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Author: Ann Hamilton
Publisher:
ISBN: 9781942185802
Category : Art
Languages : en
Pages : 0
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Book Description
Ann Hamilton believes that projects can be considered, not as artifacts or something to be documented, but as their own material object?in this case, a book. While 'Sense' contains images that Hamilton has accumulated over many years, of people and of objects that conflate touch, light, and surface, the book also becomes an object in hand, a thing felt, an artwork in itself. Mallarmé begins 'The Book: Spiritual Instrument' with, ?Everything in the world exists to end up as a book.? While working on the building-wide project, the common SENSE with Sylvia Wolf, this idea inspired Hamilton: ??.maybe the form of the project is not the installation or the exhibition or all the weeks of time and programming?.maybe the actual form of the project is a book?.and the installation is the work and the process for generating the book?s questions and materials.?
Author: Ann Hamilton
Publisher:
ISBN: 9781942185802
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Ann Hamilton believes that projects can be considered, not as artifacts or something to be documented, but as their own material object?in this case, a book. While 'Sense' contains images that Hamilton has accumulated over many years, of people and of objects that conflate touch, light, and surface, the book also becomes an object in hand, a thing felt, an artwork in itself. Mallarmé begins 'The Book: Spiritual Instrument' with, ?Everything in the world exists to end up as a book.? While working on the building-wide project, the common SENSE with Sylvia Wolf, this idea inspired Hamilton: ??.maybe the form of the project is not the installation or the exhibition or all the weeks of time and programming?.maybe the actual form of the project is a book?.and the installation is the work and the process for generating the book?s questions and materials.?
Author: Ann Hamilton
Publisher:
ISBN: 9780578642970
Category :
Languages : en
Pages :
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Book Description
Ohio State students, faculty and staff were photographed by artist and professor Ann Hamilton through a semi-transparent membrane that registersin focus only what immediately touches its surface while rendering more softly the gesture or outline of the body. In these images, touch-something we feel more than we see-is visible. In them, we feel the glance of cloth's fall, the weight of a hand, the press of a cheek, the possibility of recognition in portraits haunted by contact.Standing behind the semi-opaque film, one can hear but can not see, hidden until stepping toward the surface, guided by my voice. Each press of the object, the face, a hand, or cloth touching the membrane is revealed in focus, the shallow depth of field a consequence of the membrane's optical qualities. The images made in this exchange-between a subject that offers self or object and a voice that stands in for the visually absent camera-record an interiority that is perhaps more private, more vulnerable than the self we offer up in the world of a constantly present camera. Following and trusting the voice while having a sense of being hidden makes a space for this vulnerability. Each image is a tactile register of an exchange.
Author: Joan Simon
Publisher: Gregory R. Miller & Co.
ISBN: 9780974364858
Category : Architecture
Languages : en
Pages : 324
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Book Description
Ann Hamilton: An Inventory of Objects ISBN 0-9743648-5-1 / 978-0-9743648-5-8 Hardcover, 7 x 10.5 in. / 264 pgs / 150 color and 80 b&w. / U.S. $60.00 CDN $72.00 November / Art
Author: Patricia C. Phillips
Publisher: Prestel
ISBN: 9783791357096
Category : Artists
Languages : en
Pages : 0
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Book Description
"Cloth making -- among the oldest forms of human cultural production -- provides inspiration for Ann Hamilton's multi-venue project, 'habitus', located at three sites: The Fabric Workshop and Museum, Municipal Pier 9, and on social media. 'habitus' weaves text, textile, and image together as mediums for an imaginative and tactile exchange between artist and audience. The museum's galleries display Hamilton's selection of historical objects -- including literacy commonlace books, textile sample books, dolls, and needwork portfolios -- borrowed from Philadelphia museums and public collections. Printed passages from published writings referencing the social and material life of textiles, and collected through an open call to the public at http://cloth-a-commonplace.tumblr.com, will be available free to museum visitors. In the vast space of Municipal Pier 9 on the Delaware River, visitors propel a field of gigantic cylindrical curtains to billow to atmospheric proportion. As cloth swaddles us at birth and covers us in sleep; as a folded blanket can tell a story of trade; as a flag carries the symbol of a nation, Hamilton's multi-venue exhibition 'habitus' invites us to touch and be touched by the fabric of human experience"--Publisher's statement.
