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Author: Aristophanes
Publisher:
ISBN:
Category : Athens (Greece)
Languages : en
Pages :
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Book Description
Aristophanes of Athens (ca. 446- 386BC), one of the world's greatest comic dramatists, has been admired since antiquity for his iridescent wit and beguiling fantasy, exuberant language, and brilliant satire of the social, intellectual, and political life of Athens at its height. He wrote at least forty plays, of which eleven have survived complete. In this new Loeb Classical Library edition of Aristophanes, Jeffrey Henderson presents a freshly edited Greek text and a lively unexpurgated translation with full explanatory notes. The Introduction to the edition is in Volume I. Also in the first volume is Acharnians, in which a small landowner, tired of the Peloponnesian War, magically arranges a personal peace treaty; and Knights, perhaps the most biting satire of a political figure (Cleon) ever written. Three plays are in Volume II of the new edition. Socrates' "Thinkery" is at the center of Clouds, which spoofs untraditional techniques for educating young men. Wasps satirizes Athenian enthusiasm for jury service and the law courts as well as the city's susceptibility to demagogues. In Peace, a rollicking attack on war-makers, the farmer-hero makes his famous trip to heaven on a dung beetle to discuss the issues with Zeus. In Volume III, the enterprising protagonists of Birds create a utopian counter-Athens ruled by birds. Also in Volume III is Lysistrata, in which our first comic heroine organizes a conjugal strike of young wives until their husbands end the war between Athens and Sparta. Women again take center stage in Women at the Thesmophoria, this time to punish Euripides for portraying them as wicked. Frogs, in volume IV, features a contest between the traditional Aeschylus and the modern Euripides, yielding both sparkling comedy and insight on ancient literary taste. In Assemblywomen, Athenian women plot to save Athens from male misgovernance- with raucously comical results. Here too is Wealth, whose gentle humor and straightforward morality made it the most popular of Aristophanes' plays from classical times to the Renaissance.
Author: Aristophanes
Publisher:
ISBN:
Category : Athens (Greece)
Languages : en
Pages :
Get Book Here
Book Description
Aristophanes of Athens (ca. 446- 386BC), one of the world's greatest comic dramatists, has been admired since antiquity for his iridescent wit and beguiling fantasy, exuberant language, and brilliant satire of the social, intellectual, and political life of Athens at its height. He wrote at least forty plays, of which eleven have survived complete. In this new Loeb Classical Library edition of Aristophanes, Jeffrey Henderson presents a freshly edited Greek text and a lively unexpurgated translation with full explanatory notes. The Introduction to the edition is in Volume I. Also in the first volume is Acharnians, in which a small landowner, tired of the Peloponnesian War, magically arranges a personal peace treaty; and Knights, perhaps the most biting satire of a political figure (Cleon) ever written. Three plays are in Volume II of the new edition. Socrates' "Thinkery" is at the center of Clouds, which spoofs untraditional techniques for educating young men. Wasps satirizes Athenian enthusiasm for jury service and the law courts as well as the city's susceptibility to demagogues. In Peace, a rollicking attack on war-makers, the farmer-hero makes his famous trip to heaven on a dung beetle to discuss the issues with Zeus. In Volume III, the enterprising protagonists of Birds create a utopian counter-Athens ruled by birds. Also in Volume III is Lysistrata, in which our first comic heroine organizes a conjugal strike of young wives until their husbands end the war between Athens and Sparta. Women again take center stage in Women at the Thesmophoria, this time to punish Euripides for portraying them as wicked. Frogs, in volume IV, features a contest between the traditional Aeschylus and the modern Euripides, yielding both sparkling comedy and insight on ancient literary taste. In Assemblywomen, Athenian women plot to save Athens from male misgovernance- with raucously comical results. Here too is Wealth, whose gentle humor and straightforward morality made it the most popular of Aristophanes' plays from classical times to the Renaissance.
Author: Aristophanes
Publisher:
ISBN:
Category : Greek drama (Comedy)
Languages : en
Pages :
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Book Description
Author: Aristophanes
Publisher: Harvard University Press
ISBN: 9780674995871
Category : Drama
Languages : en
Pages : 634
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Book Description
Aristophanes (ca. 446-386 BCE), one of the world's greatest comic dramatists, has been admired since antiquity for his iridescent wit and beguiling fantasy, exuberant language, and brilliant satire of the social, intellectual, and political life of Athens at its height. In this third volume of a new Loeb Classical Library edition of Aristophanes, Jeffrey Henderson presents a freshly edited Greek text and a lively, unexpurgated translation of three plays with full explanatory notes. In Birds Aristophanes turns from the pointed political satire characteristic of earlier plays to a fantasy that soars literally into the air in search of a carefree world. Here the enterprising protagonists create a utopian counter-Athens, called Cloudcuckooland, ruled by birds. Lysistrata blends boisterous comedy and an earnest call for peace. Lysistrata, our first comic heroine, organizes a panhellenic conjugal strike of young wives until their husbands end the war between Athens and Sparta. Athenian women again take center stage in Women at the Thesmophoria, this time to punish Euripides for portraying them as wicked. Parody of Euripides' plots enlivens this witty confrontation of the sexes.
