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Author: Gene Lees
Publisher: Burns & Oates
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 328
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Book Description
Thirteen original essays from one of the world's greatest jazz writers draw together observations on the craft of the arranger. Ranging from big bands to studio backings for singers, Lees brings his characteristic blend of personal and inside knowledge, keen reportage and trenchant criticism to bear on major figures in music arrangement. His portrait of Miles Davis's arranger Gil Evans is one of the few essays written on this significant composer.
Author: Gene Lees
Publisher: Burns & Oates
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 328
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Book Description
Thirteen original essays from one of the world's greatest jazz writers draw together observations on the craft of the arranger. Ranging from big bands to studio backings for singers, Lees brings his characteristic blend of personal and inside knowledge, keen reportage and trenchant criticism to bear on major figures in music arrangement. His portrait of Miles Davis's arranger Gil Evans is one of the few essays written on this significant composer.
Author: Rayburn Wright
Publisher:
ISBN:
Category : Arrangement (Music)
Languages : en
Pages : 191
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Book Description
Author: Ryan Bañagale
Publisher: Oxford University Press
ISBN: 0199978409
Category : Music
Languages : en
Pages : 233
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Book Description
In Arranging Gershwin, author Ryan Bañagale approaches George Gershwin's iconic piece Rhapsody in Blue not as a composition but as an arrangement -- a status it has in many ways held since its inception in 1924, yet one unconsidered until now. Shifting emphasis away from the notion of the Rhapsody as a static work by a single composer, Bañagale posits a broad vision of the piece that acknowledges the efforts of a variety of collaborators who shaped the Rhapsody as we know it today. Arranging Gershwin sheds new light on familiar musicians such as Leonard Bernstein and Duke Ellington, introduces lesser-known figures such as Ferde Grofé and Larry Adler, and remaps the terrain of this emblematic piece of American music. At the same time, it expands on existing approaches to the study of arrangements -- an emerging and insightful realm of American music studies -- as well as challenges existing and entrenched definitions of composer and composition. Based on a host of newly discovered manuscripts, the book significantly alters existing historical and cultural conceptions of the Rhapsody. With additional forays into visual media, including the commercial advertising of United Airlines and Woody Allen's Manhattan, it moreover exemplifies how arrangements have contributed not only to the iconicity of Gershwin and Rhapsody in Blue, but also to music-making in America -- its people, their pursuits, and their processes.
Author: Daryl Runswick
Publisher: Faber & Faber
ISBN: 9780571511082
Category : Music
Languages : en
Pages : 220
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Book Description
This practical guide is designed for aspiring amateur and professional musicians. The book covers every aspect of jazz, rock and pop arranging, from a basic lead sheet to scoring for full ensemble with voices. The book includes tips and hints, presented in an easy-to-use format.
Author: Frederick Pease
Publisher:
ISBN:
Category : Arrangement (Music)
Languages : en
Pages : 94
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Book Description
Author: Frank Erickson
Publisher: Alfred Music
ISBN: 9781457493782
Category : Music
Languages : en
Pages : 180
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Book Description
Arranging for the Concert Band and the separately available workbook are intended to introduce students to basic techniques of arranging for the concert band. Arranging can be divided into two separate processes. The first deals with scoring and transcribing. Scoring is concerned with such things as voicing, doubling, balance and color. The term scoring also means the actual writing of notes on the score paper. Transcribing is scoring music written for one kind of musical instrument or group -- say a piano or orchestra -- for a different kind of group. This text deals with those matters. The second part of arranging is the more creative process of writing introductions, modulations, endings, background figures and so on.
Author: Norman David
Publisher: Scarecrow Press
ISBN: 1880157608
Category : Music
Languages : en
Pages : 210
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Book Description
This book examines arranging methods and their applications. It is designed to be used in a jazz studies program and as a professional reference manual for musicians. The text begins with a historical overview of jazz band instruments and a study of their characteristics. The body of the text includes an examination of relevant terminology, notational devices, principles of theory, and arranging techniques.
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788
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Book Description
Author: Don Sebesky
Publisher: Alfred Music Publishing
ISBN: 9780882840321
Category : Music
Languages : en
Pages : 256
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Book Description
An authoritative, easy-to-understand text covering all aspects of arranging. This beautifully bound edition contains a compact disc with examples performed by jazz greats such as George Benson, Freddie Hubbard, Hubert Laws and Don Sebesky's complete orchestra. The comb binding creates a lay-flat book that is perfect for study and performance.
Author: John Cacavas
Publisher: Alfred Music
ISBN: 9781457493775
Category : Music
Languages : en
Pages : 188
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Book Description
Orchestrating is a highly complex technique and to many, even those with academic training, a mystery fraught with a labyrinth of hazards. What is required, along with innate talent and general musicality, is the practical "know how." This is hard to achieve without actual professional experience and contact with "live" orchestras. To this end, John Cacavas contributes his extensive experience and ability with a practical approach to the practical problems of orchestrating. It is in this context most orchestrators must function, and to whom this book should be of benefit. The author has been a "musical activist" in all the varied aspects of instrumental combination from the "classical" to the "contemporary," and in the diverse application of his skills in all the media that utilize music and "orchestrations."
