Author: Wiesław Kielar
Publisher: Crown
ISBN:
Category : History
Languages : en
Pages : 328
Book Description
"Anus Mundi is the first eyewitness report of the Holocaust to record the horror of the camps from their inception in 1941 to liberation. Considered the definitive book on Auschwitz, it won two national literature prizes when published in its original Polish and was a bestseller in West Germany in 1979." -- Dust jacket.
Anus Mundi
Author: Wiesław Kielar
Publisher: Crown
ISBN:
Category : History
Languages : en
Pages : 328
Book Description
"Anus Mundi is the first eyewitness report of the Holocaust to record the horror of the camps from their inception in 1941 to liberation. Considered the definitive book on Auschwitz, it won two national literature prizes when published in its original Polish and was a bestseller in West Germany in 1979." -- Dust jacket.
Publisher: Crown
ISBN:
Category : History
Languages : en
Pages : 328
Book Description
"Anus Mundi is the first eyewitness report of the Holocaust to record the horror of the camps from their inception in 1941 to liberation. Considered the definitive book on Auschwitz, it won two national literature prizes when published in its original Polish and was a bestseller in West Germany in 1979." -- Dust jacket.
Anus Mundi
Author: Wiesław Kielar
Publisher:
ISBN: 9788377042212
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9788377042212
Category :
Languages : en
Pages :
Book Description
Landscapes of the Metropolis of Death
Author: Otto Dov Kulka
Publisher: Penguin UK
ISBN: 0718197011
Category : History
Languages : en
Pages : 144
Book Description
Otto Dov Kulka's memoir of a childhood spent in Auschwitz is a literary feat of astounding emotional power, exploring the permanent and indelible marks left by the Holocaust Winner of the JEWISH QUARTERLY-WINGATE PRIZE 2014 As a child, the distinguished historian Otto Dov Kulka was sent first to the ghetto of Theresienstadt and then to Auschwitz. As one of the few survivors he has spent much of his life studying Nazism and the Holocaust, but always as a discipline requiring the greatest coldness and objectivity, with his personal story set to one side. But he has remained haunted by specific memories and images, thoughts he has been unable to shake off. Translated by Ralph Mandel. 'The greatest book on Auschwitz since Primo Levi ... Kulka has achieved the impossible' - the panel of Judges, Jewish Quarterly-Wingate Prize
Publisher: Penguin UK
ISBN: 0718197011
Category : History
Languages : en
Pages : 144
Book Description
Otto Dov Kulka's memoir of a childhood spent in Auschwitz is a literary feat of astounding emotional power, exploring the permanent and indelible marks left by the Holocaust Winner of the JEWISH QUARTERLY-WINGATE PRIZE 2014 As a child, the distinguished historian Otto Dov Kulka was sent first to the ghetto of Theresienstadt and then to Auschwitz. As one of the few survivors he has spent much of his life studying Nazism and the Holocaust, but always as a discipline requiring the greatest coldness and objectivity, with his personal story set to one side. But he has remained haunted by specific memories and images, thoughts he has been unable to shake off. Translated by Ralph Mandel. 'The greatest book on Auschwitz since Primo Levi ... Kulka has achieved the impossible' - the panel of Judges, Jewish Quarterly-Wingate Prize
A History of Gay Literature
Author: Gregory Woods
Publisher: Yale University Press
ISBN: 9780300080889
Category : Social Science
Languages : en
Pages : 474
Book Description
Account of male gay literature across cultures and languages and from ancient times to the present. It traces writing by and about homosexual men from ancient Greece and Rome through the Middle Ages and Renaissance to the twentieth-century gay literary explosion. It includes writers of wide-ranging literary status (from high cultural icons like Virgil, Dante, Marlowe, Shakespeare, and Proust to popular novelists like Clive Barker and Dashiell Hammett) and of various locations (from Mishima s Tokyo and Abu Nuwas s Baghdad to David Leavitt s New York). It also deals with representations of male-male love by writers who were not themselves homosexual or bisexual men.
