Author: Anthony Blunt
Publisher: Yale University Press
ISBN: 9780300077483
Category : Art
Languages : en
Pages : 350
Book Description
The sixteenth and seventeenth centuries in France were an epoch of spectacular artistic activity, exemplified by the chateaux of the Loire valley, the palace of Versailles, the paintings of Poussin and Claude, and the sculpture of Coysevox, which echo the political and cultural importance of France and the "Sun King." Anthony Blunt presents major artists and their principal works chronologically, provides an overview of the main projects of the period and of the artistic personalities behind them, and clearly sets the historical context. This new edition, of one of the classics of the Pelican History of Art series, has been revised and updated with color illustrations and a new bibliography.
Art and Architecture in France, 1500-1700
Author: Anthony Blunt
Publisher: Yale University Press
ISBN: 9780300077483
Category : Art
Languages : en
Pages : 350
Book Description
The sixteenth and seventeenth centuries in France were an epoch of spectacular artistic activity, exemplified by the chateaux of the Loire valley, the palace of Versailles, the paintings of Poussin and Claude, and the sculpture of Coysevox, which echo the political and cultural importance of France and the "Sun King." Anthony Blunt presents major artists and their principal works chronologically, provides an overview of the main projects of the period and of the artistic personalities behind them, and clearly sets the historical context. This new edition, of one of the classics of the Pelican History of Art series, has been revised and updated with color illustrations and a new bibliography.
Publisher: Yale University Press
ISBN: 9780300077483
Category : Art
Languages : en
Pages : 350
Book Description
The sixteenth and seventeenth centuries in France were an epoch of spectacular artistic activity, exemplified by the chateaux of the Loire valley, the palace of Versailles, the paintings of Poussin and Claude, and the sculpture of Coysevox, which echo the political and cultural importance of France and the "Sun King." Anthony Blunt presents major artists and their principal works chronologically, provides an overview of the main projects of the period and of the artistic personalities behind them, and clearly sets the historical context. This new edition, of one of the classics of the Pelican History of Art series, has been revised and updated with color illustrations and a new bibliography.
Art and Architecture in France, 1500 to 1700
Author: Anthony Blunt
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
Book Description
Architecture of France
Author: David A. Hanser
Publisher: Bloomsbury Publishing USA
ISBN: 0313060452
Category : Art
Languages : en
Pages : 368
Book Description
Covering all regions of France—from Avignon's Palace of the Popes to Versailles' Petit Trianon—and all periods of French architecture—from the Roman theater at Orange to the Arc de Triomphe in Paris—this volume examines more than 60 of France's most important architectural landmarks. Writing in a clear and engaging style, David Hanser, professor of architecture at Oklahoma State University, describes the features, functions, and historical importance of each structure. Besides identifying location, style, architects, and periods of initial construction and major renovation, the cross-referenced and illustrated entries also highlight architectural and historical terms explained in the Glossary and conclude with a useful listing of further readings. The volume also offers ready-reference lists of entries by location, architectural style, and time period, as well as a general bibliography, a subject index, and a detailed introductory overview of French architecture. Entries cover major architectural structures as well as smaller sites, including everything from the Cathedral of Notre Dame to Metro (subway) stations. Ideal for college and high school students alike, this comprehensive look at the architecture of France is an indispensible addition to any shelf.
Publisher: Bloomsbury Publishing USA
ISBN: 0313060452
Category : Art
Languages : en
Pages : 368
Book Description
Covering all regions of France—from Avignon's Palace of the Popes to Versailles' Petit Trianon—and all periods of French architecture—from the Roman theater at Orange to the Arc de Triomphe in Paris—this volume examines more than 60 of France's most important architectural landmarks. Writing in a clear and engaging style, David Hanser, professor of architecture at Oklahoma State University, describes the features, functions, and historical importance of each structure. Besides identifying location, style, architects, and periods of initial construction and major renovation, the cross-referenced and illustrated entries also highlight architectural and historical terms explained in the Glossary and conclude with a useful listing of further readings. The volume also offers ready-reference lists of entries by location, architectural style, and time period, as well as a general bibliography, a subject index, and a detailed introductory overview of French architecture. Entries cover major architectural structures as well as smaller sites, including everything from the Cathedral of Notre Dame to Metro (subway) stations. Ideal for college and high school students alike, this comprehensive look at the architecture of France is an indispensible addition to any shelf.
Flemish Art and Architecture, 1585-1700
Author: Hans Vlieghe
Publisher: Yale University Press
ISBN: 9780300104691
Category : Art
Languages : en
Pages : 356
Book Description
02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.
Publisher: Yale University Press
ISBN: 9780300104691
Category : Art
Languages : en
Pages : 356
Book Description
02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.
