Author: Raymond Andrews
Publisher: Dial Books for Young Readers
ISBN:
Category : Fiction
Languages : en
Pages : 296
Book Description
A rambunctious saga that captures the most frustrating half-century in Black history, as a group of people learn to define freedom in a world in which they coexist with some strange, white, animal force.
Appalachee Red
Author: Raymond Andrews
Publisher: Dial Books for Young Readers
ISBN:
Category : Fiction
Languages : en
Pages : 296
Book Description
A rambunctious saga that captures the most frustrating half-century in Black history, as a group of people learn to define freedom in a world in which they coexist with some strange, white, animal force.
Publisher: Dial Books for Young Readers
ISBN:
Category : Fiction
Languages : en
Pages : 296
Book Description
A rambunctious saga that captures the most frustrating half-century in Black history, as a group of people learn to define freedom in a world in which they coexist with some strange, white, animal force.
Rosiebelle Lee Wildcat Tennessee
Author: Raymond Andrews
Publisher: University of Georgia Press
ISBN: 9780820309941
Category : Fiction
Languages : en
Pages : 268
Book Description
Bawdy and sometimes horrifying, hilarious on the way to being tragic, Raymond Andrews's Muskhogean County novels tell of black life in the Deep South from the end of the First World War to the beginning of the 1960s, from the days of mules and white men with bullwhips to the moment when the pendulum began to swing. This second novel in the trilogy begins in 1906, on the day when a beautiful "acorn-brown" woman arrives in the small North Georgia community of Appalachee asking directions to "the house of the richest white man living in this heah town." Forty years, one hundred acres, four children, numerous grandchildren, and many legends later, Rosiebelle Lee is on her deathbed--and ready to reveal her secrets.
Publisher: University of Georgia Press
ISBN: 9780820309941
Category : Fiction
Languages : en
Pages : 268
Book Description
Bawdy and sometimes horrifying, hilarious on the way to being tragic, Raymond Andrews's Muskhogean County novels tell of black life in the Deep South from the end of the First World War to the beginning of the 1960s, from the days of mules and white men with bullwhips to the moment when the pendulum began to swing. This second novel in the trilogy begins in 1906, on the day when a beautiful "acorn-brown" woman arrives in the small North Georgia community of Appalachee asking directions to "the house of the richest white man living in this heah town." Forty years, one hundred acres, four children, numerous grandchildren, and many legends later, Rosiebelle Lee is on her deathbed--and ready to reveal her secrets.
Baby Sweet's
Author: Raymond Andrews
Publisher: University of Georgia Press
ISBN: 9780820310695
Category : Fiction
Languages : en
Pages : 234
Book Description
Bawdy and sometimes horrifying, hilarious on the way to being tragic, Raymond Andrews's Muskhogean County novels tell of black life in the Deep South from the end of the First World War to the beginning of the 1960s, from the days of mules and white men with bullwhips to the moment when the pendulum began to swing. This story tells of a venture between John Morgan Jr., the dissolute heir to Appalachee's leading white family, and Baby Sweet Jackson, owner of the once-vibrant Red's Cafe in Dark Town. On Independence Day, 1966, the partners open Muskhogean County's first bordello, with two dark-skinned black women, Lana Lips and Fig, ready for the expected white clientele. Then a mysterious woman, announcing herself as the 'third whore,' arrives--and proclaims that her body will be 'for colored only.'
Publisher: University of Georgia Press
ISBN: 9780820310695
Category : Fiction
Languages : en
Pages : 234
Book Description
Bawdy and sometimes horrifying, hilarious on the way to being tragic, Raymond Andrews's Muskhogean County novels tell of black life in the Deep South from the end of the First World War to the beginning of the 1960s, from the days of mules and white men with bullwhips to the moment when the pendulum began to swing. This story tells of a venture between John Morgan Jr., the dissolute heir to Appalachee's leading white family, and Baby Sweet Jackson, owner of the once-vibrant Red's Cafe in Dark Town. On Independence Day, 1966, the partners open Muskhogean County's first bordello, with two dark-skinned black women, Lana Lips and Fig, ready for the expected white clientele. Then a mysterious woman, announcing herself as the 'third whore,' arrives--and proclaims that her body will be 'for colored only.'
The World Is Our Home
Author: Jeffrey J. Folks
Publisher: University Press of Kentucky
ISBN: 0813185599
Category : Literary Collections
Languages : en
Pages : 439
Book Description
Since the early 1970s southern fiction has been increasingly attentive to social issues, including the continuing struggles for racial justice and gender equality, the loss of a sense of social community, and the decline of a coherent regional identity. The essays in The World Is Our Home focus on writers who have explicitly addressed social and cultural issues in their fiction and drama, including Dorothy Allison, Horton Foote, Ernest J. Gaines, Jill McCorkle, Walker Percy, Lee Smith, William Styron, Alice Walker, and many others. The contributors provide valuable insights into the transformation of southern culture over the past thirty years and probe the social and cultural divisions that persist. The collection makes an important case for the centrality of social critique in contemporary southern fiction.