Publisher: Yale University Press
ISBN: 9780300080889
Category : Social Science
Languages : en
Pages : 474
Book Description
Account of male gay literature across cultures and languages and from ancient times to the present. It traces writing by and about homosexual men from ancient Greece and Rome through the Middle Ages and Renaissance to the twentieth-century gay literary explosion. It includes writers of wide-ranging literary status (from high cultural icons like Virgil, Dante, Marlowe, Shakespeare, and Proust to popular novelists like Clive Barker and Dashiell Hammett) and of various locations (from Mishima s Tokyo and Abu Nuwas s Baghdad to David Leavitt s New York). It also deals with representations of male-male love by writers who were not themselves homosexual or bisexual men.
To Begin Where I Am
Author: Czeslaw Milosz
Publisher: Macmillan
ISBN: 9780374528591
Category : Biography & Autobiography
Languages : en
Pages : 484
Book Description
Collects five decades of essays by the Nobel Prize-winning writer, covering topics including war, human nature, faith, communism, and Polish culture.
Publisher: Macmillan
ISBN: 9780374528591
Category : Biography & Autobiography
Languages : en
Pages : 484
Book Description
Collects five decades of essays by the Nobel Prize-winning writer, covering topics including war, human nature, faith, communism, and Polish culture.
The Zone of Interest
Author: Martin Amis
Publisher: Knopf
ISBN: 0385353502
Category : Fiction
Languages : en
Pages : 312
Book Description
NOW A MAJOR MOTION PICTURE • AN NPR BEST BOOK OF THE YEAR • From one the most virtuosic authors in the English language: a powerful novel, written with urgency and moral force, that explores life—and love—among the Nazi bureaucrats of Auschwitz. "A masterpiece.... Profound, powerful and morally urgent.... A benchmark for what serious literature can achieve." —San Francisco Chronicle Martin Amis first tackled the Holocaust in 1991 with his bestselling novel Time's Arrow. He returns again to the Shoah with this astonishing portrayal of life in "the zone of interest," or "kat zet"—the Nazis' euphemism for Auschwitz. The narrative rotates among three main characters: Paul Doll, the crass, drunken camp commandant; Thomsen, nephew of Hitler's private secretary, in love with Doll's wife; and Szmul, one of the Jewish prisoners charged with disposing of the bodies. Through these three narrative threads, Amis summons a searing, profound, darkly funny portrait of the most infamous place in history. An epilogue by the author elucidates Amis's reasons and method for undertaking this extraordinary project.
Publisher: Knopf
ISBN: 0385353502
Category : Fiction
Languages : en
Pages : 312
Book Description
NOW A MAJOR MOTION PICTURE • AN NPR BEST BOOK OF THE YEAR • From one the most virtuosic authors in the English language: a powerful novel, written with urgency and moral force, that explores life—and love—among the Nazi bureaucrats of Auschwitz. "A masterpiece.... Profound, powerful and morally urgent.... A benchmark for what serious literature can achieve." —San Francisco Chronicle Martin Amis first tackled the Holocaust in 1991 with his bestselling novel Time's Arrow. He returns again to the Shoah with this astonishing portrayal of life in "the zone of interest," or "kat zet"—the Nazis' euphemism for Auschwitz. The narrative rotates among three main characters: Paul Doll, the crass, drunken camp commandant; Thomsen, nephew of Hitler's private secretary, in love with Doll's wife; and Szmul, one of the Jewish prisoners charged with disposing of the bodies. Through these three narrative threads, Amis summons a searing, profound, darkly funny portrait of the most infamous place in history. An epilogue by the author elucidates Amis's reasons and method for undertaking this extraordinary project.
The Roman Monster
Author: Lawrence Buck
Publisher: Penn State Press
ISBN: 0271090995
Category : Religion
Languages : en
Pages : 275
Book Description
In December 1495 the Tiber River flooded the city of Rome causing extensive drowning and destruction. When the water finally receded, a rumor began to circulate that a grotesque monstrosity had been discovered in the muddy detritus—the Roman monster. The creature itself is inherently fascinating, consisting of an eclectic combination of human and animal body parts. The symbolism of these elements, the interpretations that religious controversialists read into them, and the history of the image itself, help to document antipapal polemics from fifteenth-century Rome to the Elizabethan religious settlement. This study examines the iconography of the image of the Roman monster and offers ideological reasons for associating the image with the pre-Reformation Waldensians and Bohemian Brethren. It accounts for the reproduction and survival of the monster's image in fifteenth-century Bohemia and provides historical background on the topos of the papal Antichrist, a concept that Philip Melanchthon associated with the monster. It contextualizes Melanchthon’s tract, “The Pope-Ass Explained,” within the first five years of the Lutheran movement, and it documents the popularity of the Roman monster within the polemical and apocalyptic writings of the Reformation. This is a careful examination and interpretation of all relevant primary documents and secondary historical literature in telling the story of the origins and impact of the most famous monstrous portent of the Reformation era.
