Author: Elisabeth von Samsonow
Publisher: U of Minnesota Press
ISBN: 1452960763
Category : Philosophy
Languages : en
Pages : 233
Book Description
A close examination of the relationship between media, art, and the “Electra complex” The feminist counterpart to Deleuze and Guattari’s Anti-Oedipus, Anti-Electra is a philosophy of “the girl” as a model of contemporary transgressive subjectivity. Elisabeth von Samsonow asserts that focusing on the girl’s escape from the Oedipus complex leads to a fundamental shift in our most common views on media and art. Presenting an interpretation of contemporary technics, Anti-Electra argues that technology today encompasses Electra’s gadgets and toys. According to von Samsonow, satellite drive technologies such as wireless telephones, WLAN, and GPS echo the “preoedipal constellation” that the girl specializes in. And with the help of the girl, the cartography of overlapping zones between humankind and animals, as well as between humankind and apparatuses, is redesigned through what the book holds as a “radical totemism.” Anti-Electra ultimately offers a new view on gender, the contemporary world dyed by symbolic girlism, and the (universal) girl in critical dialogue with media, ecology, and society.
Anti-Electra
Author: Elisabeth von Samsonow
Publisher: U of Minnesota Press
ISBN: 1452960763
Category : Philosophy
Languages : en
Pages : 233
Book Description
A close examination of the relationship between media, art, and the “Electra complex” The feminist counterpart to Deleuze and Guattari’s Anti-Oedipus, Anti-Electra is a philosophy of “the girl” as a model of contemporary transgressive subjectivity. Elisabeth von Samsonow asserts that focusing on the girl’s escape from the Oedipus complex leads to a fundamental shift in our most common views on media and art. Presenting an interpretation of contemporary technics, Anti-Electra argues that technology today encompasses Electra’s gadgets and toys. According to von Samsonow, satellite drive technologies such as wireless telephones, WLAN, and GPS echo the “preoedipal constellation” that the girl specializes in. And with the help of the girl, the cartography of overlapping zones between humankind and animals, as well as between humankind and apparatuses, is redesigned through what the book holds as a “radical totemism.” Anti-Electra ultimately offers a new view on gender, the contemporary world dyed by symbolic girlism, and the (universal) girl in critical dialogue with media, ecology, and society.
Publisher: U of Minnesota Press
ISBN: 1452960763
Category : Philosophy
Languages : en
Pages : 233
Book Description
A close examination of the relationship between media, art, and the “Electra complex” The feminist counterpart to Deleuze and Guattari’s Anti-Oedipus, Anti-Electra is a philosophy of “the girl” as a model of contemporary transgressive subjectivity. Elisabeth von Samsonow asserts that focusing on the girl’s escape from the Oedipus complex leads to a fundamental shift in our most common views on media and art. Presenting an interpretation of contemporary technics, Anti-Electra argues that technology today encompasses Electra’s gadgets and toys. According to von Samsonow, satellite drive technologies such as wireless telephones, WLAN, and GPS echo the “preoedipal constellation” that the girl specializes in. And with the help of the girl, the cartography of overlapping zones between humankind and animals, as well as between humankind and apparatuses, is redesigned through what the book holds as a “radical totemism.” Anti-Electra ultimately offers a new view on gender, the contemporary world dyed by symbolic girlism, and the (universal) girl in critical dialogue with media, ecology, and society.
History and Anti-History in Philosophy
Author: Victorino Tejera
Publisher: Routledge
ISBN: 1351515624
Category : Philosophy
Languages : en
Pages : 299
Book Description
History and Anti-History in Philosophy demonstrates the viability of the idea of the unity of philosophic thinking and the reflective practice of the history of philosophy. It is a concise in-depth history of the deconstructive turn in philosophy, and of the styles of historical and interpretive contextualization afforded by diverse schools of thought. Thematic unity arises from the focus of contributors on the historical dimension of reflection in philosophy.History of philosophy and intellectual history come together when they are forced to practice foundational analysis, namely, when they feel the need to uncover "indubitables" of society. Indubitables are deeply held, usually unnoticed premises upon which a society or group acts, builds, and speaks. By foundational analysis, the editors do not mean the search for acceptable starting points of intellectual exploration, but the ongoing criticism of all such postulates of faith.For those interested in contextual analysis of Kant, Hegel, Marx, Dewey, Mannheim, Husserl, Dilthey, Heidegger, and Gadamer, this is an invaluable guide. The editors make plain their belief that not using history, as have past philosophies, is unphilosophic ideas in personal construction to a text that cannot supply reasons for being taken seriously in history. This volume illuminates the achievements of present-day social science insights. It merits a close reading by those for whom the history of ideas is a living entity.
