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Author: Mark West
Publisher: Routledge
ISBN: 1317380924
Category : Architecture
Languages : en
Pages : 565
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Book Description
Concrete is the most used man-made material in the world and is the fundamental physical medium for most of the world’s architecture and construction. The character of concrete is largely the product of the rigid moulds that have shaped it since its invention in antiquity. The advent of flexible moulds, however, marks a radical break from conventional practice – and conventional concrete architecture. The Fabric Formwork Book provides the first comprehensive handbook on the emerging technology of flexible moulds for reinforced concrete architecture. Written by the foremost expert in the field, this book takes a comprehensive and generous approach that includes technical, historical and theoretical aspects of the subject. The book: concentrates on simple flat-sheet formworks contains detailed technical descriptions of how to construct a wide range of formworks for various applications features case studies from around the world critiques the difficulties and advantages in each case it covers provides instruction and guidance on how to model and design fabric-formed structures includes the most comprehensive history of fabric formwork yet published features essays from guest expert authors, which explore the theoretical, historical, and poetic significance of flexibly formed architecture and structures discusses fabric formwork as an exemplary approach to sustainable construction through its simplicity and efficiency. Beautifully designed and illustrated with a superb range of images, diagrams and technical drawings, the book both informs and inspires. Speaking directly and plainly to professionals, students and academics, the language used is both clear and precise, and care is taken to avoid opaque technical or academic jargon. Technical terms, when used, are clearly described and a special glossary is included to make the book as widely accessible as possible.
Author: Mark West
Publisher: Routledge
ISBN: 1317380924
Category : Architecture
Languages : en
Pages : 565
Get Book Here
Book Description
Concrete is the most used man-made material in the world and is the fundamental physical medium for most of the world’s architecture and construction. The character of concrete is largely the product of the rigid moulds that have shaped it since its invention in antiquity. The advent of flexible moulds, however, marks a radical break from conventional practice – and conventional concrete architecture. The Fabric Formwork Book provides the first comprehensive handbook on the emerging technology of flexible moulds for reinforced concrete architecture. Written by the foremost expert in the field, this book takes a comprehensive and generous approach that includes technical, historical and theoretical aspects of the subject. The book: concentrates on simple flat-sheet formworks contains detailed technical descriptions of how to construct a wide range of formworks for various applications features case studies from around the world critiques the difficulties and advantages in each case it covers provides instruction and guidance on how to model and design fabric-formed structures includes the most comprehensive history of fabric formwork yet published features essays from guest expert authors, which explore the theoretical, historical, and poetic significance of flexibly formed architecture and structures discusses fabric formwork as an exemplary approach to sustainable construction through its simplicity and efficiency. Beautifully designed and illustrated with a superb range of images, diagrams and technical drawings, the book both informs and inspires. Speaking directly and plainly to professionals, students and academics, the language used is both clear and precise, and care is taken to avoid opaque technical or academic jargon. Technical terms, when used, are clearly described and a special glossary is included to make the book as widely accessible as possible.
Author: Catherine Croft
Publisher: Laurence King Publishing
ISBN: 1856693643
Category : Architecture, Modern
Languages : en
Pages : 252
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Book Description
Inspiration for architects and urban planners, this text presents a re-evaluation of a material finally coming into its own in the 21st century - concrete. The text is illustrated with projects from some of the biggest-name architects around.
Author: Michael Bell
Publisher: Princeton Architectural Press
ISBN: 9781568988955
Category : Architecture
Languages : en
Pages : 288
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Book Description
DVD features highlights from the conference held at Columbia University.
Author: J. Paul Guyer, P.E., R.A.
Publisher: Guyer Partners
ISBN:
Category : Technology & Engineering
Languages : en
Pages : 60
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Book Description
Introductory technical guidance for civil and structural engineers and architects interested in architectural concrete. Here is what is discussed: 1. PLANNING AND DESIGN CRITERIA 2. ARCHITECTURAL GUIDELINES 3. FORMS 4. CONCRETE MATERIALS AND PROPORTIONS 5. BATCHING AND TRANSPORTING 6. CONCRETE PLACEMENT 7. CURING AND FORM REMOVAL 8. EXPOSED AGGREGATE ARCHITECTURAL SURFACES 9. REPAIRS AND FINAL FINISHING.
Author: Jean-Louis Cohen
Publisher: Princeton Architectural Press
ISBN: 1568985703
Category : Architecture
Languages : en
Pages : 260
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Book Description
"In Liquid Stone architects, engineers, and scholars explore the changing nature of concrete from both technical and aesthetic perspectives. More than thirty buildings by leading international architects such as Jean Nouvel, Herzog & de Meuron, Tadao Ando, Zaha Hadid, Steven Holl, Norman Foster, and Santiago Calatrava demonstrate through detailed descriptions, photographs, and technical drawings the remarkable new architectural and engineering accomplishments taking form at present and the promising future of this dynamic medium."--BOOK JACKET.