Publisher: Penn State Press
ISBN: 0271090995
Category : Religion
Languages : en
Pages : 275
Book Description
In December 1495 the Tiber River flooded the city of Rome causing extensive drowning and destruction. When the water finally receded, a rumor began to circulate that a grotesque monstrosity had been discovered in the muddy detritus—the Roman monster. The creature itself is inherently fascinating, consisting of an eclectic combination of human and animal body parts. The symbolism of these elements, the interpretations that religious controversialists read into them, and the history of the image itself, help to document antipapal polemics from fifteenth-century Rome to the Elizabethan religious settlement. This study examines the iconography of the image of the Roman monster and offers ideological reasons for associating the image with the pre-Reformation Waldensians and Bohemian Brethren. It accounts for the reproduction and survival of the monster's image in fifteenth-century Bohemia and provides historical background on the topos of the papal Antichrist, a concept that Philip Melanchthon associated with the monster. It contextualizes Melanchthon’s tract, “The Pope-Ass Explained,” within the first five years of the Lutheran movement, and it documents the popularity of the Roman monster within the polemical and apocalyptic writings of the Reformation. This is a careful examination and interpretation of all relevant primary documents and secondary historical literature in telling the story of the origins and impact of the most famous monstrous portent of the Reformation era.
Bark
Author: Georges Didi-Huberman
Publisher: MIT Press
ISBN: 0262036843
Category : Biography & Autobiography
Languages : en
Pages : 132
Book Description
A noted French thinker's poignant reflections, in words and photographs, on his visit to Auschwitz-Birkenau. On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman's meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a personal account, drawing not on the theoretical apparatus of scholarship but on Didi-Huberman's own history, memory, and knowledge. The text proceeds as a series of reflections, accompanied by Didi-Huberman's photographs of the visit. The photographs are not meant to be art—Didi-Huberman confesses that he “photographed practically everything without looking”—but approach it nevertheless. Didi-Huberman tells us that his grandparents died at Auschwitz, but his account is more universal than biographical. As he walks from place to place, he observes that in German birches are birken; Birkenau designates the meadow where the birches grow. Didi-Huberman sees and photographs the “reconstructed” execution wall; the floors of the crematorium, forgotten witnesses to killing; and the birch trees, lovely but also resembling prison bars. Taking his own photographs, he thinks of the famous photographs taken in 1944 by a member of the Sonderkommando, the only photographic documentation of the camp before the Germans destroyed it, hoping to hide the evidence of their crimes. Didi-Huberman notices a “bizarre proliferation of white flowers on the exact spot of the cremation pits.” The dead are not departed.
Publisher: MIT Press
ISBN: 0262036843
Category : Biography & Autobiography
Languages : en
Pages : 132
Book Description
A noted French thinker's poignant reflections, in words and photographs, on his visit to Auschwitz-Birkenau. On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman's meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a personal account, drawing not on the theoretical apparatus of scholarship but on Didi-Huberman's own history, memory, and knowledge. The text proceeds as a series of reflections, accompanied by Didi-Huberman's photographs of the visit. The photographs are not meant to be art—Didi-Huberman confesses that he “photographed practically everything without looking”—but approach it nevertheless. Didi-Huberman tells us that his grandparents died at Auschwitz, but his account is more universal than biographical. As he walks from place to place, he observes that in German birches are birken; Birkenau designates the meadow where the birches grow. Didi-Huberman sees and photographs the “reconstructed” execution wall; the floors of the crematorium, forgotten witnesses to killing; and the birch trees, lovely but also resembling prison bars. Taking his own photographs, he thinks of the famous photographs taken in 1944 by a member of the Sonderkommando, the only photographic documentation of the camp before the Germans destroyed it, hoping to hide the evidence of their crimes. Didi-Huberman notices a “bizarre proliferation of white flowers on the exact spot of the cremation pits.” The dead are not departed.