Publisher: Routledge
ISBN: 1351515624
Category : Philosophy
Languages : en
Pages : 299
Book Description
History and Anti-History in Philosophy demonstrates the viability of the idea of the unity of philosophic thinking and the reflective practice of the history of philosophy. It is a concise in-depth history of the deconstructive turn in philosophy, and of the styles of historical and interpretive contextualization afforded by diverse schools of thought. Thematic unity arises from the focus of contributors on the historical dimension of reflection in philosophy.History of philosophy and intellectual history come together when they are forced to practice foundational analysis, namely, when they feel the need to uncover "indubitables" of society. Indubitables are deeply held, usually unnoticed premises upon which a society or group acts, builds, and speaks. By foundational analysis, the editors do not mean the search for acceptable starting points of intellectual exploration, but the ongoing criticism of all such postulates of faith.For those interested in contextual analysis of Kant, Hegel, Marx, Dewey, Mannheim, Husserl, Dilthey, Heidegger, and Gadamer, this is an invaluable guide. The editors make plain their belief that not using history, as have past philosophies, is unphilosophic ideas in personal construction to a text that cannot supply reasons for being taken seriously in history. This volume illuminates the achievements of present-day social science insights. It merits a close reading by those for whom the history of ideas is a living entity.
Anti Mias
Author: R. J. Walker
Publisher:
ISBN:
Category : Greek language
Languages : en
Pages : 510
Book Description
Publisher:
ISBN:
Category : Greek language
Languages : en
Pages : 510
Book Description
Deleuze and Contemporary Art
Author: Stephen Zepke
Publisher: Edinburgh University Press
ISBN: 0748642404
Category : Art
Languages : en
Pages : 336
Book Description
What is the importance of deconstruction, and the writing of Jacques Derrida in particular, for literary criticism today? Derek Attridge argues that the challenge of Derrida's work for our understanding of literature and its value has still not been fully met, and in this book, which traces a close engagement with Derrida's writing over two decades and reflects an interest in that work going back a further two decades, shows how that work can illuminate a variety of topics. Chapters include an overview of deconstruction as a critical practice today, discussions of the secret, postcolonialism, ethics, literary criticism, jargon, fiction, and photography, and responses to the theoretical writing of Emmanuel Levinas, Roland Barthes, and J. Hillis Miller. Also included is a discussion of the recent reading of Derrida's philosophy as 'radical atheism', and the book ends with a conversation on deconstruction and place with the theorist and critic Jean-Michel Rabate. Running throughout is a concern with the question of responsibility, as exemplified in Derrida's own readings of literary and philosophical texts: responsibility to the work being read, responsibility to the protocols of rational argument, and responsibility to the reader.
Publisher: Edinburgh University Press
ISBN: 0748642404
Category : Art
Languages : en
Pages : 336
Book Description
What is the importance of deconstruction, and the writing of Jacques Derrida in particular, for literary criticism today? Derek Attridge argues that the challenge of Derrida's work for our understanding of literature and its value has still not been fully met, and in this book, which traces a close engagement with Derrida's writing over two decades and reflects an interest in that work going back a further two decades, shows how that work can illuminate a variety of topics. Chapters include an overview of deconstruction as a critical practice today, discussions of the secret, postcolonialism, ethics, literary criticism, jargon, fiction, and photography, and responses to the theoretical writing of Emmanuel Levinas, Roland Barthes, and J. Hillis Miller. Also included is a discussion of the recent reading of Derrida's philosophy as 'radical atheism', and the book ends with a conversation on deconstruction and place with the theorist and critic Jean-Michel Rabate. Running throughout is a concern with the question of responsibility, as exemplified in Derrida's own readings of literary and philosophical texts: responsibility to the work being read, responsibility to the protocols of rational argument, and responsibility to the reader.
Daring Adaptations, Creative Failures and Experimental Performances in Iberian Theatre
Author: María Chouza-Calo
Publisher: Liverpool University Press
ISBN: 1802076387
Category : Performing Arts
Languages : en
Pages : 296
Book Description
In this volume, we are particularly interested in approaching theatre and performance as a dynamic and evolving practice of continuous change, regeneration and cultural mobility. Neither the dramatic texts nor their stage versions should be viewed as finished products but as creative processes in the making. Their richness lies in their unfinished and never-ending potential energy and their openness to constant revision, rehearsal, revival, and collective enterprise. This edited collection aims to create a dialogue on the artistic processes implicated in the various ways of working with the play text, the staging practices, the way audiences and critical reception can impact a production, and the many lives of Iberian theatre beyond the page or the stage. That is, its cultural and social legacies.
