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Author: Jeremiah L. Alberg
Publisher: University of Notre Dame Pess
ISBN: 0268100195
Category : Religion
Languages : en
Pages : 294
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Book Description
The thought of René Girard on violence, sacrifice, and mimetic theory has exerted a strong influence on Japanese scholars as well as around the world. In this collection of essays, originating from a Tokyo conference on violence and religion, scholars call on Girardian ideas to address apocalyptic events that have marked Japan's recent history as well as other aspects of, primarily, Japanese literature and culture. Girard's theological notion of apocalypse resonates strongly with those grappling with the horrors of Hiroshima and Nagasaki, as well as events such as the 2011 Tōhoku earthquake and tsunami and the Fukushima nuclear disaster. In its focus on Girard and devastating violence, the contributors raise issues of promise and peril for us all. The essays in Part I of the volume are primarily rooted in the events of World War II. The contributors employ mimetic theory to respond to the use of nuclear weapons and the threat of absolute destruction. Essays in Part II cover a wide range of topics in Japanese cultural history from the viewpoint of mimetic theory, ranging from classic and modern Japanese literature to anime. Essays in Part III address theological questions and mimetic theory, especially from a Judeo-Christian perspective. Contributors: Jeremiah L. Alberg, Jean-Pierre Dupuy, Yoko Irie Fayolle, Eric Gans, Sandor Goodhart, Shoichiro Iwakari, Mizuho Kawasaki, Kunio Nakahata, Andreas Oberprantacher, Mery Rodriguez, Thomas Ryba, Richard Schenk, OP, Roberto Solarte, Matthew Taylor, and Anthony D. Traylor.
Author: Jeremiah L. Alberg
Publisher: University of Notre Dame Pess
ISBN: 0268100195
Category : Religion
Languages : en
Pages : 294
Get Book Here
Book Description
The thought of René Girard on violence, sacrifice, and mimetic theory has exerted a strong influence on Japanese scholars as well as around the world. In this collection of essays, originating from a Tokyo conference on violence and religion, scholars call on Girardian ideas to address apocalyptic events that have marked Japan's recent history as well as other aspects of, primarily, Japanese literature and culture. Girard's theological notion of apocalypse resonates strongly with those grappling with the horrors of Hiroshima and Nagasaki, as well as events such as the 2011 Tōhoku earthquake and tsunami and the Fukushima nuclear disaster. In its focus on Girard and devastating violence, the contributors raise issues of promise and peril for us all. The essays in Part I of the volume are primarily rooted in the events of World War II. The contributors employ mimetic theory to respond to the use of nuclear weapons and the threat of absolute destruction. Essays in Part II cover a wide range of topics in Japanese cultural history from the viewpoint of mimetic theory, ranging from classic and modern Japanese literature to anime. Essays in Part III address theological questions and mimetic theory, especially from a Judeo-Christian perspective. Contributors: Jeremiah L. Alberg, Jean-Pierre Dupuy, Yoko Irie Fayolle, Eric Gans, Sandor Goodhart, Shoichiro Iwakari, Mizuho Kawasaki, Kunio Nakahata, Andreas Oberprantacher, Mery Rodriguez, Thomas Ryba, Richard Schenk, OP, Roberto Solarte, Matthew Taylor, and Anthony D. Traylor.
Author:
Publisher: BRILL
ISBN: 9004282289
Category : Art
Languages : en
Pages : 407
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Book Description
Modernism, Christianity and Apocalypse stages an encounter between the fields of ‘Modernism and Christianity’ and ‘Apocalypse Studies’. The modernist impulse to ‘make it new’, to transform and reform culture, is an incipiently apocalyptic one, poised between imaginative representations of an Old Era or civilization and the experimental promise of the New. Christianity figures in formative tension with the ‘new’, but its apocalyptic paradigms continued to impact modernist visions of cultural revitalization. In three sections tracing a rough chronology from the late nineteenth century fin de siècle, via interwar conflicts and the rise of ‘political religions’, to post-1945 anxieties such as the Bomb, this thematic is explored in nineteen far-ranging scholarly contributions, outlining a distinctive and fresh interdisciplinary field of study.
Author: Rick DeMarinis
Publisher: Seven Stories Press
ISBN: 1609801652
Category : Fiction
Languages : en
Pages : 286
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Book Description
Despite the world’s insecurities, the most common drama of all is not of apocalypse now, but of apocalypse deferred; the pain of living is having to wait it out. In Apocalypse Then, DeMarinis’s characters try alcohol, they try travel, and (most of all) they try off-limits love. They find themselves in harm’s way, or put themselves there—but in life, as the title story states, "sometimes the worst doesn’t happen."
Author: John Barth
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618257300
Category : Fiction
Languages : en
Pages : 422
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Book Description
In this novelistic romp that is by turns hilarious and brilliant, John Barth spoofs his own place in the pantheon of contemporary fiction and the generation of writers who have followed his literary trailblazing. Coming Soon!!! is the tale of two writers: an older, retiring novelist setting out to write his last work and a young, aspiring writer of hypertext intent on toppling his master. In the heat of their rivalry, the writers navigate, and sometimes stumble over, the cultural fault lines between print and electronic fiction, mentor and mentee, postmodernism and modernism.
