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Author: Difrine Madara
Publisher: GRIN Verlag
ISBN: 3346070131
Category : Performing Arts
Languages : en
Pages : 13
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Book Description
Academic Paper from the year 2018 in the subject Communications - Movies and Television, grade: A, Kenyatta University, language: English, abstract: Globalisation has had a considerable impact on the trends and patterns within the contemporary film industry. Traditionally, global film and television products were dominated by Western countries especially the United States in what some scholars have referred to as ‘global Hollywood’. ‘Global Hollywood’ does not only refer to films produced in Southern California but the influence of American film or pop culture on the relations and flows of film products around the world. Apart from production, distribution and consumption of Hollywood films, companies, artists and even governments from all around the world are now involved in film production through cooperation with Hollywood partners. Meanwhile, in the recent past, Hollywood has increasingly regarded South Africa industry as a potential international film market. On the other hand, the emerging South African industry can leverage on the success of Hollywood movies to develop local content for global consumers.
Author: Difrine Madara
Publisher: GRIN Verlag
ISBN: 3346070131
Category : Performing Arts
Languages : en
Pages : 13
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Book Description
Academic Paper from the year 2018 in the subject Communications - Movies and Television, grade: A, Kenyatta University, language: English, abstract: Globalisation has had a considerable impact on the trends and patterns within the contemporary film industry. Traditionally, global film and television products were dominated by Western countries especially the United States in what some scholars have referred to as ‘global Hollywood’. ‘Global Hollywood’ does not only refer to films produced in Southern California but the influence of American film or pop culture on the relations and flows of film products around the world. Apart from production, distribution and consumption of Hollywood films, companies, artists and even governments from all around the world are now involved in film production through cooperation with Hollywood partners. Meanwhile, in the recent past, Hollywood has increasingly regarded South Africa industry as a potential international film market. On the other hand, the emerging South African industry can leverage on the success of Hollywood movies to develop local content for global consumers.
Author: Isabel Balseiro
Publisher: Wayne State University Press
ISBN: 9780814330012
Category : Culture in motion pictures
Languages : en
Pages : 292
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Book Description
With the end of apartheid, South African cinema is at a turning point in its history. But how can we speak of a national cinema when so far only an elite minority has participated in it? How can filmmakers draw upon the past as they take South Africa into a new artistic era? This collection offers an unprecedented look at a film industry that has excluded its country's black majority, in both representation and production-and that now must overcome collusion between racist ideology and film form. Until recently, filmmakers could work only within a culture that reluctantly took black South Africans into account. Therefore, to explore what South African cinema has been and could become, the authors do not limit their discussion to film production but approach cinema as a manifestation of cultural history. How has the purpose of cinema been viewed at different times in South Africa, by different governments and social groups? What is the relation between film and a sense of nationhood in South Africa? What has happened when whites aim to make "black" films? How has film been viewed in relation to the notion of leisure in South Africa? Such questions lead to a consideration not only of films made by South Africans in South Africa but also of an unfolding film culture within a series of stages that have yet to give rise to a national cinema.
Author: Añuli Agina
Publisher: Cambridge Scholars Publishing
ISBN: 1527500578
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
The growing body of films in and around Africa, and the seemingly incongruent growth in African film scholarship, suggests the need for new perspectives, approaches and insights into film cultures in Africa. Although it is impossible to capture the entire diversity of existing African film cultures, this collection, which has resulted from African film conferences organized by the University of Westminster, United Kingdom, has recognized the significance and urgency of this task. The book offers a unique engagement with widened African film ‘cultures’ in the context of diverse peoples, histories, geographies, languages and changing film production cultures shaped by audiences and users at home and in the diaspora. The volume is a significant contribution to the processes of representing the self and other, as well as the emergence of alternative, non-official dialogues, circulation and consumption, including on social media. Students, researchers, film policy makers, film producers, distributors and anyone else with an interest in African screen media will find in the book useful and readable analyses of socio-political factors that affect and are shaped by African film.
Author: Peter Davis
Publisher: Ohio University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
An overview of South African cinema and filmmakers.