Publisher: University Press of Kentucky
ISBN: 0813185599
Category : Literary Collections
Languages : en
Pages : 439
Book Description
Since the early 1970s southern fiction has been increasingly attentive to social issues, including the continuing struggles for racial justice and gender equality, the loss of a sense of social community, and the decline of a coherent regional identity. The essays in The World Is Our Home focus on writers who have explicitly addressed social and cultural issues in their fiction and drama, including Dorothy Allison, Horton Foote, Ernest J. Gaines, Jill McCorkle, Walker Percy, Lee Smith, William Styron, Alice Walker, and many others. The contributors provide valuable insights into the transformation of southern culture over the past thirty years and probe the social and cultural divisions that persist. The collection makes an important case for the centrality of social critique in contemporary southern fiction.
Contemporary Black Men's Fiction and Drama
Author: Keith Clark
Publisher: University of Illinois Press
ISBN: 9780252026768
Category : Drama
Languages : en
Pages : 268
Book Description
Demonstrating the extraordinary versatility of African-American men's writing since the 1970s, this forceful collection illustrates how African-American male novelists and playwrights have absorbed, challenged, and expanded the conventions of black American writing and, with it, black male identity. From the "John Henry Syndrome"--a definition of black masculinity based on brute strength or violence--to the submersion of black gay identity under equations of gay with white and black with straight, the African-American male in literature and drama has traditionally been characterized in ways that confine and silence him. Contemporary Black Men's Fiction and Drama identifies the forces that limit black male discourse, including traditions established by iconic African-American male authors such as James Baldwin, Richard Wright, and Ralph Ellison. This thoughtful volume also shows how contemporary black male authors use their narratives to put forward new ways of being and knowing that foster a more complete sense of self and more humane and open ways of communicating with and relating to others. In the work of Charles Johnson, Ernest Gaines, and August Wilson, contributors find paths toward broader, less rigid ideas of what black literature can be, what the connections among individual and communal resistance can be, and how black men can transcend the imprisoning models of hyper masculinity promoted by American culture. Seeking greater spiritual connection with the past, John Edgar Wideman returns to the folk rituals of his family, while Melvin Dixon and Brent Wade reclaim African roots and traditions. Ishmael Reed struggles with a contemporary cultural oppression that he sees as an insidious echo of slavery, while Clarence Major's experimental writing suggests how black men might reclaim their own voices in a culture that silences them. Taking in a wide range of critical, theoretical, cultural, gender, and sexual concerns, Contemporary Black Men's Fiction and Drama provides provocative new readings of a broad range of contemporary writers.
Publisher: University of Illinois Press
ISBN: 9780252026768
Category : Drama
Languages : en
Pages : 268
Book Description
Demonstrating the extraordinary versatility of African-American men's writing since the 1970s, this forceful collection illustrates how African-American male novelists and playwrights have absorbed, challenged, and expanded the conventions of black American writing and, with it, black male identity. From the "John Henry Syndrome"--a definition of black masculinity based on brute strength or violence--to the submersion of black gay identity under equations of gay with white and black with straight, the African-American male in literature and drama has traditionally been characterized in ways that confine and silence him. Contemporary Black Men's Fiction and Drama identifies the forces that limit black male discourse, including traditions established by iconic African-American male authors such as James Baldwin, Richard Wright, and Ralph Ellison. This thoughtful volume also shows how contemporary black male authors use their narratives to put forward new ways of being and knowing that foster a more complete sense of self and more humane and open ways of communicating with and relating to others. In the work of Charles Johnson, Ernest Gaines, and August Wilson, contributors find paths toward broader, less rigid ideas of what black literature can be, what the connections among individual and communal resistance can be, and how black men can transcend the imprisoning models of hyper masculinity promoted by American culture. Seeking greater spiritual connection with the past, John Edgar Wideman returns to the folk rituals of his family, while Melvin Dixon and Brent Wade reclaim African roots and traditions. Ishmael Reed struggles with a contemporary cultural oppression that he sees as an insidious echo of slavery, while Clarence Major's experimental writing suggests how black men might reclaim their own voices in a culture that silences them. Taking in a wide range of critical, theoretical, cultural, gender, and sexual concerns, Contemporary Black Men's Fiction and Drama provides provocative new readings of a broad range of contemporary writers.
