The Antitheatrical Prejudice PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Antitheatrical Prejudice PDF full book. Access full book title The Antitheatrical Prejudice by Jonas A. Barish. Download full books in PDF and EPUB format.
Author: Jonas A. Barish
Publisher: Univ of California Press
ISBN: 9780520052161
Category : Literary Criticism
Languages : en
Pages : 522
Get Book
Book Description
Six young people discuss their feelings about their own ethnic backgrounds and about their experiences with people of different races.
Author: Jonas A. Barish
Publisher: Univ of California Press
ISBN: 9780520052161
Category : Literary Criticism
Languages : en
Pages : 522
Get Book
Book Description
Six young people discuss their feelings about their own ethnic backgrounds and about their experiences with people of different races.
Author: Jonas A. Barish
Publisher: Univ of California Press
ISBN: 9780520037359
Category : Literary Criticism
Languages : en
Pages : 526
Get Book
Book Description
Six young people discuss their feelings about their own ethnic backgrounds and about their experiences with people of different races.
Author: JONAS. BARISH
Publisher:
ISBN: 9781555541682
Category :
Languages : en
Pages : 0
Get Book
Book Description
Author: Martin Puchner
Publisher: JHU Press
ISBN: 0801877768
Category : Performing Arts
Languages : en
Pages : 247
Get Book
Book Description
Grounded equally in discussions of theater history, literary genre, and theory, Martin Puchner's Stage Fright: Modernism, Anti-Theatricality, and Drama explores the conflict between avant-garde theater and modernism. While the avant-garde celebrated all things theatrical, a dominant strain of modernism tended to define itself against the theater, valuing lyric poetry and the novel instead. Defenders of the theater dismiss modernism's aversion to the stage and its mimicking actors as one more form of the old "anti-theatrical" prejudice. But Puchner shows that modernism's ambivalence about the theater was shared even by playwrights and directors and thus was a productive force responsible for some of the greatest achievements in dramatic literature and theater. A reaction to the aggressive theatricality of Wagner and his followers, the modernist backlash against the theater led to the peculiar genre of the closet drama—a theatrical piece intended to be read rather than staged—whose long-overlooked significance Puchner traces from the theatrical texts of Mallarmé and Stein to the dramatic "Circe" chapter of Joyce's Ulysses. At times, then, the anti-theatrical impulse leads to a withdrawal from the theater. At other times, however, it returns to the stage, when Yeats blends lyric poetry with Japanese Nôh dancers, when Brecht controls the stage with novelistic techniques, and when Beckett buries his actors in barrels and behind obsessive stage directions. The modernist theater thus owes much to the closet drama whose literary strategies it blends with a new mise en scène. While offering an alternative history of modernist theater and literature, Puchner also provides a new account of the contradictory forces within modernism.
Author: Lisa A. Freeman
Publisher: University of Pennsylvania Press
ISBN: 0812248732
Category : Literary Criticism
Languages : en
Pages : 376
Get Book
Book Description
In an exploration of antitheatrical incidents from the seventeenth to the twentieth century, Lisa A. Freeman demonstrates that at the heart of antitheatrical disputes lies a struggle over the character of the body politic that governs a nation and the bodies public that could be said to represent that nation.
Author: Arthur F. Kinney
Publisher: Wiley-Blackwell
ISBN: 9780631219507
Category : Literary Criticism
Languages : en
Pages : 644
Get Book
Book Description
This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.
Author: Penny Gay
Publisher: Cambridge University Press
ISBN: 9780521024846
Category : Literary Criticism
Languages : en
Pages : 220
Get Book
Book Description
Jane Austen was fascinated by theatre from her childhood. As an adult she went to the theatre whenever opportunity arose. Scenes in her novels often resemble plays, and recent film and television versions have shown how naturally dramatic her stories are. Yet the myth remains that she was 'anti-theatrical', and readers continue to puzzle about the real significance of the theatricals in Mansfield Park. Penny Gay's book describes for the first time the rich theatrical context of Austen's writing, and the intersections between her novels and contemporary drama. Gay proposes a 'dialogue' in Austen's mature novels with the various genres of eighteenth-century drama - laughing comedy, sentimental comedy and tragedy, Gothic theatre, early melodrama. She re reads the novels in the light of this dialogue to demonstrate Austen's analysis of the pervasive theatricality of the society in which her heroines must perform.
Author: David Krasner
Publisher: University of Michigan Press
ISBN: 0472025147
Category : Drama
Languages : en
Pages : 343
Get Book
Book Description
The fifteen original essays in Staging Philosophy make useful connections between the discipline of philosophy and the fields of theater and performance and use these insights to develop new theories about theater. Each of the contributors—leading scholars in the fields of performance and philosophy—breaks new ground, presents new arguments, and offers new theories that will pave the way for future scholarship. Staging Philosophy raises issues of critical importance by providing case studies of various philosophical movements and schools of thought, including aesthetics, analytic philosophy, phenomenology, deconstruction, critical realism, and cognitive science. The essays, which are organized into three sections—history and method, presence, and reception—take up fundamental issues such as spectatorship, empathy, ethics, theater as literature, and the essence of live performance. While some essays challenge assertions made by critics and historians of theater and performance, others analyze the assumptions of manifestos that prescribe how practitioners should go about creating texts and performances. The first book to bridge the disciplines of theater and philosophy, Staging Philosophy will provoke, stimulate, engage, and ultimately bring theater to the foreground of intellectual inquiry while it inspires further philosophical investigation into theater and performance. David Krasner is Associate Professor of Theater Studies, African American Studies, and English at Yale University. His books include A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1920 and Renaissance, Parody, and Double Consciousness in African American Theatre, 1895-1910. He is co-editor of the series Theater: Theory/Text/Performance. David Z. Saltz is Professor of Theatre Studies and Head of the Department of Theatre and Film Studies at the University of Georgia. He is coeditor of Theater Journal and is the principal investigator of the innovative Virtual Vaudeville project at the University of Georgia.
Author: Brendan Prawdzik
Publisher: Edinburgh University Press
ISBN: 1474421024
Category : Literary Criticism
Languages : en
Pages : 264
Get Book
Book Description
Theatrical Milton brings coherence to the presence of theatre in John Milton through the concept of theatricality. In this book, 'theatricality' identifies a discursive field entailing the rhetorical strategies and effects of framing a given human action, including speech and writing, as an act of theatre. Political and theological cultures in seventeenth-century England developed a treasury of representational resources in order to stage-to satirize and, above all, to de-legitimate-rhetors of politics, religion, and print. At the core of Milton's works is a contradictory relation to theatre that has neither been explained nor properly explored. This book changes the terms of scholarly discussion and discovers how the social structures of theatre afforded Milton resources for poetic and polemical representation and uncovers the precise contours of Milton's interest in theatre and drama.
Author: C. Balme
Publisher: Springer
ISBN: 0230599532
Category : Performing Arts
Languages : en
Pages : 256
Get Book
Book Description
This new study explores the history of cross-cultural performative encounters in the Pacific from the Eighteenth century to the present. It examines Western theatrical representations of Pacific cultures and investigates how Pacific Islanders used their own cultural performances to negotiate the colonial situation.