Publisher: Liverpool University Press
ISBN: 1802076387
Category : Performing Arts
Languages : en
Pages : 296
Book Description
In this volume, we are particularly interested in approaching theatre and performance as a dynamic and evolving practice of continuous change, regeneration and cultural mobility. Neither the dramatic texts nor their stage versions should be viewed as finished products but as creative processes in the making. Their richness lies in their unfinished and never-ending potential energy and their openness to constant revision, rehearsal, revival, and collective enterprise. This edited collection aims to create a dialogue on the artistic processes implicated in the various ways of working with the play text, the staging practices, the way audiences and critical reception can impact a production, and the many lives of Iberian theatre beyond the page or the stage. That is, its cultural and social legacies.
Tragedy and After
Author: Ekbert Faas
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773506053
Category : Art
Languages : en
Pages : 244
Book Description
"Faas has written a provocative book, challenging the familiar literary and philosophical theories of tragedy from Aristotle onwards. His judicious use of nietzschean insights both stimulates and compels assent. Exuberant scholarship from first page to last." Irving Layton.
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773506053
Category : Art
Languages : en
Pages : 244
Book Description
"Faas has written a provocative book, challenging the familiar literary and philosophical theories of tragedy from Aristotle onwards. His judicious use of nietzschean insights both stimulates and compels assent. Exuberant scholarship from first page to last." Irving Layton.
Fictioning
Author: Burrows David Burrows
Publisher: Edinburgh University Press
ISBN: 1474432425
Category : Art
Languages : en
Pages : 623
Book Description
Fictioning in art is an open-ended, experimental practice that involves performing, diagramming or assembling to create or anticipate that which does not exist. In this extensively illustrated book containing over 80 diagrams and images of artworks, David Burrows and Simon O'Sullivan explore the technics of fictioning through three focal points: mythopoesis, myth-science and mythotechnesis. These relate to three specific modes of fictioning: performance fictioning, science fictioning and machine fictioning. In this way, Burrows and O'Sullivan explore how fictioning can offer us alternatives to the dominant fictions that construct our reality in an age of 'post-truth' and 'perception management'. Through fictioning, they look forward to the new kinds of human, part-human and non-human bodies and societies to come.
Publisher: Edinburgh University Press
ISBN: 1474432425
Category : Art
Languages : en
Pages : 623
Book Description
Fictioning in art is an open-ended, experimental practice that involves performing, diagramming or assembling to create or anticipate that which does not exist. In this extensively illustrated book containing over 80 diagrams and images of artworks, David Burrows and Simon O'Sullivan explore the technics of fictioning through three focal points: mythopoesis, myth-science and mythotechnesis. These relate to three specific modes of fictioning: performance fictioning, science fictioning and machine fictioning. In this way, Burrows and O'Sullivan explore how fictioning can offer us alternatives to the dominant fictions that construct our reality in an age of 'post-truth' and 'perception management'. Through fictioning, they look forward to the new kinds of human, part-human and non-human bodies and societies to come.
University of Toronto Quarterly
Author: University of Toronto
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 704
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 704
Book Description
Crosswinds
Author: Najeeb E. Halaby
Publisher: Doubleday Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
Publisher: Doubleday Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
Gender and Communication in Euripides’ Plays
Author: J.H. Kim On Chong-Gossard
Publisher: BRILL
ISBN: 9047442768
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
The prominent role of women in Greek drama has always fascinated readers. This book proposes that women in Euripides’ plays communicate in ways constructed by the tragic genre itself as ‘female.’ Yet these women’s words are surprisingly not uniformly dangerous or excessively emotional, as has traditionally been thought. Rather, Euripides’ women resort to ‘female’ ways of talking in order to enable others to understand them and their unique point-of-view. Aspects of women’s speech—song, silence and secret-keeping as female verbal genres, and the challenges of speaking out of place—contribute to Euripides’ portrayal of women as different from men. Originating in a culture where putting women under scrutiny was part of daily life, Euripides’ tragedies dramatise women’s constant struggle to control language.
Publisher: BRILL
ISBN: 9047442768
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
The prominent role of women in Greek drama has always fascinated readers. This book proposes that women in Euripides’ plays communicate in ways constructed by the tragic genre itself as ‘female.’ Yet these women’s words are surprisingly not uniformly dangerous or excessively emotional, as has traditionally been thought. Rather, Euripides’ women resort to ‘female’ ways of talking in order to enable others to understand them and their unique point-of-view. Aspects of women’s speech—song, silence and secret-keeping as female verbal genres, and the challenges of speaking out of place—contribute to Euripides’ portrayal of women as different from men. Originating in a culture where putting women under scrutiny was part of daily life, Euripides’ tragedies dramatise women’s constant struggle to control language.