Writers of Multicultural Fiction for Young Adults
Author: M. Daphne Kutzer
Publisher: Bloomsbury Publishing USA
ISBN: 0313064229
Category : Literary Criticism
Languages : en
Pages : 496
Book Description
Multicultural fiction is an essential part of the American literary landscape. This reference helps scholars, teachers, and librarians choose significant texts from both the past and present, and provides guidance in approaching multicultural issues as they are discussed in fiction for young adults. Included are entries for 51 writers, some of whom have nearly been forgotten, others who are just emerging. Each entry provides biographical, critical, and bibliographical information, while a general bibliography of works on multicultural literature concludes the book. Authors included range from the nearly forgotten, such as Laura Adams Armer, to the newly discovered, such as Graham Salisbury, winner of the 1994 Scott O'Dell Award for Historical Fiction. The breadth of authors covered ensures an historical context for the issues raised by multiculturalism, and the sections on the critical reception of each author address such important issues as the authority and authenticity of the writer to comment on a different culture. Contributors are of many different ethnicities and include important scholars of children's literature, lending authenticity and authority to the volume itself.
Publisher: Bloomsbury Publishing USA
ISBN: 0313064229
Category : Literary Criticism
Languages : en
Pages : 496
Book Description
Multicultural fiction is an essential part of the American literary landscape. This reference helps scholars, teachers, and librarians choose significant texts from both the past and present, and provides guidance in approaching multicultural issues as they are discussed in fiction for young adults. Included are entries for 51 writers, some of whom have nearly been forgotten, others who are just emerging. Each entry provides biographical, critical, and bibliographical information, while a general bibliography of works on multicultural literature concludes the book. Authors included range from the nearly forgotten, such as Laura Adams Armer, to the newly discovered, such as Graham Salisbury, winner of the 1994 Scott O'Dell Award for Historical Fiction. The breadth of authors covered ensures an historical context for the issues raised by multiculturalism, and the sections on the critical reception of each author address such important issues as the authority and authenticity of the writer to comment on a different culture. Contributors are of many different ethnicities and include important scholars of children's literature, lending authenticity and authority to the volume itself.
South of Tradition
Author: Trudier Harris
Publisher: University of Georgia Press
ISBN: 0820327158
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
With characteristic originality and insight, Trudier Harris-Lopez offers a new and challenging approach to the work of African American writers in these twelve previously unpublished essays. Collectively, the essays show the vibrancy of African American literary creation across several decades of the twentieth century. But Harris-Lopez's readings of the various texts deliberately diverge from traditional ways of viewing traditional topics. South of Tradition focuses not only on well-known writers such as Zora Neale Hurston, Ralph Ellison, James Baldwin, and Richard Wright, but also on up-and-coming writers such as Randall Kenan and less-known writers such as Brent Wade and Henry Dumas. Harris-Lopez addresses themes of sexual and racial identity, reconceptualizations of and transcendence of Christianity, analyses of African American folk and cultural traditions, and issues of racial justice. Many of her subjects argue that geography shapes identity, whether that geography is the European territory many blacks escaped to from the oppressive South, or the South itself, where generations of African Americans have had to come to grips with their relationship to the land and its history. For Harris-Lopez, "south of tradition" refers both to geography and to readings of texts that are not in keeping with expected responses to the works. She explains her point of departure for the essays as "a slant, an angle, or a jolt below the line of what would be considered the norm for usual responses to African American literature." The scope of Harris-Lopez's work is tremendous. From her coverage of noncanonical writers to her analysis of humor in the best-selling The Color Purple, she provides essential material that should inform all future readings of African American literature.
Publisher: University of Georgia Press
ISBN: 0820327158
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
With characteristic originality and insight, Trudier Harris-Lopez offers a new and challenging approach to the work of African American writers in these twelve previously unpublished essays. Collectively, the essays show the vibrancy of African American literary creation across several decades of the twentieth century. But Harris-Lopez's readings of the various texts deliberately diverge from traditional ways of viewing traditional topics. South of Tradition focuses not only on well-known writers such as Zora Neale Hurston, Ralph Ellison, James Baldwin, and Richard Wright, but also on up-and-coming writers such as Randall Kenan and less-known writers such as Brent Wade and Henry Dumas. Harris-Lopez addresses themes of sexual and racial identity, reconceptualizations of and transcendence of Christianity, analyses of African American folk and cultural traditions, and issues of racial justice. Many of her subjects argue that geography shapes identity, whether that geography is the European territory many blacks escaped to from the oppressive South, or the South itself, where generations of African Americans have had to come to grips with their relationship to the land and its history. For Harris-Lopez, "south of tradition" refers both to geography and to readings of texts that are not in keeping with expected responses to the works. She explains her point of departure for the essays as "a slant, an angle, or a jolt below the line of what would be considered the norm for usual responses to African American literature." The scope of Harris-Lopez's work is tremendous. From her coverage of noncanonical writers to her analysis of humor in the best-selling The Color Purple, she provides essential material that should inform all future readings of African American literature.
