The Social and the Real: Political Art of the 1930s in the Western Hemisphere PDF Download
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Author:
Publisher: Penn State Press
ISBN: 9780271047164
Category : Art
Languages : en
Pages : 394
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Book Description
Author:
Publisher: Penn State Press
ISBN: 9780271047164
Category : Art
Languages : en
Pages : 394
Get Book Here
Book Description
Author: Antonio Berni
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Mari Carmen Ramírez
Publisher: Museum of Fine Arts (Houston)
ISBN: 9780300196481
Category : ART
Languages : en
Pages : 0
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Book Description
""Antonio Berni (1905-1981), the painter, writer, printmaker, and master of the innovative medium of assemblage, not only influenced several generations of Argentine artists but was also a paradigm for Latin American art of the twentieth century"--Provided by publisher"--
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Antonio Berni
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Author:
Publisher:
ISBN:
Category : Art, Latin American
Languages : en
Pages :
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Author: New Jersey State Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
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Book Description
Author: Lewis Pyenson
Publisher: BRILL
ISBN: 9004325735
Category : Science
Languages : en
Pages : 666
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Book Description
In The Shock of Recognition, Lewis Pyenson examines art and science together to shed new light on common motifs in Picasso’s and Einstein’s education, in European material culture, and in the intellectual life of one nation-state, Argentina.
Author: Wells Gallery (Ottawa, Ont.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Mara Polgovsky Ezcurra
Publisher: Rutgers University Press
ISBN: 1978802048
Category : Art
Languages : en
Pages : 291
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Book Description
Shortlisted for the 2020 Association for the Study of the Arts of the Present Book Prize Winner of the 2019 Art Journal Prize from the College Art Association What is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.