Author: Keyan Tomaselli
Publisher: Routledge
ISBN: 1317928407
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
This study analyses the historical development of South African cinema up to he book's original publication in 1988. It describes the films and comments on their relationship to South African realities, addressing all aspects of the industry, focusing on domestic production, but also discussing international film companies who use South Africa as a location. It explores tensions between English-language and Afrikaans-language films, and between films made for blacks and films made for whites. Going behind the scenes the author looks at the financial infrastructure, the marketing strategies, and the works habits of the film industry. He concludes with a discussion of independent filmmaking, the obstacles facing South Africans who want to make films with artistic and political integrity, and the possibilities of progress in the future. Includes comprehensive bibliography and filmography listing all feature films made in South Africa between 1910 and 1985 together with documentary films by South Africans, non-South Africans, and exiles about the country.
Author: Lindiwe Dovey
Publisher: Columbia University Press
ISBN: 0231519389
Category : Social Science
Languages : en
Pages : 356
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Book Description
Analyzing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey identifies a specific trend in contemporary African filmmaking-one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence. Against a detailed history of the medium's savage introduction and exploitation by colonial powers in two very different African contexts, Dovey examines the complex ways in which African filmmakers are preserving, mediating, and critiquing their own cultures while seeking a united vision of the future. More than merely representing socio-cultural realities in Africa, these films engage with issues of colonialism and postcolonialism, "updating" both the history and the literature they adapt to address contemporary audiences in Africa and elsewhere. Through this deliberate and radical re-historicization of texts and realities, Dovey argues that African filmmakers have developed a method of filmmaking that is altogether distinct from European and American forms of adaptation.
Author: Nwachukwu Frank Ukadike
Publisher: U of Minnesota Press
ISBN: 9781452905822
Category : Motion picture producers and directors
Languages : en
Pages : 358
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Book Description
Author: Paulo de Medeiros
Publisher: Routledge
ISBN: 042964891X
Category : Social Science
Languages : en
Pages : 237
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Book Description
Offering a range of critical perspectives on a vibrant body of films, this collection of essays engages with questions specific to the various cinemas and films addressed while putting forward an argument for their inclusion in current debates on world cinema. The collection brings together 11 chapters by recognized scholars, who analyze a variety of films and videos from Angola, Cape Verde, Guiné-Bissau, and Mozambique. It also includes an interview with Pedro Pimenta, one of the most distinguished African film festival organizers. Drawing on various theoretical perspectives, the volume strives to reverse the relative invisibility that has afflicted these cinemas, arguing that most, if not all, Lusophone films are transnational in all aspects of production, acting, and reception. The initial three chapters sketch broad, comparative overviews and suggest theoretical approaches, while the ensuing chapters focus on specific case studies and discuss a number of key issues such as the convergence of film with politics, the question of gender and violence, as well as the revisiting of the period immediately following independence. Attention is given to fiction, documentary films and recent, short, alternative video productions that are overlooked by more traditional channels. The book stresses the need to pay attention to the significance of African film, and Lusophone African film in particular, within the developing field of world cinema. Bringing together general overviews, historical considerations, detailed case studies, and focused theoretical reflections, this book is a significant volume for students and researchers in film studies, especially African, Lusophone cultural studies, and world cinema.
Author: Steven Rawle
Publisher: Bloomsbury Publishing
ISBN: 1137530146
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
This core teaching text provides a thorough overview of the recently emerged field of transnational film studies. Covering a range of approaches to analysing films about migrant, cross-cultural and cross-border experience, Steven Rawle demonstrates how film production has moved beyond clear national boundaries to become a product of border crossing finance and creative personnel. This comprehensive introduction brings together the key concepts and theories of transnational cinema, including genre, remakes, diasporic and exilic cinema, and the limits of thinking about cinema as a particularly national cultural artefact. It is an excellent course companion for undergraduate students of film, cinema, media and cultural studies studying transnational and global cinema, and provides both students and lovers of film alike with a strong grounding in this timely field of film studies.
Author: Keyan G. Tomaselli
Publisher: Unisa Press
ISBN: 9781868884490
Category : Africa
Languages : en
Pages : 208
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Book Description
