Animation Magic

Animation Magic PDF Author: Don Hahn
Publisher: Random House Disney
ISBN:
Category : Animated films
Languages : en
Pages : 104

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Book Description
Discusses the techniques and people involved in creating Disney's animated films, from the first story idea to opening night.

Animation Magic

Animation Magic PDF Author: Don Hahn
Publisher: Random House Disney
ISBN:
Category : Animated films
Languages : en
Pages : 104

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Book Description
Discusses the techniques and people involved in creating Disney's animated films, from the first story idea to opening night.

Animation

Animation PDF Author: Chris Pallant
Publisher: Bloomsbury Publishing USA
ISBN: 1501305735
Category : Animated films
Languages : en
Pages : 417

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Book Description
"Animation: Critical and Primary Sources is a major multi-volume work of reference that brings together seminal writings on animation studies. Gathering historical and contemporary texts from a wide-ranging number of sources, the volumes provide a key resource in understanding and studying the past and future directions of animation studies. The four volumes thematically trace animation studies from its many definitions, or a lack thereof, to the institutional nature of animation production, to establishing greater space within animation discourse for the consideration of broadcast and interactive animation, and finally, giving greater contextual understanding of the field of animation studies, by focusing on 'Authorship', 'Genre', 'Identity Politics', and 'Spectatorship', thus enabling readers to engage more deeply with the ideas discussed in the final volume. Ordering the collection in this way avoids imposing an overly simplistic chronological framework, thereby allowing debates that have developed over years (and even decades) to stand side by side. Each volume is separately introduced and the essays structured into coherent sections on specific themes"--

The Fundamentals of Animation

The Fundamentals of Animation PDF Author: Paul Wells
Publisher: Bloomsbury Publishing
ISBN: 1474241786
Category : Computers
Languages : en
Pages : 216

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Book Description
Packed with examples from classic and contemporary films, The Fundamentals of Animation presents each stage of the animation production process in an engaging visual style, whilst providing an historical and critical context for four core disciplines: drawn/cel; 2D/3D stop-motion; computer generated; and experimental animation. With insightful commentary from leading animators, Wells and Moore also introduce you to the many different career paths open to aspiring animators, from storyboard artist or character designer to VFX artist or writer and director. They also provide you with key tips on producing engaging portfolios and show reels. - Illustrated with over 300 images, including preliminary sketches, frame-by-frame analyses and shots of animators at work. - Now explores the animated documentary genre and the role of visual effects and gaming in contemporary animation. - Features more than 20 interviews with a range of international practitioners including Pete Docter, Director, Monsters, Inc. (2001), Up (2009) and Inside Out (2015). Featured Artists Sarah Cox, ArthurCox Lluis Danti, Media Molecule Pete Docter, Pixar Paul Driessen Eric Fogel Cathal Gaffney, Brown Bag Films Adam Goddard Philip Hunt, STUDIO AKA The Brothers McLeod Bill Plympton Ellen Poon, Industrial Light and Magic Barry Purves Joanna Quinn Chris Randall, Second Home Studios Maureen Selwood Koji Yamamura

100 Greatest American and British Animated Films

100 Greatest American and British Animated Films PDF Author: Thomas S. Hischak
Publisher: Rowman & Littlefield
ISBN: 1538105691
Category : Performing Arts
Languages : en
Pages : 397

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Book Description
Animation has been a staple of the filmmaking process since the early days of cinema. Animated shorts had been produced for decades, but not until 1937 did a major studio venture into animated features when Walt Disney produced Snow White and the Seven Dwarfs. Of the hundreds of animated feature films made since, many have proven their importance over the years while also entertaining generations of audiences. There are also many recent animated movies that promise to become classics in the field. In 100 Greatest American British Animated Films, Thomas S, Hischak looks at the most innovative, influential, and entertaining features that have been produced since the late 1930s—from traditional hand-drawn works and stop-motion films to computer-generated wonders. These movies have been selected not simply because of their popularity or critical acceptance but for their importance. Entries in this volume contain plot information production history critical reaction commentary on the film’s cinematic quality a discussion of the film’s influence voice casts production credits songs sequels, spin-offs, Broadway versions, and television adaptations awards and nominations Each movie is also discussed in the context of its original release as well as the ways in which the film has lived on in the years since. Familiar favorites and lesser-known gems are included, making the book a fascinating journey for both the avid animation fan and the everyday moviegoer. With a sweeping look at more than eight decades of movies, 100 Greatest American and British Animated Films highlights some of the most treasured features of all time.