Ordinary People and Extraordinary Evil
Author: Fred Emil Katz
Publisher: State University of New York Press
ISBN: 1438408498
Category : Social Science
Languages : en
Pages : 174
Book Description
What is it in the behavioral makeup of ordinary people, operating in the course of ordinary daily living, that lends itself to participating in horrendous activities — and doing so at times with zeal, at times with joy, at times without duress? Katz demonstrates that we do not need any special behavioral equipment for doing evil. The very same behaviors can take us in both directions for either living humanely and decently or for doing evil. This book demonstrates how some of these processes work, and sensitizes us to the potential for evil in our ongoing daily activities. This knowledge about ordinary behavior can empower us to take charge of our own direction, and help us turn away from beguilings of evil when they come our way.
Publisher: State University of New York Press
ISBN: 1438408498
Category : Social Science
Languages : en
Pages : 174
Book Description
What is it in the behavioral makeup of ordinary people, operating in the course of ordinary daily living, that lends itself to participating in horrendous activities — and doing so at times with zeal, at times with joy, at times without duress? Katz demonstrates that we do not need any special behavioral equipment for doing evil. The very same behaviors can take us in both directions for either living humanely and decently or for doing evil. This book demonstrates how some of these processes work, and sensitizes us to the potential for evil in our ongoing daily activities. This knowledge about ordinary behavior can empower us to take charge of our own direction, and help us turn away from beguilings of evil when they come our way.
Voicing the Void
Author: Sara R. Horowitz
Publisher: State University of New York Press
ISBN: 1438407076
Category : History
Languages : en
Pages : 287
Book Description
CHOICE 1997 Outstanding Academic Books Through new close readings of Holocaust fiction, this book takes the field of Holocaust Studies in an important new direction. Reading a wide range of narratives representing different nationalities, styles, genders, and approaches, Horowitz demonstrates that muteness not only expresses the difficulty in saying anything meaningful about the Holocaust—it also represents something essential about the nature of the event itself. The radical negativity of the Holocaust ruptures the fabric of history and memory, emptying both narrative and life of meaning. At the heart of Holocaust fiction lies a tension between the silence that speaks the rupture, and the narrative forms that attempt to represent, to bridge it. This book argues that the central issues in Holocaust historiography and literary criticism are not simply prompted by the fictionality of imaginative literature—they are already embedded as self-critique in the fictional narratives. While the current critical discourse argues either for or against the unrepresentability of these events (and thus the appropriateness of imaginative literature), this book develops the theme of muteness as the central way in which literary texts explore and provisionally resolve these central issues. Focusing on the problem of muteness helps unfold the ambivalences and ambiguities that shape the way we read Holocaust fiction, and the way we think about the Holocaust itself.
Publisher: State University of New York Press
ISBN: 1438407076
Category : History
Languages : en
Pages : 287
Book Description
CHOICE 1997 Outstanding Academic Books Through new close readings of Holocaust fiction, this book takes the field of Holocaust Studies in an important new direction. Reading a wide range of narratives representing different nationalities, styles, genders, and approaches, Horowitz demonstrates that muteness not only expresses the difficulty in saying anything meaningful about the Holocaust—it also represents something essential about the nature of the event itself. The radical negativity of the Holocaust ruptures the fabric of history and memory, emptying both narrative and life of meaning. At the heart of Holocaust fiction lies a tension between the silence that speaks the rupture, and the narrative forms that attempt to represent, to bridge it. This book argues that the central issues in Holocaust historiography and literary criticism are not simply prompted by the fictionality of imaginative literature—they are already embedded as self-critique in the fictional narratives. While the current critical discourse argues either for or against the unrepresentability of these events (and thus the appropriateness of imaginative literature), this book develops the theme of muteness as the central way in which literary texts explore and provisionally resolve these central issues. Focusing on the problem of muteness helps unfold the ambivalences and ambiguities that shape the way we read Holocaust fiction, and the way we think about the Holocaust itself.