Antonio Canova and the Politics of Patronage in Revolutionary and Napoleonic Europe PDF Download
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Author: Christopher M. S. Johns
Publisher: Univ of California Press
ISBN: 9780520212015
Category : Art
Languages : en
Pages : 302
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Book Description
The sculptor Antonio Canova was the most celebrated artist of a perilously protean and fractious era. In revolutionary and Napoleonic Europe, while other artists bent to the will of the political powers that commissioned their work, producing art in the service of the state, Canova managed to resist both threats and blandishments. Although he held strong opinions on the issues of his day, he avoided direct political or ideological engagement in his sculpture. Christopher M. S. Johns presents the first sustained study of Canova's career in relation to his patrons and contemporary politics. In it he enlarges our understanding of an artist whose work is crucial to the evaluation of European art and political history.
Author: Christopher M. S. Johns
Publisher: Univ of California Press
ISBN: 9780520212015
Category : Art
Languages : en
Pages : 302
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Book Description
The sculptor Antonio Canova was the most celebrated artist of a perilously protean and fractious era. In revolutionary and Napoleonic Europe, while other artists bent to the will of the political powers that commissioned their work, producing art in the service of the state, Canova managed to resist both threats and blandishments. Although he held strong opinions on the issues of his day, he avoided direct political or ideological engagement in his sculpture. Christopher M. S. Johns presents the first sustained study of Canova's career in relation to his patrons and contemporary politics. In it he enlarges our understanding of an artist whose work is crucial to the evaluation of European art and political history.
Author: David Gilks
Publisher: Oxford University Press
ISBN: 0191062758
Category : History
Languages : en
Pages : 274
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Book Description
Antoine-Chrysosthôme Quatremère de Quincy (1755-1849) was the most distinguished writer on art and architecture at the end of the enlightenment. However, as David Gilks shows in Quatremère de Quincy: Art and Politics during the French Revolution, he was never simply an esoteric antiquarian and theoretician; he was also a zealous functionary and skilled publicist whose writings on the arts often served political purposes. Quatremère de Quincy: Art and Politics during the French Revolution demonstrates how Quatremère's early writings on art and antiquity formed the foundation for a politics grounded in faith, authority, and hierarchy that favoured gradual social and political evolution over destruction and experimentation. Gilks then traces how Quatremère set aside his antiquarian research and became a royalist politician and publicist during the revolutionary decade. Quatremère feared that the Revolution would destroy the cosmopolitan republic of letters that had flourished when states across Europe supported the papacy's rediscovery of the past, restoration of taste and, revival of learning. Yet Gilks reveals that Quatremère was also a resourceful and an opportunistic political actor who deployed his opponents' language for strategic reasons. Gilks therefore reinterprets Quatremère's interventions by situating them in their polemical contexts and treating them as contributions to debates and quarrels, by locating his sources and reconstructing his social and political networks. The resulting study revises our understanding of Quatremère's famous reflections on the Academy of Painting and Sculpture, the Panthéon, art plunder, and museums, but it also discovers and sheds light on previously ignored writings. Although the study focuses on the period 1789-1799, it examines the second half of Quatremère's life to substantiate his commitment to crown and altar and show how he fought against the Revolution's legacy of godless materialism and calculation that was inimical to the arts. This is a thoroughly researched and richly detailed contextual study of the most eventful period in Quatremère's life, but it also offers an original and unfamiliar history of the French Revolution. Gilks integrates the study of political power with the history of ideas and art history, and provides a window into institutional and legal reforms and debates about cultural patronage and education.
Author: M. Broers
Publisher: Springer
ISBN: 0230005748
Category : History
Languages : en
Pages : 382
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Book Description
Broers repositions the context in which the Napoleonic empire can be studied, and reconfigures the political and historical geography of Italy, in the century before its Unification in 1859. The Napoleonic Empire in Italy marks a fresh departure in the study of both modern Italy and Napoleonic Europe, based on primary sources.
Author: Melissa Hyde
Publisher: Routledge
ISBN: 1351871722
Category : Art
Languages : en
Pages : 479
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Book Description
The eighteenth century is recognized as a complex period of dramatic epistemic shifts that would have profound effects on the modern world. Paradoxically, the art of the era continues to be a relatively neglected field within art history. While women's private lives, their involvement with cultural production, the project of Enlightenment, and the public sphere have been the subjects of ground-breaking historical and literary studies in recent decades, women's engagement with the arts remains one of the richest and most under-explored areas for scholarly investigation. This collection of new essays by specialist authors addresses women's activities as patrons and as "patronized" artists over the course of the century. It provides a much needed examination, with admirable breadth and variety, of women's artistic production and patronage during the eighteenth century. By opening up the specific problems and conflicts inherent in women's artistic involvements from the perspective of what was at stake for the eighteenth-century women themselves, it also acts as a corrective to the generalizing and stereotyping about the prominence of those women, which is too often present in current day literature. Some essays are concerned with how women's involvement in the arts allowed them to fashion identities for themselves (whether national, political, religious, intellectual, artistic, or gender-based) and how such self-fashioning in turn enabled them to negotiate or intervene in the public domains of culture and politics where "The Woman Question" was so hotly debated. Other essays examine how men's patronage of women also served as a vehicle for self-fashioning for both artist and sponsor. Artists and patrons discussed include: Carriera; Queen Lovisa Ulrike and Chardin; the Bourbon Princesses Mlle Clermont, Mme Adélaïde and Nattier; the Duchess of Osuna and Goya; Marie-Antoinette and Vigée-Lebrun; Labille-Guiard; Queen Carolina of Naples, Prince Stanislaus Poniatowski of Poland and Kauffman; David and his students, Mesdames Benoist, Lavoisier and Mongez.
