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Author: Wilfried Dickhoff
Publisher:
ISBN:
Category : Art
Languages : un
Pages : 292
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Book Description
Author: Wilfried Dickhoff
Publisher:
ISBN:
Category : Art
Languages : un
Pages : 292
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Book Description
Author: Martin Du Cygne
Publisher:
ISBN:
Category : Oratory
Languages : en
Pages : 188
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Book Description
Author:
Publisher:
ISBN:
Category : AIDS (Disease) in art
Languages : en
Pages : 342
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 664
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Book Description
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
Author: Marquis Who's Who
Publisher: Marquis Who's Who
ISBN: 9780837963044
Category : Art
Languages : en
Pages : 1538
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Book Description
Author: Louis Grachos
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 40
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 464
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Book Description
Author: Penelope Curtis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
Author: Ralph Johnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 58
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Book Description
Author: William W. Braham
Publisher: Routledge
ISBN: 1351725580
Category : Architecture
Languages : en
Pages : 255
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Book Description
This title was first published in 2002. This really is a text that will fill a long-felt want. A key figure in that history is Amédée Ozenfant, painter, critic and friend of Le Corbusier, who in the first half of this century founded a school in London where he conducted experiments and wrote about color in architecture. Those experiments have been reconstructed for the book, which also includes reprints of his most important articles on the subject. This book provides a fascinating survey of this most contemporary topic that will inspire and inform designers and architects. Color has often been regarded as the final dressing of a building, subject to the vagaries of fashion and left to the client to select. There have been a number of studies of polychromy in the architecture of the more distant past, particularly in relation to modern conservation practices, but there is little or nothing on the architectural color of recent times, and especially within Modernism.
