholarly essays, Albers's poetry from the period and an illustrated map, as well as rich colour reproductions of paintings and works on paper.
Publisher: Guggenheim Museum
ISBN: 9780892075362
Category : Indian architecture
Languages : en
Pages : 0
Book Description
Albers in Mexico reveals the profound link between the magnificent art and architecture of ancient Mesoamerica and Albers's abstract works on canvas and paper. 'Mexico is truly the promised land of abstract art', Josef Albers once wrote to Vassily Kandinsky. Albers in Mexico reveals the profound link between the magnificent art and architecture of ancient Mesoamerica and Albers's abstract works on canvas and paper. With his wife, the artist Anni Albers, he visited Mexico and other Latin American countries more than a dozen times from 1935 to 1968, where he toured pre-Columbian archeological sites and monuments. On each visit, Albers took blackand- white photographs of the pyramids, shrines, sanctuaries and landscapes in and around these ancient sites, often grouping multiple images printed at various scales onto 8 x 10 inch sheets. The result was nearly 200 photo-collages that illustrate formal characteristics of the pre-Columbian aesthetic. Albers in Mexico brings together rarely exhibited photographs, photo-collages, prints and significant paintings from the Homage to the Square and Variants/Adobe series from the Guggenheim Museum collection and the Anni and Josef Albers Foundation. This catalogue includes two scholarly essays, Albers's poetry from the period and an illustrated map, as well as rich colour reproductions of paintings and works on paper.
How Catholic Art Saved the Faith
Author: Elizabeth Lev
Publisher: Sophia Institute Press
ISBN: 1622826124
Category : History
Languages : en
Pages : 320
Book Description
Not long after Martin Luther’s defiance of the Church in 1517, dialogue between Protestants and Catholics broke down, brother turned against brother, and devastating religious wars erupted across Europe. Desperate to restore the peace and recover the unity of Faith, Catholic theologians clarified and reaffirmed Catholic doctrines, but turned as well to another form of evangelization: the Arts. Convinced that to win over the unlettered, the best place to fight heresy was not in the streets but in stone and on canvas, they enlisted the century’s best artists to create a glorious wave of beautiful works of sacred art — Catholic works of sacred art — to draw people together instead of driving them apart. How Catholic Art Saved the Faith tells the story of the creation and successes of this vibrant, visual-arts SWAT team whose war cry could have been “art for Faith’s sake!” Over the years, it included Michelangelo, of course, and, among other great artists, the edgy Caravaggio, the graceful Guido Reni, the technically perfect Annibale Carracci, the colorful Barocci, the theatrical Bernini, and the passionate Artemisia Gentileschi. Each of these creative souls, despite their own interior struggles, was a key player in this magnificent, generations-long project: the affirmation through beauty of the teachings of the Holy Catholic Church. Here you will meet the fascinating artists who formed this cadre’s core. You will revel in scores of their full-color paintings. And you will profit from the lucid explanations of their lovely creations: works that over the centuries have touched the hearts and deepened the faith of millions of pilgrims who have made their way to the Eternal City to gaze upon them. Join those pilgrims now in an encounter with the magnificent artworks of the Catholic Restoration — artworks which from their conception were intended to delight, teach, and inspire. As they have done for the faith of so many, so will they do for you.
Publisher: Sophia Institute Press
ISBN: 1622826124
Category : History
Languages : en
Pages : 320
Book Description
Not long after Martin Luther’s defiance of the Church in 1517, dialogue between Protestants and Catholics broke down, brother turned against brother, and devastating religious wars erupted across Europe. Desperate to restore the peace and recover the unity of Faith, Catholic theologians clarified and reaffirmed Catholic doctrines, but turned as well to another form of evangelization: the Arts. Convinced that to win over the unlettered, the best place to fight heresy was not in the streets but in stone and on canvas, they enlisted the century’s best artists to create a glorious wave of beautiful works of sacred art — Catholic works of sacred art — to draw people together instead of driving them apart. How Catholic Art Saved the Faith tells the story of the creation and successes of this vibrant, visual-arts SWAT team whose war cry could have been “art for Faith’s sake!” Over the years, it included Michelangelo, of course, and, among other great artists, the edgy Caravaggio, the graceful Guido Reni, the technically perfect Annibale Carracci, the colorful Barocci, the theatrical Bernini, and the passionate Artemisia Gentileschi. Each of these creative souls, despite their own interior struggles, was a key player in this magnificent, generations-long project: the affirmation through beauty of the teachings of the Holy Catholic Church. Here you will meet the fascinating artists who formed this cadre’s core. You will revel in scores of their full-color paintings. And you will profit from the lucid explanations of their lovely creations: works that over the centuries have touched the hearts and deepened the faith of millions of pilgrims who have made their way to the Eternal City to gaze upon them. Join those pilgrims now in an encounter with the magnificent artworks of the Catholic Restoration — artworks which from their conception were intended to delight, teach, and inspire. As they have done for the faith of so many, so will they do for you.
