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Author: Wissia Fiorucci
Publisher: Cambridge Scholars Publishing
ISBN: 1443823600
Category : Social Science
Languages : en
Pages : 110
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Book Description
This book looks into Banti’s stance on Italian feminism, with a specific focus on her interpretation of the concept of “equality” as well as of “sexual difference”. An analysis of a novel, A Piercing Cry (1981), and two short stories, The Women Are Dying (1951) and Je vous écris d’un pays lointain (1971), explores the aforementioned issues. The book also deals to some extent with the most famous of Banti’s works, the magnum opus Artemisia (1947). Because A Piercing Cry is a source of autobiographical elements, which therefore are particularly significant, the conclusions drawn from this novel are later applied to The Women Are Dying and Je vous écris d’un pays lointain. Certainly, A Piercing Cry expresses Banti’s faith in difference as being that which can preserve woman’s identity. By declaring “I am a woman writer”, she distances herself from a feminism of equality that, not without oscillations, she had supported throughout Artemisia. In so doing, she embraces a feminism of difference by adopting this concept herself. Drawing on these considerations, the book argues that in both The Women Are Dying, and in Je vous écris d’un pays lointain, Banti intended to support a personally elaborated and ante-litteram “feminism of difference”.
Author: Wissia Fiorucci
Publisher: Cambridge Scholars Publishing
ISBN: 1443823600
Category : Social Science
Languages : en
Pages : 110
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Book Description
This book looks into Banti’s stance on Italian feminism, with a specific focus on her interpretation of the concept of “equality” as well as of “sexual difference”. An analysis of a novel, A Piercing Cry (1981), and two short stories, The Women Are Dying (1951) and Je vous écris d’un pays lointain (1971), explores the aforementioned issues. The book also deals to some extent with the most famous of Banti’s works, the magnum opus Artemisia (1947). Because A Piercing Cry is a source of autobiographical elements, which therefore are particularly significant, the conclusions drawn from this novel are later applied to The Women Are Dying and Je vous écris d’un pays lointain. Certainly, A Piercing Cry expresses Banti’s faith in difference as being that which can preserve woman’s identity. By declaring “I am a woman writer”, she distances herself from a feminism of equality that, not without oscillations, she had supported throughout Artemisia. In so doing, she embraces a feminism of difference by adopting this concept herself. Drawing on these considerations, the book argues that in both The Women Are Dying, and in Je vous écris d’un pays lointain, Banti intended to support a personally elaborated and ante-litteram “feminism of difference”.
Author: Lucy Delogu
Publisher: Cambridge Scholars Publishing
ISBN: 1443845191
Category : Juvenile Nonfiction
Languages : en
Pages : 180
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Book Description
This book investigates Anna Banti’s contribution to the creation of a female literary canon, as well as the renewal of Italian literature, from stylistic and thematic points of view. The book examines Banti’s contribution from a two-pronged perspective: as a promoter of female individuality and independence, in contrast to the existent paternal order; and as an innovator of the Italian novel, in particular, the Italian historical novel. This study mainly concentrates on the historical novel, La camicia bruciata, published in 1973. The analysis of the Camicia bruciata examines the structure of the historical novel – Anna Banti’s representations of her male and female characters and their capacity for relationships – and the difference between the fictional story created by Anna Banti, and the historical facts narrated in The House of Medici by Sir Christopher Hibbert and The Last Medici by Harold Acton. The purpose of this analysis is to show how Banti’s personal experience, mainly her idea of married life and motherhood, influenced her narrative and her characters.
Author: Ursula Fanning
Publisher: Rowman & Littlefield
ISBN: 1683930320
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
This book highlights the centrality of the autobiographical enterprise to Italian women’s writing through the twentieth century—a century that has frequently been referred to as the century of the self. Ursula Fanning addresses the thorny issue of essentialism potentially involved in underlining links between women’s writing and autobiographical modes, and ultimately rejects it in favor of an argument based on the cultural, linguistic, and literary marginalization of women writers within the Italian context. It is concerned with Italian women writers’ various ways of grappling with constructions of subjectivity throughout the century and sets out to explore them. Fanning reads autobiographical writing as subject to many of the same constraints as fiction and, in doing so, draws attention to the significance of the recurring use of the terms “pure” and “impure” in many critical and theoretical discussions of the autobiographical (where “pure” is used to suggest a truthful representation of a life, while “impure” suggests the messy undertaking of mixing lived experience with fiction). Recurring patterns and paradigms are found in the works of the various writers considered (eighteen in all), and these paradigms are analyzed through close readings of their works. These close readings offer insights into approaches to the constructions of subjectivity in the narratives and are informed by feminist theories. The chapters focus on selves in relationship, taking their lead from the patterns unfolding in the writers’ work, hence the subjects are constructed as daughters (with different views of the self in relation to fathers and mothers), within the confines of the romantic relationship (which involves reconsiderations and rewritings of the romance plot), as maternal subjects, and as writers (with an eye on their relationship to the literary canon, as well as to the relationship with readers). This book argues that there is such a thing as gendered subjectivity and that its constructions may be traced through the texts analyzed.