Author: Ashley Clements
Publisher: Cambridge University Press
ISBN: 1139952544
Category : Literary Collections
Languages : en
Pages : 245
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Book Description
Aristophanes' comic masterpiece Thesmophoriazusae has long been recognized amongst the plays of Old Comedy for its deconstruction of tragic theatricality. This book reveals that this deconstruction is grounded not simply in Aristophanes' wider engagement with tragic realism. Rather, it demonstrates that from its outset Aristophanes' play draws upon Parmenides' philosophical revelations concerning reality and illusion, employing Eleatic strictures and imagery to philosophize the theatrical situation, criticize Aristophanes' poetic rival Euripides as promulgator of harmful deceptions, expose the dangerous complicity of Athenian theatre audiences in tragic illusion, and articulate political advice to an audience negotiating a period of political turmoil characterized by deception and uncertainty (the months before the oligarchic coup of 411 BC). The book thereby restores Thesmophoriazusae to its proper status as a philosophical comedy and reveals hitherto unrecognized evidence of Aristophanes' political use of Eleatic ideas during the late fifth century BC.
Author: Aristophanes
Publisher: Oxford University Press
ISBN: 0192695177
Category : History
Languages : en
Pages : 401
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Book Description
Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This vibrant collection of verse translations of Aristophanes' works combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. The volume presents Clouds, with its famous caricature of the philosopher Socrates; Women at the Thesmophoria (or Thesmophoriazusae), a work which mixes elaborate parody of tragedy with a great deal of transvestite burlesque; and Frogs, in which the dead tragedians Aeschylus and Euripides engage in a vituperative contest of 'literary criticism' of each other's plays. Featuring expansive introductions to each play and detailed explanatory notes, the volume also includes an illuminating appendix, which provides information and selected fragments from the lost plays of Aristophanes.
Author: Gwendolyn Compton-Engle
Publisher: Cambridge University Press
ISBN: 1107083796
Category : Art
Languages : en
Pages : 217
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Book Description
This book interprets the handling of costume in the plays of the ancient Greek comic playwright Aristophanes, using as evidence the surviving plays as well as vase-paintings and terracotta figurines. This book fills a gap in the study of ancient Greek drama, focusing on performance, gender, and the body.
Author: Aristophanes
Publisher: Penguin UK
ISBN: 0141935774
Category : Drama
Languages : en
Pages : 340
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Book Description
The master of ancient Greek comic drama, Aristophanes combined slapstick, humour and cheerful vulgarity with acute political observations. In The Frogs, written during the Peloponnesian War, Dionysus descends to the Underworld to bring back a poet who can help Athens in its darkest hour, and stages a great debate to help him decide between the traditional wisdom of Aeschylus and the brilliant modernity of Euripides. The clash of generations and values is also the object of Aristophanes’ satire in The Wasps, in which an old-fashioned father and his loose-living son come to blows and end up in court. And in The Poet and the Women, Euripides, accused of misogyny, persuades a relative to infiltrate an all-women festival to find out whether revenge is being plotted against him.
Author: Ralph M. Rosen
Publisher: BRILL
ISBN: 9004424466
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
The essays in this volume explore the many aspects of the “political” in the plays of Greek comic dramatist Aristophanes (5th century BCE), posing a variety of questions and approaching them through diverse methodological lenses. They demonstrate that “politics” as reflected in Aristophanes’ plays remains a fertile, and even urgent, area of inquiry, as political developments in our own time distinctly color the ways in which we articulate questions about classical Athens. As this volume shows, the earlier scholarship on politics in (or “and”) Aristophanes, which tended to focus on determining Aristophanes’ “actual” political views, has by now given way to approaches far more sensitive to how comic literary texts work and more attentive to the complexities of Athenian political structures and social dynamics. All the studies in this volume grapple to varying degrees with such methodological tensions, and show, that the richer and more diverse our political readings of Aristophanes can become, the less stable and consistent, as befits a comic work, they appear to be.
Author: Aristophanes
Publisher:
ISBN:
Category :
Languages : en
Pages : 586
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Book Description
Author: Sophia Papaioannou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110735539
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
This volume acknowledges the centrality of comic invective in a range of oratorical institutions (especially forensic and symbouleutic), and aspires to enhance the knowledge and understanding of how this technique is used in such con-texts of both Greek and Roman oratory. Despite the important scholarly work that has been done in discussing the patterns of using invective in Greek and Roman texts and contexts, there are still notable gaps in our knowledge of the issue. The introduction to, and the twelve chapters of, this volume address some understudied multi-genre and interdisciplinary topics: first, the ways in which comic invective in oratory draws on, or has implications for, comedy and other genres, or how these literary genres are influenced by oratorical theory and practice, and by contemporary socio-political circumstances, in articulating comic invective and targeting prominent individuals; second, how comic invective sustains relationships and promotes persuasion through unity and division; third, how it connects with sexuality, the human body and male/female physiology; fourth, what impact generic dichotomies, as, for example, public-private and defence-prosecution, may have upon using comic invective; and fifth, what the limitations in its use are, depending on the codes of honour and decency in ancient Greece and Rome.