A Gift of Angels
Author:
Publisher: University of Arizona Press
ISBN: 9780816528400
Category : Art
Languages : en
Pages : 384
Book Description
It rises suddenly out of the Sonoran Desert landscape, towering over the tallest tree or cactus, a commanding building with a sensuous dome, elliptical vaults, and sturdy bell towers. There is nothing else like it around, nor does it seem there should be. This incongruity of setting is what strikes first-time visitors to Mission San Xavier del Bac. This great church is of another place and another time, while its beauty is universal and timeless. Mission San Xavier del Bac is a two-century-old Spanish church in southern Arizona located just a few miles from downtown Tucson, a metropolis of more than half a million people in the American Southwest. A National Historic Landmark since 1963, the missionÕs graceful baroque art and architecture have drawn visitors from all over the world. Now Bernard FontanaÑthe leading expert on San XavierÑand award-winning photographer Edward McCain team up to bring us a comprehensive view of the mission as weÕve never seen it before. With 200 stunning full-color photographs and incisive text illuminating the religious, historical, and motivational context of these images, A Gift of Angels is a must-have for tourists, scholars, and other visitors to San Xavier. From its glorious architecture all the way down to the finest details of its art, Mission San Xavier del Bac is indeed a gift of angels.
Publisher: University of Arizona Press
ISBN: 9780816528400
Category : Art
Languages : en
Pages : 384
Book Description
It rises suddenly out of the Sonoran Desert landscape, towering over the tallest tree or cactus, a commanding building with a sensuous dome, elliptical vaults, and sturdy bell towers. There is nothing else like it around, nor does it seem there should be. This incongruity of setting is what strikes first-time visitors to Mission San Xavier del Bac. This great church is of another place and another time, while its beauty is universal and timeless. Mission San Xavier del Bac is a two-century-old Spanish church in southern Arizona located just a few miles from downtown Tucson, a metropolis of more than half a million people in the American Southwest. A National Historic Landmark since 1963, the missionÕs graceful baroque art and architecture have drawn visitors from all over the world. Now Bernard FontanaÑthe leading expert on San XavierÑand award-winning photographer Edward McCain team up to bring us a comprehensive view of the mission as weÕve never seen it before. With 200 stunning full-color photographs and incisive text illuminating the religious, historical, and motivational context of these images, A Gift of Angels is a must-have for tourists, scholars, and other visitors to San Xavier. From its glorious architecture all the way down to the finest details of its art, Mission San Xavier del Bac is indeed a gift of angels.
Infinitas Gracias
Author: Alfredo Vilchis Roque
Publisher: Seuil
ISBN:
Category : Art
Languages : en
Pages : 270
Book Description
Infinitas Gracias is the first collection of the work of Alfredo Vilchis Roque, one of Mexico's most famous contemporary painters, and his sons. In the tradition of Catholic votives, each painting tells a miraculous tale and gives thanks to the intervening saint. Ablaze with intense color hearkening back to the natural pigment dyes of ancient Mexico, these works portray the kaleidoscope of issues that constitute modern urban existence. With over 200 paintings, from circus adventures to household accidents to adultery, drugs, and prostitution, Infinitas Gracias weaves together a bizarre tapestry of stories, some disturbing, some comical -- all unerringly wrought and profoundly touching.
Publisher: Seuil
ISBN:
Category : Art
Languages : en
Pages : 270
Book Description
Infinitas Gracias is the first collection of the work of Alfredo Vilchis Roque, one of Mexico's most famous contemporary painters, and his sons. In the tradition of Catholic votives, each painting tells a miraculous tale and gives thanks to the intervening saint. Ablaze with intense color hearkening back to the natural pigment dyes of ancient Mexico, these works portray the kaleidoscope of issues that constitute modern urban existence. With over 200 paintings, from circus adventures to household accidents to adultery, drugs, and prostitution, Infinitas Gracias weaves together a bizarre tapestry of stories, some disturbing, some comical -- all unerringly wrought and profoundly touching.
Silence and Beauty
Author: Makoto Fujimura
Publisher: InterVarsity Press
ISBN: 0830894357
Category : Art
Languages : en
Pages : 274
Book Description
Internationally renowned artist Makoto Fujimura reflects on Shusaku Endo's novel Silence and grapples with the nature of art, pain and culture. Showing that light is yet present in darkness, he uncovers deep layers of meaning in Japanese history and finds connections to how faith is lived in contexts of trauma.
Publisher: InterVarsity Press
ISBN: 0830894357
Category : Art
Languages : en
Pages : 274
Book Description
Internationally renowned artist Makoto Fujimura reflects on Shusaku Endo's novel Silence and grapples with the nature of art, pain and culture. Showing that light is yet present in darkness, he uncovers deep layers of meaning in Japanese history and finds connections to how faith is lived in contexts of trauma.
Agents of Faith
Author: Ittai Weinryb
Publisher: Bard Graduate Center
ISBN: 9780300222968
Category : Art
Languages : en
Pages : 0
Book Description
"This catalogue is published in conjunction with the exhibition Agents of Faith: Votive Objects in Time and Place, held at the Bard Graduate Center Gallery from September 14, 2018 through January 6, 2019"--Colophon.
Publisher: Bard Graduate Center
ISBN: 9780300222968
Category : Art
Languages : en
Pages : 0
Book Description
"This catalogue is published in conjunction with the exhibition Agents of Faith: Votive Objects in Time and Place, held at the Bard Graduate Center Gallery from September 14, 2018 through January 6, 2019"--Colophon.