Author: Anna Banti
Publisher: U of Nebraska Press
ISBN: 9780803262133
Category : Fiction
Languages : en
Pages : 252
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Book Description
Artemisia Gentileschi, born in 1598, the daughter of an esteemed painter, taught art in Naples and painted the great women of Roman and biblical history. She could neither read nor write, and she was the reviled victim in a public rape trial, rejected by her father, and later abandoned by her husband. Nevertheless, she was one of the first women in modern times to uphold through her work and deeds the right of women to pursue careers compatible with their talents and on an equal footing with men. This edition features a new introduction by the celebrated critic and writer Susan Sontag. ø Anna Banti, the pen name of Lucia Lopresti, was born in Florence in 1895. Trained as an art historian, she turned to novels, stories, and autobiographical prose in the 1930s. Artemisia, her second novel, published in 1947, is the most acclaimed of the sixteen works of fiction she published during her long life, and is considered a classic of twentieth century Italian literature. Her last, harrowingly confessional novel, A Piercing Cry (Un grido lacerante), appeared in 1981. Banti also wrote art criticism and monographs on painters (Lorenzo Lotto, Fra Angelico, Vel¾zquez, Monet), literary criticism and film reviews, and translated novels by Thackery, Colette, Alain Fournier, and Virginia Woolf. She died in Ronchi di Massa (Tuscanny) in 1985.
Author: AJ Pearce
Publisher: Scribner
ISBN: 1501170074
Category : Fiction
Languages : en
Pages : 304
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Book Description
This charming, irresistible debut novel set in London during World War II about a young woman who longs to be a war correspondent and inadvertently becomes a secret advice columnist is “a jaunty, heartbreaking winner” (People)—for fans of The Guernsey Literary and Potato Peel Pie Society and Lilac Girls. Emmeline Lake and her best friend Bunty are doing their bit for the war effort and trying to stay cheerful, despite the German planes making their nightly raids. Emmy dreams of becoming a Lady War Correspondent, and when she spots a job advertisement in the newspaper she seizes her chance; but after a rather unfortunate misunderstanding, she finds herself typing letters for the formidable Henrietta Bird, renowned advice columnist of Woman’s Friend magazine. Mrs. Bird is very clear: letters containing any Unpleasantness must go straight into the bin. But as Emmy reads the desperate pleas from women who many have Gone Too Far with the wrong man, or can’t bear to let their children be evacuated, she begins to secretly write back to the readers who have poured out their troubles. “Fans of Jojo Moyes will enjoy AJ Pearce’s debut, with its plucky female characters and fresh portrait of women’s lives in wartime Britain” (Library Journal)—a love letter to the enduring power of friendship, the kindness of strangers, and the courage of ordinary people in extraordinary times. “Headlined by its winning lead character, who always keeps carrying on, Pearce's novel is a delight” (Publishers Weekly). Irrepressibly funny and enormously moving, Dear Mrs. Bird is “funny and poignant…about the strength of women and the importance of friendship” (Star Tribune, Minneapolis).
Author: Susanna Scarparo
Publisher: Troubador Publishing Ltd
ISBN: 1904744192
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
This book uses a cross-cultural and interdisciplinary approach to examine the role of biographies and autobiographies in the construction of historical narratives.
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 516
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Book Description
Author: Anna Banti
Publisher: U of Nebraska Press
ISBN: 9780803261198
Category : Fiction
Languages : en
Pages : 234
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Book Description
Artemisia Gentileschi, born in 1598, the daughter of an esteemed painter, taught art in Naples and painted the great women of Roman and biblical history: Esther, Judith, Cleopatra, Bathsheba. She also painted the rich and royal, but her wealthy male patrons wanted admiration while her women models wanted disguise. This woman, who had been violated in her youth and reviled as a rap victim in a public trial before going off to heretical England, who was rejected by her father and later abandoned by her husband and misunderstood by her daughter, who could not read or write but who could only paint—this woman was one of the first modern times to uphold through her work and deeds the right of women to pursue careers compatible with their talents and on an equal footing with men. Artemisia lives again in Anna Banti's novel, which was first published to critical acclaim in Italy in 1947 (Banti was the pseudonym of Lucia Lopresti, 1895-1978). Recognized as a consummate stylist, she was one of the most successful women writers in Italy before the resurgence of the feminist movement. Although Artemisia describes life in seventeenth-century Rome, Florence, and Naples, the time setting of the novel is, in a deeper sense, a historical, merging as it does the experience of a woman dead for three centuries with the terrors of World War II experienced by the author. Shirley D'Ardia Caracciolo's English translation of Banti's novel skillfully renders its complexity and poignancy as a study of courage.
Author: Claudia Bernardi
Publisher: Bloomsbury Publishing
ISBN: 1350137790
Category : Social Science
Languages : en
Pages : 288
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Book Description
This book explores how women's relationship with food has been represented in Italian literature, cinema, scientific writings and other forms of cultural expression from the 19th century to the present. Italian women have often been portrayed cooking and serving meals to others, while denying themselves the pleasure of the table. The collection presents a comprehensive understanding of the symbolic meanings associated with food and of the way these intersect with Italian women's socio-cultural history and the feminist movement. From case studies on Sophia Loren and Elena Ferrante, to analyses of cookbooks by Italian chefs, each chapter examines the unique contribution Italian culture has made to perceiving and portraying women in a specific relation to food, addressing issues of gender, identity and politics of the body.
Author: Ami McKay
Publisher: Knopf Canada
ISBN: 0735275661
Category : Fiction
Languages : en
Pages : 114
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Book Description
Beloved author Ami McKay is back, bringing us a magical follow-up in the tradition of Victorian winter tales to her mesmerizing bestseller, The Witches of New York. During the nights between Christmas and New Year's, the witches of New York—Adelaide Thom, Eleanor St. Clair and the youngest, Beatrice Dunn—gather before the fire to tell ghost stories and perform traditional Yuletide divinations. (Did you know that roasting chestnuts was once used to foretell one's fate?) As the witches roast chestnuts and melt lead to see their fate, a series of odd messengers land on their doorstep bearing invitations for a New Year's Eve masquerade hosted by a woman they've never met. Gossip, dreams and portents follow, leading the witches to question the woman's motives. Is she as benevolent as she seems or is she laying a trap? And so, as Gilded-Age New York prepares to ring in the new year, the witches don their finery and head for the ball, on the hunt for answers that might well be the end of them.
