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Author: Jack Boss
Publisher: Cambridge University Press
ISBN: 1139868020
Category : Music
Languages : en
Pages : 467
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Book Description
Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer.
Author: Jack Boss
Publisher: Cambridge University Press
ISBN: 1139868020
Category : Music
Languages : en
Pages : 467
Get Book Here
Book Description
Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer.
Author: Jack Boss
Publisher: Cambridge University Press
ISBN: 1107046866
Category : Literary Criticism
Languages : en
Pages : 467
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Book Description
Jack Boss presents detailed analyses of Arnold Schoenberg's twelve-tone pieces, bringing the composer's 'musical idea' - problem, elaboration, solution - to life.
Author: Bryan R. Simms
Publisher: Oxford University Press
ISBN: 0195351851
Category : Music
Languages : en
Pages : 276
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Book Description
Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms combines a historical study with a close analytical reading of the music to give us a new and richer understanding of Schoenberg's seminal work during this period.
Author: E. Randol Schoenberg
Publisher: Univ of California Press
ISBN: 0520969154
Category : Music
Languages : en
Pages : 446
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Book Description
Arnold Schoenberg and Thomas Mann, two towering figures of twentieth-century music and literature, both found refuge in the German-exile community in Los Angeles during the Nazi era. This complete edition of their correspondence provides a glimpse inside their private and public lives and culminates in the famous dispute over Mann’s novel Doctor Faustus. In the thick of the controversy was Theodor Adorno, then a budding philosopher, whose contribution to the Faustus affair would make him an enemy of both families. Gathered here for the first time in English, the letters in this essential volume are complemented by diary entries, related articles, and other primary source materials, as well as an introduction by German studies scholar Adrian Daub that contextualizes the impact these two great artists had on twentieth-century thought and culture.
Author: Bryan R. Simms
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 432
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Book Description
The Second Viennese School as a historical concept / Joseph Auner -- Musical culture in Vienna at the turn of the Twentieth Century / Margaret Notley -- Wiener Moderne and the tensions of Modernism / Dagmar Barnouw -- Arnold Schoenberg / Bryan R. Simms -- Alban Berg / David Schroeder -- Anton Webern / Anne C. Shreffler -- The legacy of the Second Viennese School / Jonathan W. Bernard.
Author: Josef Rufer
Publisher: London : Faber and Faber
ISBN:
Category : Composers
Languages : en
Pages : 264
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Book Description
A bibliographical presentation of all the works of Arnold Schoenberg. What Kochel and Einstein did for Mozart, this author has done for Schoenberg. He has had access to Schoenberg's papers and scrupulously catalogued the legacy of the composer who has been described as the father of the new music of the twentieth century. Schoenberg's published and unpublished works, his editions and arrangements, his sketches and drafts, are meticulously documented in chronological sequence within clearly defined groups. In many cases, we can trace the composition of a work from its first stages to its ultimate shape. Letters in which Schoenberg himself has things to say about a particular work form part of the author's text. Thu the voice of the composer is heard throughout the book. Schoenberg was a many-sided artist and the author has not neglected to list his literary works, his many books and articles, and his remarkable paintings. For the student of Schoenberg, this book is an indispensable source of information. But its appeal is also much wider. From so fully illustrated a catalogue of works, there emerges an amazingly faithful portrait of the man and his music. As one moves from one historic composition to another - Pierrot lunaire, the five orchestral pieces, Moses and Aaron, a vivid impression is given of history in the making.
Author: Jack Boss
Publisher: Cambridge University Press
ISBN: 1108419135
Category : Music
Languages : en
Pages : 407
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Book Description
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
Author: Milton Babbitt
Publisher: Princeton University Press
ISBN: 0691155402
Category : Music
Languages : en
Pages : 531
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Book Description
Like his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These writings range from personal memoirs and critical reviews to closely reasoned metatheoretical speculations and technical exegesis. In the history of music theory, there has been only a small handful of figures who have produced work of comparable stature. Taken as a whole, Babbitt's writings are not only an invaluable testimony to his thinking--a priceless primary source for the intellectual and cultural history of the second half of the twentieth century--but also a remarkable achievement in their own right. Prior to this collection, Babbitt's writings were scattered through a wide variety of journals, books, and magazines--many hard to find and some unavailable--and often contained typographical errors and editorial corruptions of various kinds. This volume of almost fifty pieces gathers, corrects, and annotates virtually everything of significance that Babbitt has written. The result is complete, authoritative, and fully accessible--the definitive source of Babbitt's influential ideas.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 266
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Book Description
Author: Langdon Corson
Publisher:
ISBN:
Category : Twelve-tone system
Languages : en
Pages : 104
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Book Description
This text focuses on the characteristics and products of Schoenberg's experimental period, from approximately 1921 to the completion of the Quintet in 1924. It includes several graphs, a complete "row chart," and over one hundred measures of analyzed excerpts from the score of the Quintet in a section devoted to a comprehensive analysis of the handling of the row, or "set."