Art and Architecture in France, 1500 to 1700
Author: Anthony Blunt
Publisher: Viking Adult
ISBN:
Category : Architecture
Languages : en
Pages : 522
Book Description
Publisher: Viking Adult
ISBN:
Category : Architecture
Languages : en
Pages : 522
Book Description
A History of Western Architecture
Author: David Watkin
Publisher: Laurence King Publishing
ISBN: 9781856694599
Category : Architecture
Languages : en
Pages : 722
Book Description
The history of Western architecture from the earliest times in Mesopotamia and Egypt to the dramatic impact of CAD on architectural practice at the beginning of the 21st century.
Publisher: Laurence King Publishing
ISBN: 9781856694599
Category : Architecture
Languages : en
Pages : 722
Book Description
The history of Western architecture from the earliest times in Mesopotamia and Egypt to the dramatic impact of CAD on architectural practice at the beginning of the 21st century.
Historical Dictionary of France
Author: Gino Raymond
Publisher: Scarecrow Press
ISBN: 0810862565
Category : History
Languages : en
Pages : 529
Book Description
From the construction of Notre Dame and the Eiffel Tower to the Fall of the Bastille and the Declaration of the Rights of Man and the Citizen to NapolZon Bonaparte's defeat at Waterloo to Albert Camus' L'Etranger and the existentialism of Jean-Paul Sartre, France has been a part of some of the greatest and most memorable events in human history. Author Gino Raymond relates the history of these events in the second edition of the Historical Dictionary of France. Through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on kings, politicians, authors, architects, composers, artists, and philosophers, a thorough history of France is presented.
Publisher: Scarecrow Press
ISBN: 0810862565
Category : History
Languages : en
Pages : 529
Book Description
From the construction of Notre Dame and the Eiffel Tower to the Fall of the Bastille and the Declaration of the Rights of Man and the Citizen to NapolZon Bonaparte's defeat at Waterloo to Albert Camus' L'Etranger and the existentialism of Jean-Paul Sartre, France has been a part of some of the greatest and most memorable events in human history. Author Gino Raymond relates the history of these events in the second edition of the Historical Dictionary of France. Through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on kings, politicians, authors, architects, composers, artists, and philosophers, a thorough history of France is presented.
Louis XIV's Architect
Author: Richard Ballard
Publisher: Pen and Sword History
ISBN: 139905421X
Category : Biography & Autobiography
Languages : en
Pages : 418
Book Description
This is a study of royal absolutism in a most extreme form in modern European history, and of the nature of Louis XIV's concept of personal glory and of the embodiment of France as a new superpower. It is a study of political ideas expressed in architecture to establish Versailles as the centre of French world power and royal prestige. It is also a personal story, full of social, cultural, and economic history of the period as seen in the life and work of Louis Le Vau, from a humble family of craftsmen, who was a self-taught architect in the early history of the profession, skilled in technical craft skills and even grand design. He was a major contributor to the architectural glories of Paris including the Louvre, Vincennes, Versailles and the College of the Four Nations. And all achieved despite interference from the great magnates of the age like Mazarin and Colbert and constant mind-changing by the King who wanted every feature in the buildings to reflect his concept of personal, royal, prestige. Le Vau was Louis XIV's First Architect from 1654 until his death and disgrace in 1670. The social, cultural, economic and political backdrop is striking with court intrigue, scandal, corruption, luxury, indulgence and the rise of a rich bourgeoisie, but the main thrust of the story concerns Louis XIV and the royal personal ambition, and the work of a stone-cutter's son who became the Sun King's instrument. The study is good on the more technical features of architectural history - reminiscent of Pevsner's marvellous Buildings of England series.
Publisher: Pen and Sword History
ISBN: 139905421X
Category : Biography & Autobiography
Languages : en
Pages : 418
Book Description
This is a study of royal absolutism in a most extreme form in modern European history, and of the nature of Louis XIV's concept of personal glory and of the embodiment of France as a new superpower. It is a study of political ideas expressed in architecture to establish Versailles as the centre of French world power and royal prestige. It is also a personal story, full of social, cultural, and economic history of the period as seen in the life and work of Louis Le Vau, from a humble family of craftsmen, who was a self-taught architect in the early history of the profession, skilled in technical craft skills and even grand design. He was a major contributor to the architectural glories of Paris including the Louvre, Vincennes, Versailles and the College of the Four Nations. And all achieved despite interference from the great magnates of the age like Mazarin and Colbert and constant mind-changing by the King who wanted every feature in the buildings to reflect his concept of personal, royal, prestige. Le Vau was Louis XIV's First Architect from 1654 until his death and disgrace in 1670. The social, cultural, economic and political backdrop is striking with court intrigue, scandal, corruption, luxury, indulgence and the rise of a rich bourgeoisie, but the main thrust of the story concerns Louis XIV and the royal personal ambition, and the work of a stone-cutter's son who became the Sun King's instrument. The study is good on the more technical features of architectural history - reminiscent of Pevsner's marvellous Buildings of England series.