Designing Sound for Animation

Designing Sound for Animation PDF Author: Robin Beauchamp
Publisher: CRC Press
ISBN: 1136143661
Category : Art
Languages : en
Pages : 197

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Book Description
This nuts-and-bolts guide to sound design for animated films explains audio software, free downloads, how sound works, the power of sound when wielded by an animation filmmaker, and provides varieties of examples for how to use sound to enliven your films with professional sound. Sound-savvy animators save precious resources (time and money) by using sound for effects they don't necessarily have time to create. For example, the sound of a crow flying gives viewers a sense of the crow without the crow. Where there's a macabre element or scene in an animated film, this book explains why you should choose a low frequency sound for it-low frequencies are scary, because the ear can't decipher their origin or direction! On the DVD: three 5-minute animations; sample sound clips, jump cuts and video streams; plus motion graphics with which to practice sound-applications explained in this book.

Birnbaum's Disneyland 2001

Birnbaum's Disneyland 2001 PDF Author: DPWW
Publisher: Disney Editions
ISBN: 9780786853144
Category : Travel
Languages : en
Pages : 164

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Book Description
All the information visitors need to thoroughly enjoy Walt Disney's first theme park is included in this guide, with listings for prices, attractions, hotels and restaurants, and a new chapter on Disney's California Adventure.

Discovering the Magic Kingdom

Discovering the Magic Kingdom PDF Author: Joshua C. Shaffer
Publisher: AuthorHouse
ISBN: 1452063125
Category : California, Southern
Languages : en
Pages : 222

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Book Description
Never before has there been such a complete unofficial Disneyland guidebook for kids of all ages. Whether you are traveling for the first time or it's your family's annual trip, this vacation guide has it all! Discover the many exciting "fun facts" with this one-of-a-kind book, Discovering the Magic Kingdom: An Unofficial Disneyland Vacation Guide. Packed with ways to cut expenses such as planning your trip through AAA, how to plan a Disney birthday or wedding, hidden Mickey locations, a scavenger hunt, history of the parks, ghost stories, how to utilize Fast Passes, over 100 photos and much more, you'll never leave for Disneyland without it!

Re-Imagining Animation: The Changing Face of the Moving Image

Re-Imagining Animation: The Changing Face of the Moving Image PDF Author: Paul Wells
Publisher: Bloomsbury Publishing
ISBN: 2940439567
Category : Performing Arts
Languages : en
Pages : 192

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Book Description
Re-Imagining Animation: The Changing Face of the Moving Image by Paul Wells and Johnny Hardstaff explores the changing nature of animation in the twenty-first century. Animation was once constructed frame-by-frame, but now the creation and manipulation of the moving image has changed. With the digital revolution, what was once merely an adjunct of film has become central to the entire cinematic enterprise. This title examines animation's changing role through engagement with a series of contemporary moving-image works, and comprises an important text on a popular subject. Each case study looks at the entire creative process, from the initial creative stimulus, through the development of an aesthetic and the technical production of the work, to the final outcome. This book is suitable for students of animation, established professional animators, and anyone with an interest in animation.

The Idea of Nature in Disney Animation

The Idea of Nature in Disney Animation PDF Author: David S. Whitley
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754660859
Category : Performing Arts
Languages : en
Pages : 180

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Book Description
David Whitley's compelling study complicates our understanding of the classic Disney canon by focusing on the way images of the natural world are mediated within popular art for children. He examines a range of Disney's feature animations, from Snow White to Finding Nemo, to show that, even as the films communicate the central ideologies of their times, they also express the ambiguities and tensions that underlie these dominant values.

The Idea of Nature in Disney Animation

The Idea of Nature in Disney Animation PDF Author: David Whitley
Publisher: Routledge
ISBN: 1317028031
Category : Performing Arts
Languages : en
Pages : 196

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Book Description
In the second edition of The Idea of Nature in Disney Animation, David Whitley updates his 2008 book to reflect recent developments in Disney and Disney-Pixar animation such as the apocalyptic tale of earth's failed ecosystem, WALL-E. As Whitley has shown, and Disney's newest films continue to demonstrate, the messages animated films convey about the natural world are of crucial importance to their child viewers. Beginning with Snow White, Whitley examines a wide range of Disney's feature animations, in which images of wild nature are central to the narrative. He challenges the notion that the sentimentality of the Disney aesthetic, an oft-criticized aspect of such films as Bambi, The Jungle Book, Pocahontas, Beauty and the Beast, and Finding Nemo, necessarily prevents audiences from developing a critical awareness of contested environmental issues. On the contrary, even as the films communicate the central ideologies of the times in which they were produced, they also express the ambiguities and tensions that underlie these dominant values. In distinguishing among the effects produced by each film and revealing the diverse ways in which images of nature are mediated, Whitley urges us towards a more complex interpretation of the classic Disney canon and makes an important contribution to our understanding of the role popular art plays in shaping the emotions and ideas that are central to contemporary experience.