Author: Matthew Lau
Publisher: State University of New York Press
ISBN: 1438476329
Category : Performing Arts
Languages : en
Pages : 186
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Book Description
Classical music masterworks have long played a key supporting role in the movies—silent films were often accompanied by a pianist or even a full orchestra playing classical or theatrical repertory music—yet the complexity of this role has thus far been underappreciated. Sounds Like Helicopters corrects this oversight through close interpretations of classical music works in key modernist films by Francis Ford Coppola, Werner Herzog, Luis Buñuel, Stanley Kubrick, Jean-Luc Godard, Michael Haneke, and Terrence Malick. Beginning with the famous example of Wagner's "Ride of the Valkyries" in Apocalypse Now, Matthew Lau demonstrates that there is a significant continuity between classical music and modernist cinema that belies their seemingly ironic juxtaposition. Though often regarded as a stuffy, conservative art form, classical music has a venerable avant-garde tradition, and key films by important directors show that modernist cinema restores the original subversive energy of these classical masterworks. These films, Lau argues, remind us of what this music sounded like when it was still new and difficult; they remind us that great music remains new music. The pattern of reliance on classical music by modernist directors suggests it is not enough to watch modernist cinema: one must listen to its music to sense its prehistory, its history, and its obscure, prophetic future.
Author: Krzysztof Michalski
Publisher: Princeton University Press
ISBN: 0691162190
Category : Philosophy
Languages : en
Pages : 247
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Book Description
The Flame of Eternity provides a reexamination and new interpretation of Nietzsche's philosophy and the central role that the concepts of eternity and time, as he understood them, played in it. According to Krzysztof Michalski, Nietzsche's reflections on human life are inextricably linked to time, which in turn cannot be conceived of without eternity. Eternity is a measure of time, but also, Michalski argues, something Nietzsche viewed first and foremost as a physiological concept having to do with the body. The body ages and decays, involving us in a confrontation with our eventual death. It is in relation to this brute fact that we come to understand eternity and the finitude of time. Nietzsche argues that humanity has long regarded the impermanence of our life as an illness in need of curing. It is this "pathology" that Nietzsche called nihilism. Arguing that this insight lies at the core of Nietzsche's philosophy as a whole, Michalski seeks to explain and reinterpret Nietzsche's thought in light of it. Michalski maintains that many of Nietzsche's main ideas--including his views on love, morality (beyond good and evil), the will to power, overcoming, the suprahuman (or the overman, as it is infamously referred to), the Death of God, and the myth of the eternal return--take on new meaning and significance when viewed through the prism of eternity.
Author: Ryan Netzley
Publisher: Fordham Univ Press
ISBN: 0823263487
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
What’s new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new. John Milton’s and Andrew Marvell’s lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation’s insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen. Lyric Apocalypse argues that Milton’s and Marvell’s lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no “after” to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new.
Author: Melissa Croteau
Publisher: McFarland
ISBN: 0786453516
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
This collection of essays examines the ways in which recent Shakespeare films portray anxieties about an impending global wasteland, technological alienation, spiritual destruction, and the effects of globalization. Films covered include Titus, William Shakespeare's Romeo & Juliet, Almereyda's Hamlet, Revengers Tragedy, Twelfth Night, The Passion of the Christ, Radford's The Merchant of Venice, The Lion King, and Godard's King Lear, among others that directly adapt or reference Shakespeare. Essays chart the apocalyptic mise-en-scenes, disorienting imagery, and topsy-turvy plots of these films, using apocalypse as a theoretical and thematic lens.
Author: David Dickson
Publisher: Harvard University Press
ISBN: 0674744446
Category : History
Languages : en
Pages : 753
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Book Description
As rich and diverse as its subject, Dickson’s magisterial history brings 1,400 years of Dublin vividly to life: from its medieval incarnation through the neoclassical eighteenth century, the Easter Rising that convulsed the city in 1916, the bloody civil war following the handover of power by Britain, to end-of-millennium urban renewal efforts.
Author: Paolo Diego Bubbio
Publisher: Bloomsbury Publishing USA
ISBN: 1501334840
Category : Philosophy
Languages : en
Pages : 223
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Book Description
The interdisciplinary French-American thinker René Girard (1923-2015) has been one of the towering figures of the humanities in the last half-century. The title of René Girard's first book offered his own thesis in summary form: romantic lie and novelistic truth [mensonge romantique et vérité romanesque]. And yet, for a thinker whose career began by an engagement with literature, it came as a shock to some that, in La Conversion de l'art, Girard asserted that the novel may be an “outmoded” form for revealing humans to themselves. However, Girard never specified what, if anything, might take the place of the novel. This collection of essays is one attempt at answering this question, by offering a series of analyses of films that aims to test mimetic theory in an area in which relatively little has so far been offered. Does it make any sense to talk of vérité filmique? In addition, Mimetic Theory and Film is a response to the widespread objection that there is no viable “Girardian aesthetics.” One of the main questions that this collection considers is: can we develop a genre-specific mimetic analysis (of film), and are we able to develop anything approaching a “Girardian aesthetic”? Each of the contributors addresses these questions through the analysis of a film.