Author: Manuela Roth
Publisher: Braun Publishing AG
ISBN: 9783037681077
Category : Architecture, Modern
Languages : en
Pages : 0
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Book Description
Hardly any other material unites such contradictory associations, stigmatized on the one hand, celebrated on the other - concrete is still in the spotlight. Its almost inexhaustible potential and ever new applications and possibilities make it a most valuable building material. Especially in combination with other building ware it displays an astonishing flexibility of utilization. Recent developments leading to new possibilities have inspired architects and designers to innovative and exciting solutions. The contemporary projects presented in this volume provide impressive testimony to the many faces of concrete and how much design potential it possesses. The publication shows with impressive images and distinct texts the ongoing relevance and inimitable fascination of concrete.
Author: Mark Pasnik
Publisher: The Monacelli Press, LLC
ISBN: 1580934242
Category : Architecture
Languages : en
Pages : 337
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Book Description
Often problematically labeled as “Brutalist” architecture, the concrete buildings that transformed Boston during 1960s and 1970s were conceived with progressive-minded intentions by some of the world’s most influential designers, including Marcel Breuer, Le Corbusier, I. M. Pei, Henry Cobb, Araldo Cossutta, Gerhard Kallmann and Michael McKinnell, Paul Rudolph, Josep Lluís Sert, and The Architects Collaborative. As a worldwide phenomenon, building with concrete represents one of the major architectural movements of the postwar years, but in Boston it was deployed in more numerous and diverse civic, cultural, and academic projects than in any other major U.S. city. After decades of stagnation and corrupt leadership, public investment in Boston in the 1960s catalyzed enormous growth, resulting in a generation of bold buildings that shared a vocabulary of concrete modernism. The period from the 1960 arrival of Edward J. Logue as the powerful and often controversial director of the Boston Redevelopment Authority to the reopening of Quincy Market in 1976 saw Boston as an urban laboratory for the exploration of concrete’s structural and sculptural qualities. What emerged was a vision for the city’s widespread revitalization often referred to as the “New Boston.” Today, when concrete buildings across the nation are in danger of insensitive renovation or demolition, Heroic presents the concrete structures that defined Boston during this remarkable period—from the well-known (Boston City Hall, New England Aquarium, and cornerstones of the Massachusetts Institute of Technology and Harvard University) to the already lost (Mary Otis Stevens and Thomas F. McNulty’s concrete Lincoln House and Studio; Sert, Jackson & Associates’ Martin Luther King Jr. Elementary School)—with hundreds of images; essays by architectural historians Joan Ockman, Lizabeth Cohen, Keith N. Morgan, and Douglass Shand-Tucci; and interviews with a number of the architects themselves. The product of 8 years of research and advocacy, Heroic surveys the intentions and aspirations of this period and considers anew its legacies—both troubled and inspired.
Author: Anthony Edwin James Morris
Publisher:
ISBN:
Category : Technology & Engineering
Languages : en
Pages : 594
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Book Description
Author: FIB – International Federation for Structural Concrete
Publisher: FIB - International Federation for Structural Concrete
ISBN: 0907862004
Category : Technology & Engineering
Languages : en
Pages : 59
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Book Description
Author: Barnabas Calder
Publisher: National Geographic Books
ISBN: 1529156084
Category : Architecture
Languages : en
Pages : 0
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Book Description
SHORTLISTED FOR THE ALICE DAVIS HITCHCOCK AWARD 'Brilliant' ELAIN HARWOOD 'Part history, part aesthetic autobiography, wholly engaging and liable to convince those procrastinators sitting (uncomfortably) on the concrete fence' JONATHAN MEADES 'A learned and passionate book' SIMON BRADLEY, author of The Railways 'A compelling and evocative read, meticulously researched, and filled with insight and passion' KATE GOODWIN, Head of Architecture, Royal Academy of Arts _______________________________ The raw concrete buildings of the 1960s constitute the greatest flowering of architecture the world has ever seen. The biggest construction boom in history promoted unprecedented technological innovation and an explosion of competitive creativity amongst architects, engineers and concrete-workers. The Brutalist style was the result. Today, after several decades in the shadows, attitudes towards Brutalism are slowly changing, but it is a movement that is still overlooked, and grossly underrated. Raw Concrete overturns the perception of Brutalist buildings as the penny-pinching, utilitarian products of dutiful social concern. Instead it looks a little closer, uncovering the luxuriously skilled craft and daring engineering with which the best buildings of the 1960s came into being: magnificent architectural visions serving clients rich and poor, radical and conservative. Beginning in a tiny hermitage on the remote north Scottish coast, and ending up backstage at the National Theatre, Raw Concrete embarks on a wide-ranging journey through Britain over the past sixty years, stopping to examine how eight extraordinary buildings were made - from commission to construction - why they have been so vilified, and why they are beginning to be loved. In it, Barnabas Calder puts forward a powerful case: Brutalism is the best architecture there has ever been, and perhaps the best there ever will be.