The Architecture of the French Enlightenment
Author: Allan Braham
Publisher: Univ of California Press
ISBN: 9780520067394
Category : Art
Languages : en
Pages : 292
Book Description
Allan Braham's comprehensive treatment of this brilliant and complex period introduces the reader to the major buildings, architects, and architectural patrons of the day. At the same time, it explores the broader determinants of architectural production: the rapid economic expansion of Paris and the main provincial centers and the increasing demand for improved public amenities--theaters, schools, markets, and hospitals. This generously illustrated book provides a vivid commentary on society and manners in pre-Revolutionary France.
Publisher: Univ of California Press
ISBN: 9780520067394
Category : Art
Languages : en
Pages : 292
Book Description
Allan Braham's comprehensive treatment of this brilliant and complex period introduces the reader to the major buildings, architects, and architectural patrons of the day. At the same time, it explores the broader determinants of architectural production: the rapid economic expansion of Paris and the main provincial centers and the increasing demand for improved public amenities--theaters, schools, markets, and hospitals. This generously illustrated book provides a vivid commentary on society and manners in pre-Revolutionary France.
The Oxford History of Western Art
Author: Martin Kemp
Publisher:
ISBN: 0198600127
Category : Art
Languages : en
Pages : 578
Book Description
The Oxford History of Western Art is an innovative and challenging reappraisal of how the history of art can be presented and understood. Through a carefully devised modular structure, readers are given insights not only into how and why works of art were created, but also how works in different media relate to each other across time. Here--uniquely--is not the simple, linear "story" of art, but a rich series of stories, told from varying viewpoints. Carefully selected groupings of pictures give readers a sense of the visual "texture" of the various periods and episodes covered. The 167 illustration groups, supported by explanatory text and picture captions, create a sequence of "visual tours"--not merely a procession of individually "great" works viewed in isolation, but juxtapositions of significant images that powerfully convey a sense of the visual environments in which works of art need to be viewed in order to be understood and appreciated. The aim throughout is to make the shape and nature of these visual presentations a stimulating and rewarding experience, allowing readers to become active participants in the process of interpretation and synthesis. Another key feature of the narrative is the re-definition of traditional period boundaries. Rather than relying on conventional labels such as Medieval, Renaissance, and Baroque, the book establishes five major phases of significant historical change that unlock longer and more meaningful continuities. This new framework shows how the major religious and secular functions of art have been forged, sustained, transformed, revived, and revolutionized over the ages; how the institutions of Church and State have consistently aspired to make art in their own image; and how the rise of art history itself has come to provide the dominant conceptual framework within which artists create, patrons patronize, collectors collect, galleries exhibit, dealers deal, and art historians write. Though the coverage of topics focuses on European notions of art and their transplantation and transformation in North America, space is also given to cross-fertilizations with other traditions---including the art of Latin America, the Soviet Union, India, Africa (and Afro-Caribbean), Australia, and Canada. Written by a team of 50 specialist authors working under the direction of renowned art historian Martin Kemp, The Oxford History of Western Art is a vibrant, vigorous, and revolutionary account of Western art serving both as an inspirational introduction for the general reader and an authoritative source of reference and guidance for students.
Publisher:
ISBN: 0198600127
Category : Art
Languages : en
Pages : 578
Book Description
The Oxford History of Western Art is an innovative and challenging reappraisal of how the history of art can be presented and understood. Through a carefully devised modular structure, readers are given insights not only into how and why works of art were created, but also how works in different media relate to each other across time. Here--uniquely--is not the simple, linear "story" of art, but a rich series of stories, told from varying viewpoints. Carefully selected groupings of pictures give readers a sense of the visual "texture" of the various periods and episodes covered. The 167 illustration groups, supported by explanatory text and picture captions, create a sequence of "visual tours"--not merely a procession of individually "great" works viewed in isolation, but juxtapositions of significant images that powerfully convey a sense of the visual environments in which works of art need to be viewed in order to be understood and appreciated. The aim throughout is to make the shape and nature of these visual presentations a stimulating and rewarding experience, allowing readers to become active participants in the process of interpretation and synthesis. Another key feature of the narrative is the re-definition of traditional period boundaries. Rather than relying on conventional labels such as Medieval, Renaissance, and Baroque, the book establishes five major phases of significant historical change that unlock longer and more meaningful continuities. This new framework shows how the major religious and secular functions of art have been forged, sustained, transformed, revived, and revolutionized over the ages; how the institutions of Church and State have consistently aspired to make art in their own image; and how the rise of art history itself has come to provide the dominant conceptual framework within which artists create, patrons patronize, collectors collect, galleries exhibit, dealers deal, and art historians write. Though the coverage of topics focuses on European notions of art and their transplantation and transformation in North America, space is also given to cross-fertilizations with other traditions---including the art of Latin America, the Soviet Union, India, Africa (and Afro-Caribbean), Australia, and Canada. Written by a team of 50 specialist authors working under the direction of renowned art historian Martin Kemp, The Oxford History of Western Art is a vibrant, vigorous, and revolutionary account of Western art serving both as an inspirational introduction for the general reader and an authoritative source of reference and guidance for students.