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Author: South Africa. Department of Arts, Culture, Science, and Technology
Publisher:
ISBN:
Category : Art and state
Languages : en
Pages : 212
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Book Description
Author: South Africa. Department of Arts, Culture, Science, and Technology
Publisher:
ISBN:
Category : Art and state
Languages : en
Pages : 212
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Book Description
Author: Johannes Jacobus Degenaar
Publisher:
ISBN:
Category : Art and society
Languages : en
Pages : 6
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Book Description
Author: Emmanuel Alvin
Publisher: Createspace Independent Publishing Platform
ISBN: 9781539977674
Category :
Languages : en
Pages : 246
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Book Description
South Africa Art and Culture book, Print Book, eBook, information and guide to South Africa. Blending Western technology with indigenous technology, Western traditions with African and Asian traditions, South Africa is a study in contrasts. It also provides lessons in how cultures can sometimes blend, sometimes collide; for example, within a short distance of one another can be found the villas of South Africa's white elite and the tar-paper shacks of black day laborers, office buildings with the most sophisticated electronic wiring and one-room houses that lack electricity. A great gulf still exists between the white minority and the black majority in matters of education and economic opportunity. Yet, South Africa is making steady progress in erasing some of these historic disparities and their consequences. Daily life is better for most of its people, and culture and the arts, which sometimes were forced into exile, are flourishing in the free climate of the post-apartheid era
Author: Cindy Maguire
Publisher: Routledge
ISBN: 1000548902
Category : Art
Languages : en
Pages : 226
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Book Description
This book explores the role that arts and culture can play in supporting global international development. The book argues that arts and culture are fundamental to human development and can bring considerable positive results for helping to empower communities and provide new ways of looking at social transformation. Whilst most literature addresses culture in abstract terms, this book focuses on practice-based, collective, community-focused, sustainability-minded, and capacity-building examples of arts and development. The book draws on case studies from around the world, investigating the different ways practitioners are imagining or defining the role of arts and culture in Belize, Canada, China, Ethiopia, Guatemala, India, Kosovo, Malawi, Mexico, Peru, South Africa, Sri Lanka, Taiwan, Thailand, the USA, and Western Sahara refugee camps in Algeria. The book highlights the importance of situated practice, asking what questions or concerns practitioners have and inviting a dialogic sharing of resources and possibilities across different contexts. Seeking to highlight practices and conversations outside normative frameworks of understanding, this book will be a breath of fresh air to practitioners, policy makers, students, and researchers from across the fields of global development, social work, art therapy, and visual and performing arts education.
Author:
Publisher:
ISBN: 9780415839594
Category :
Languages : en
Pages : 437
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 106
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Book Description
Author: Múzeum moderného umenia Danubiana (Bratysława).
Publisher:
ISBN: 9780983762744
Category :
Languages : en
Pages :
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Book Description
Author: Runette Kruger
Publisher: Cambridge Scholars Publishing
ISBN: 1527523624
Category : Social Science
Languages : en
Pages : 370
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Book Description
This collection derives from a conference held in Pretoria, South Africa, and discusses issues of indigenous knowledge systems (IKS) and the arts. It presents ideas about how to promote a deeper understanding of IKS within the arts, the development of IKS-arts research methodologies, and the protection and promotion of IKS in the arts. Knowledge, embedded in song, dance, folklore, design, architecture, theatre, and attire, and the visual arts can promote innovation and entrepreneurship, and it can improve communication. IKS, however, exists in a post-millennium, modernizing Africa. It is then the concept of post-Africanism that would induce one to think along the lines of a globalized, cosmopolitan and essentially modernized Africa. The book captures leading trends and ideas that could help to protect, promote, develop and affirm indigenous knowledge and systems, whilst also making room for ideas that do not necessarily oppose IKS, but encourage the modernization (not Westernization) of Africa.
Author: Marion Arnold
Publisher: Routledge
ISBN: 1351574116
Category : Art
Languages : en
Pages : 415
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Book Description
The essays collected here investigate art made by women in South Africa between 1910, the year of Union, and 1994, the year of the first democratic election. During this period, complex political circumstances and the impact of modernism in South Africa affected the production of images and objects. The essays explore the ways in which the socio-political circumstances associated with twentieth-century modernity had a paradoxical impact on women. If some were empowered, others were disadvantaged: while some were able to further their social and cultural development and expression, the advancement of others was impeded. The contributors study the lives and achievements of women - named and un-named, black and white, and from different cultural groups and social contexts - and consider objects and images that are historically associated with both 'art' and 'craft'. In all the essays, gender theory is related to South African circumstances. The volume explores gender theory in relation to twentieth-century visual culture and discusses economic conditions and regional geographies as well as notions of identity. It investigates the influence of educational and cultural institutions, the role of theory on art practice, debates about material culture, the power of nationalist ideologies and the role of feminist theories in a changing country. A wide range of visual images and objects provide the touchstone for debate and analysis - paintings, sculptures, photography, baskets, tapestries, embroideries and ceramics - so that the book is richly visual and celebrates the diversity of South African art made by women.
Author: Judith B. Hecker
Publisher: The Museum of Modern Art
ISBN: 0870707566
Category : Art
Languages : en
Pages : 98
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Book Description
Encompassing black-and-white linoleum cuts made at community art centres in the 1960s and 1970s, resistance posters and other political art of the 1980s, and the wide variety of subjects and techniques explored by artists in printships over the last two decades, printmaking has been a driving force in contemporary South African artistic and political expression. Impressions from South Africa: 1965 to Now, published to accompany an exhibition at The Museum of Modern Art, introduces the vital role of printmaking through works by more than twenty artists in the Museum's collection. The volume features prints by John Muafangejo and Dan Rakgoathe, a selection of posters produced for anti-apartheid coalitions in the 1980s, and nuanced political work by SueWilliamson, Norman Catherine andWilliam Kentridge. The book features many more recent projects, demonstrating the contemporary relevance of the medium in South Africa today. The work, presented in a generous plate section, is contextualized in an introduction by Judith B. Hecker, and accompanied by brief biographies of the artists, a timeline of relevant events in South African history, and a selected bibliography.