Author: Thorsten Fögen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110473038
Category : History
Languages : en
Pages : 279
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Book Description
This interdisciplinary volume explains the phenomenon of nationalism in nineteenth-century Europe through the prism of Graeco-Roman antiquity. Through a series of case studies covering a broad range of source material, it demonstrates the different purposes the heritage of the classical world was put to during a turbulent period in European history. Contributors include classicists, historians, archaeologists, art historians and others.
Author: Diana Rowell
Publisher: Bloomsbury Publishing
ISBN: 1441128832
Category : History
Languages : en
Pages : 339
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Book Description
Napoleon I employed a myriad of media through which to promote his propaganda and his universal hegemony. Classical Rome - home to the great Caesars - was central to his ambitious visions for the transformation of Paris into an imperial metropolis of unprecedented magnitude. Exploring the interrelationship between antiquity, the display of power and the reinvention of Paris, this volume evaluates how the Roman world and post-antique exploitations of Rome influenced Napoleonic Paris, and how Napoleon promoted his authority by appropriating Rome's triumphal architecture and its associated symbolism to relocate 'Rome' in his own times. The volume shows how consideration of Louis XIV's legacy is crucial to understanding the evolution of Napoleon's fascination with imperial Rome. It also charts Napoleon's manipulation of the populist rhetoric of Republican France (and Rome) as he moved from being a general fighting for the Revolutionary cause to become the 'absolute' ruler of a new empire.
Author: Barbara Goff
Publisher: Routledge
ISBN: 1351115480
Category : History
Languages : en
Pages : 284
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Book Description
Geopolitical shifts and economic shocks, from the Early Modern period to the 21st century, are frequently represented in terms of classical antecedents. In this book, an international team of contributors - working across the disciplines of Classics, History, Politics, and English - addresses a range of revolutionary transformations, in England, America, France, Haiti, Greece, Italy, Russia, Germany, and a recently globalised world, all of which were accorded the classical treatment. The chapters investigate discrete cases of classicising crisis, while the Introduction highlights patterns among them. The book asks: are classical equations a prized ideal, when evidence warrants, or linkages forced by an implacable will to power, or good faith attempts to make sense of events otherwise bafflingly unfamiliar and dangerous? Finally, do the events thus classicised retain, even increase, their power to disturb and energise, or are they ultimately contained? Classicising Crisis: The Modern Age of Revolutions and the Greco-Roman Repertoire is essential reading for students and scholars of classics, classical reception, and political thought in Europe and the Americas.
Author: The Open University
Publisher: The Open University
ISBN: 147300554X
Category :
Languages : en
Pages : 113
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Book Description
Using Napoleonic imagery, this 16-hour free course explored analysis and interpretation of works of art and the relationship between art and politics.
Author: Sharon Worley
Publisher: Cambridge Scholars Publishing
ISBN: 1527521613
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
The shadow of Napoleon never left the nineteenth-century and continued to haunt the histories and wars that followed in curious and circuitous ways. The empires of Napoleon I and his nephew, Napoleon III, set the stage for the pendulum swing of time from revolution to its antithesis, empire. The Anglo-Italian style developed as a reaction to these empires, the widespread devastation caused by power, and the monuments it created. Lord Byron, Percy Bysshe Shelley, Margaret Fuller, Elizabeth Barrett Browning, Harriet Hosmer, William Wetmore Story, Nathaniel Hawthorne, Henry James and Vernon Lee responded to recurring themes in Italian Risorgimento politics and culture in the post-Napoleonic era and Second Empire periods. Many of them were ex-patriots, who adopted Italy as their new home. Their unique contribution aligns them with a style that is distinguished by the themes of national independence, feminism, the abolition of slavery and republicanism. They perceived their own time in terms of parallel dimensions in which the past and present converged in national histories at home, in America and England, and in Italy, their new ideal state. The language of their new nationalism evolved from the chronological study of Ancient Rome up to the Renaissance, and the style of both revolution and empire, neoclassicism, while their perspective was largely shaped by a reactionary contrast between the empires of Napoleon I and III, and an ideal state they envisioned for Italy.
Author: Ambrogio A. Caiani
Publisher: Yale University Press
ISBN: 0300251335
Category : History
Languages : en
Pages : 383
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Book Description
A groundbreaking account of Napoleon Bonaparte, Pope Pius VII, and the kidnapping that would forever divide church and state In the wake of the French Revolution, Napoleon Bonaparte, First Consul of France, and Pope Pius VII shared a common goal: to reconcile the church with the state. But while they were able to work together initially, formalizing an agreement in 1801, relations between them rapidly deteriorated. In 1809, Napoleon ordered the Pope's arrest. Ambrogio Caiani provides a pioneering account of the tempestuous relationship between the emperor and his most unyielding opponent. Drawing on original findings in the Vatican and other European archives, Caiani uncovers the nature of Catholic resistance against Napoleon's empire; charts Napoleon's approach to Papal power; and reveals how the Emperor attempted to subjugate the church to his vision of modernity. Gripping and vivid, this book shows the struggle for supremacy between two great individuals--and sheds new light on the conflict that would shape relations between the Catholic church and the modern state for centuries to come.