The New Writers of the South
Author: Charles East
Publisher: University of Georgia Press
ISBN: 9780820309248
Category : Fiction
Languages : en
Pages : 324
Book Description
Stories and selections from novels by twenty writers depict the complexities of life in the modern South
Publisher: University of Georgia Press
ISBN: 9780820309248
Category : Fiction
Languages : en
Pages : 324
Book Description
Stories and selections from novels by twenty writers depict the complexities of life in the modern South
The Oxford Handbook of the Literature of the U.S. South
Author: Fred Hobson
Publisher: Oxford University Press
ISBN: 0199767475
Category : History
Languages : en
Pages : 585
Book Description
The Oxford Handbook of the Literature of the U.S. South brings together contemporary views of the literature of the region in a series of chapters employing critical tools not traditionally used in approaching Southern literature. It assumes ideas of the South--global, multicultural, plural: more Souths than South--that would not have been embraced two or three decades ago, and it similarly expands the idea of literature itself. Representative of the current range of activity in the field of Southern literary studies, it challenges earlier views of antebellum Southern literature, as well as, in its discussions of twentieth-century writing, questions the assumption that the Southern Renaissance of the 1920s, 1930s, and 1940s was the supreme epoch of Southern expression, that writing to which all that had come before had led and by which all that came afterward was judged. As well as canonical Southern writers, it examines Native American literature, Latina/o literature, Asian American as well as African American literatures, Caribbean studies, sexuality studies, the relationship of literature to film, and a number of other topics which are relatively new to the field.
Publisher: Oxford University Press
ISBN: 0199767475
Category : History
Languages : en
Pages : 585
Book Description
The Oxford Handbook of the Literature of the U.S. South brings together contemporary views of the literature of the region in a series of chapters employing critical tools not traditionally used in approaching Southern literature. It assumes ideas of the South--global, multicultural, plural: more Souths than South--that would not have been embraced two or three decades ago, and it similarly expands the idea of literature itself. Representative of the current range of activity in the field of Southern literary studies, it challenges earlier views of antebellum Southern literature, as well as, in its discussions of twentieth-century writing, questions the assumption that the Southern Renaissance of the 1920s, 1930s, and 1940s was the supreme epoch of Southern expression, that writing to which all that had come before had led and by which all that came afterward was judged. As well as canonical Southern writers, it examines Native American literature, Latina/o literature, Asian American as well as African American literatures, Caribbean studies, sexuality studies, the relationship of literature to film, and a number of other topics which are relatively new to the field.
Remembering the Past in Contemporary African American Fiction
Author: Keith Byerman
Publisher: Univ of North Carolina Press
ISBN: 080787678X
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
With close readings of more than twenty novels by writers including Ernest Gaines, Toni Morrison, Charles Johnson, Gloria Naylor, and John Edgar Wideman, Keith Byerman examines the trend among African American novelists of the late twentieth century to write about black history rather than about their own present. Employing cultural criticism and trauma theory, Byerman frames these works as survivor narratives that rewrite the grand American narrative of individual achievement and the march of democracy. The choice to write historical narratives, he says, must be understood historically. These writers earned widespread recognition for their writing in the 1980s, a period of African American commercial success, as well as the economic decline of the black working class and an increase in black-on-black crime. Byerman contends that a shared experience of suffering joins African American individuals in a group identity, and writing about the past serves as an act of resistance against essentialist ideas of black experience shaping the cultural discourse of the present. Byerman demonstrates that these novels disrupt the temptation in American society to engage history only to limit its significance or to crown successful individuals while forgetting the victims.
Publisher: Univ of North Carolina Press
ISBN: 080787678X
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
With close readings of more than twenty novels by writers including Ernest Gaines, Toni Morrison, Charles Johnson, Gloria Naylor, and John Edgar Wideman, Keith Byerman examines the trend among African American novelists of the late twentieth century to write about black history rather than about their own present. Employing cultural criticism and trauma theory, Byerman frames these works as survivor narratives that rewrite the grand American narrative of individual achievement and the march of democracy. The choice to write historical narratives, he says, must be understood historically. These writers earned widespread recognition for their writing in the 1980s, a period of African American commercial success, as well as the economic decline of the black working class and an increase in black-on-black crime. Byerman contends that a shared experience of suffering joins African American individuals in a group identity, and writing about the past serves as an act of resistance against essentialist ideas of black experience shaping the cultural discourse of the present. Byerman demonstrates that these novels disrupt the temptation in American society to engage history only to limit its significance or to crown successful individuals while forgetting the victims.