Author: Jean Fritz
Publisher: Penguin
ISBN: 1101077948
Category : Juvenile Fiction
Languages : en
Pages : 130
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Book Description
Ann Hamilton's family has moved to the western frontier of Pennsylvania, and she misses her old home in Gettysburg. There are no girls her age on Hamilton Hill, and life is hard. But when the Hamiltons survive a terrible storm and receive a surprise visit from George Washington, Ann realizes that pioneer life is exciting and special.
Author: Christian Boltanski
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 200
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Book Description
Author: Nancy Churnin
Publisher: Creston Books
ISBN: 1954354029
Category : Juvenile Nonfiction
Languages : en
Pages : 32
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Book Description
Anne Frank and Martin Luther King Jr. were born the same year a world apart. Both faced ugly prejudices and violence, which both answered with words of love and faith in humanity. This is the story of their parallel journeys to find hope in darkness and to follow their dreams.
Author: Linda Nochlin
Publisher: Thames & Hudson
ISBN: 0500776628
Category : Art
Languages : en
Pages : 84
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Book Description
The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory—published together with author Linda Nochlin’s reflections three decades later. Many scholars have called Linda Nochlin’s seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art. With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew. In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.”
Author: Anne Hamilton
Publisher: LL-Publications
ISBN: 9781905091478
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
They all said that Bangladesh would be an experience... For Anne Hamilton, a three-month winter programme of travel and "cultural exchange" in a country where the English language, fair hair, and a rice allergy are all extremely rare was always going to be interesting, challenging, and frustrating. What they didn't tell Anne was that it would also be sunny, funny, and the start of a love affair with this unexplored area of Southeast Asia. A Blonde Bengali Wife shows the lives beyond the poverty, monsoons, and diarrhoea of Bangladesh and charts a vibrant and fascinating place where one minute Anne is levelling a school playing field "fit for the national cricket team," and then cobbling together a sparkly outfit for a formal wedding the next. Along with Anne are the essential ingredients for survival: a travel-savvy Australian sidekick, a heaven-sent adopted family, and a short, dark, and handsome boy-next-door. During her adventures zipping among the dusty clamour of the capital Dhaka, the longest sea beach in the world at Cox's Bazaar, the verdant Sylhet tea gardens, and the voluntary health projects of distant villages, Anne amasses a lot of friends, stories...and even a husband. A Blonde Bengali Wife is the "unexpected travelogue" that reads like a comedy of manners to tell the other side of the story of Bangladesh. All money earned from A Blonde Bengali Wife goes direct to the charity, Bhola's Children, of which the author and agent are active participants. A Blonde Bengali Wife isn't about Bhola but it is a tribute to Anne's journeys into Bangladesh and all the friends she has made there. Most of all, it is the story of the country that inspired Bhola's Children.
Author: Nadine Aisha Jassat
Publisher: Birlinn Ltd
ISBN: 1788854853
Category : Fiction
Languages : en
Pages : 149
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Book Description
'Five engrossing, resonant stories here, with no weak links' ― The Herald The world's first UNESCO city of literature, Edinburgh is steeped in literary history. It is the birthplace of a beloved cast of fictional characters from Sherlock Holmes to Harry Potter. It is the home of the Writer's Museum, where quotes from writers of the past pave the steps leading up to it. A city whose beauty is matched only by the intrigue of its past, and where Robert Louis Stevenson said, 'there are no stars so lovely as Edinburgh's street-lamps'. And to celebrate the city, its literature, and more importantly, its people, Polygon and the One City Trust have brought together writers – established and emerging – to write about the place they call home. Based around landmarks or significant links to Edinburgh each story transports the reader to a different decade in the city's recent past. Through these stories each author reflects on the changes, both generational and physical, in the city in which we live.
