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Author: Dominic J. O'Meara
Publisher: Clarendon Press
ISBN: 0191519804
Category : Philosophy
Languages : en
Pages : 264
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Book Description
The Pythagorean idea that number is the key to understanding reality inspired Neoplatonist philosophers in the fourth and fifth centuries to develop theories in physics and metaphysics based on mathematical models. The theories produced by this revived interest in Pythagoreanism were to become influential in medieval and early modern philosophy, and this book makes use of some newly-discovered evidence to examine for the first time the development of those theories.
Author: Dominic J. O'Meara
Publisher: Clarendon Press
ISBN: 0191519804
Category : Philosophy
Languages : en
Pages : 264
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Book Description
The Pythagorean idea that number is the key to understanding reality inspired Neoplatonist philosophers in the fourth and fifth centuries to develop theories in physics and metaphysics based on mathematical models. The theories produced by this revived interest in Pythagoreanism were to become influential in medieval and early modern philosophy, and this book makes use of some newly-discovered evidence to examine for the first time the development of those theories.
Author: Guillaume Faroult
Publisher:
ISBN: 9782350313184
Category : Decoration and ornament
Languages : en
Pages : 197
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Book Description
Author: Benjamin Morgan Cowie
Publisher: BoD – Books on Demand
ISBN: 3385109027
Category : Fiction
Languages : en
Pages : 178
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Book Description
Reprint of the original, first published in 1843.
Author: Derek Allan
Publisher: Cambridge Scholars Publishing
ISBN: 1443867233
Category : Art
Languages : en
Pages : 195
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Book Description
A well-known feature of great works of art is their power to “live on” long after the moment of their creation – to remain vital and alive long after the culture in which they were born has passed into history. This power to transcend time is common to works as various as the plays of Shakespeare, the Victory of Samothrace, and many works from early cultures such as Egypt and Buddhist India which we often encounter today in major art museums. What is the nature of this power and how does it operate? The Renaissance decided that works of art are timeless, “immortal” – immune from historical change – and this idea has exerted a profound influence on Western thought. But do we still believe it? Does it match our experience of art today which includes so many works from the past that spent long periods in oblivion and have clearly not been immune from historical change? This book examines the seemingly miraculous power of art to transcend time – an issue widely neglected in contemporary aesthetics. Tracing the history of the question from the Renaissance onwards, and discussing thinkers as various as David Hume, Hegel, Marx, Walter Benjamin, Sartre, and Theodor Adorno, the book argues that art transcends time through a process of metamorphosis – a thesis first developed by the French art theorist, André Malraux. The implications of this idea pose major challenges for traditional thinking about the nature of art.
Author: i.e. Benjamin Morgan Cowie
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 182
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Book Description
Author: Michael Alexander
Publisher: Yale University Press
ISBN: 0300229550
Category : History
Languages : en
Pages : 327
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Book Description
Now reissued in an updated paperback edition, this groundbreaking account of the Medieval Revival movement examines the ways in which the style of the medieval period was re-established in post-Enlightenment England—from Walpole and Scott, Pugin, Ruskin, and Tennyson to Pound, Tolkien, and Rowling. “Medievalism . . . takes a panoramic view of the ‘recovery’ of the Medieval in English literature, visual arts and culture. . . . Ambitious, sweeping, sometimes idiosyncratic, but always interesting.”—Rosemary Ashton, Times Literary Supplement “Deeply researched and stylishly written, Medievalism is an unalloyed delight that will instruct and amuse a wide readership.”—Edward Short, Books & Culture
Author: Richard Gough
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1034
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Book Description
Author: David Staars
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 358
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Book Description
Author: Thomas Moule
Publisher: Dalcassian Publishing Company
ISBN:
Category :
Languages : en
Pages : 698
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Book Description
Author: Joseph Manca
Publisher: Parkstone International
ISBN: 1783107545
Category : Art
Languages : en
Pages : 348
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Book Description
Mantegna; humanist, geometrist, archaeologist, of great scholastic and imaginative intelligence, dominated the whole of northern Italy by virtue of his imperious personality. Aiming at optical illusion, he mastered perspective. He trained in painting at the Padua School where Donatello and Paolo Uccello had previously attended. Even at a young age commissions for Andrea’s work flooded in, for example the frescos of the Ovetari Chapel of Padua. In a short space of time Mantegna found his niche as a modernist due to his highly original ideas and the use of perspective in his works. His marriage with Nicolosia Bellini, the sister of Giovanni, paved the way for his entree into Venice. Mantegna reached an artistic maturity with his Pala San Zeno. He remained in Mantova and became the artist for one of the most prestigious courts in Italy – the Court of Gonzaga. Classical art was born. Despite his links with Bellini and Leonardo da Vinci, Mantegna refused to adopt their innovative use of colour or leave behind his own technique of engraving.
