Author: J. R. Simpson
Publisher: Rodopi
ISBN: 9789051839760
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Animal Body, Literary Corpus
Author: J. R. Simpson
Publisher: Rodopi
ISBN: 9789051839760
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Publisher: Rodopi
ISBN: 9789051839760
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Animals
Author: Peter Adamson
Publisher: Oxford University Press
ISBN: 0199375984
Category : Philosophy
Languages : en
Pages : 475
Book Description
Philosophical controversy over non-human animals extends further back than many realize -- before Utilitarianism and Darwinism to the very genesis of philosophy. This volume examines the richness and complexity of that long history. Twelve essays trace the significance of animals from Greek and Indian antiquity through the Islamic and Latin medieval traditions, to Renaissance and early modern thought, ending with contemporary notions about animals. Two main questions emerge throughout the volume: what capacities can be ascribed to animals, and how should we treat them? Notoriously ungenerous attitudes towards animals' mental lives and ethics status, found for instance in Aristotle and Descartes, are shown to have been more nuanced than often supposed, while remarkable defenses of benevolence towards animals are unearthed in late antiquity, India, the Islamic world, and Kant. Other chapters examine cannibalism and vegetarianism in Renaissance thought, and the scientific testing of animals. A series of interdisciplinary reflections sheds further light on human attitudes towards animals, looking at their depiction in visual artworks from China, Africa, and Europe, as well as the rich tradition of animal fables beginning with Aesop.
Publisher: Oxford University Press
ISBN: 0199375984
Category : Philosophy
Languages : en
Pages : 475
Book Description
Philosophical controversy over non-human animals extends further back than many realize -- before Utilitarianism and Darwinism to the very genesis of philosophy. This volume examines the richness and complexity of that long history. Twelve essays trace the significance of animals from Greek and Indian antiquity through the Islamic and Latin medieval traditions, to Renaissance and early modern thought, ending with contemporary notions about animals. Two main questions emerge throughout the volume: what capacities can be ascribed to animals, and how should we treat them? Notoriously ungenerous attitudes towards animals' mental lives and ethics status, found for instance in Aristotle and Descartes, are shown to have been more nuanced than often supposed, while remarkable defenses of benevolence towards animals are unearthed in late antiquity, India, the Islamic world, and Kant. Other chapters examine cannibalism and vegetarianism in Renaissance thought, and the scientific testing of animals. A series of interdisciplinary reflections sheds further light on human attitudes towards animals, looking at their depiction in visual artworks from China, Africa, and Europe, as well as the rich tradition of animal fables beginning with Aesop.
The Princeton Encyclopedia of Poetry and Poetics
Author: Roland Greene
Publisher: Princeton University Press
ISBN: 0691154910
Category : Literary Criticism
Languages : en
Pages : 1678
Book Description
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
Publisher: Princeton University Press
ISBN: 0691154910
Category : Literary Criticism
Languages : en
Pages : 1678
Book Description
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
In the Skin of a Beast
Author: Peggy McCracken
Publisher: University of Chicago Press
ISBN: 022645892X
Category : Crafts & Hobbies
Languages : en
Pages : 244
Book Description
In medieval literature, when humans and animals meet—whether as friends or foes—issues of mastery and submission are often at stake. In the Skin of a Beast shows how the concept of sovereignty comes to the fore in such narratives, reflecting larger concerns about relations of authority and dominion at play in both human-animal and human-human interactions. Peggy McCracken discusses a range of literary texts and images from medieval France, including romances in which animal skins appear in symbolic displays of power, fictional explorations of the wolf’s desire for human domestication, and tales of women and snakes converging in a representation of territorial claims and noble status. These works reveal that the qualities traditionally used to define sovereignty—lineage and gender among them—are in fact mobile and contingent. In medieval literary texts, as McCracken demonstrates, human dominion over animals is a disputed model for sovereign relations among people: it justifies exploitation even as it mandates protection and care, and it depends on reiterations of human-animal difference that paradoxically expose the tenuous nature of human exceptionalism.
Publisher: University of Chicago Press
ISBN: 022645892X
Category : Crafts & Hobbies
Languages : en
Pages : 244
Book Description
In medieval literature, when humans and animals meet—whether as friends or foes—issues of mastery and submission are often at stake. In the Skin of a Beast shows how the concept of sovereignty comes to the fore in such narratives, reflecting larger concerns about relations of authority and dominion at play in both human-animal and human-human interactions. Peggy McCracken discusses a range of literary texts and images from medieval France, including romances in which animal skins appear in symbolic displays of power, fictional explorations of the wolf’s desire for human domestication, and tales of women and snakes converging in a representation of territorial claims and noble status. These works reveal that the qualities traditionally used to define sovereignty—lineage and gender among them—are in fact mobile and contingent. In medieval literary texts, as McCracken demonstrates, human dominion over animals is a disputed model for sovereign relations among people: it justifies exploitation even as it mandates protection and care, and it depends on reiterations of human-animal difference that paradoxically expose the tenuous nature of human exceptionalism.
The Medieval World
Author: Peter Linehan
Publisher: Routledge
ISBN: 113650012X
Category : History
Languages : en
Pages : 770
Book Description
This groundbreaking collection brings the Middle Ages to life and conveys the distinctiveness of this diverse, constantly changing period. Thirty-eight scholars bring together one medieval world from many disparate worlds, from Connacht to Constantinople and from Tynemouth to Timbuktu. This extraordinary set of reconstructions presents the reader with a vivid re-drawing of the medieval past, offering fresh appraisals of the evidence and modern historical writing. Chapters are thematically linked in four sections: identities beliefs, social values and symbolic order power and power-structures elites, organizations and groups. Packed full of original scholarship, The Medieval World is essential reading for anyone studying medieval history.
Publisher: Routledge
ISBN: 113650012X
Category : History
Languages : en
Pages : 770
Book Description
This groundbreaking collection brings the Middle Ages to life and conveys the distinctiveness of this diverse, constantly changing period. Thirty-eight scholars bring together one medieval world from many disparate worlds, from Connacht to Constantinople and from Tynemouth to Timbuktu. This extraordinary set of reconstructions presents the reader with a vivid re-drawing of the medieval past, offering fresh appraisals of the evidence and modern historical writing. Chapters are thematically linked in four sections: identities beliefs, social values and symbolic order power and power-structures elites, organizations and groups. Packed full of original scholarship, The Medieval World is essential reading for anyone studying medieval history.
Logical Fictions in Medieval Literature and Philosophy
Author: Virginie Greene
Publisher: Cambridge University Press
ISBN: 1107068746
Category : History
Languages : en
Pages : 307
Book Description
This book examines the ways in which traditions of philosophy and logic are reflected in major works of medieval literature.
Publisher: Cambridge University Press
ISBN: 1107068746
Category : History
Languages : en
Pages : 307
Book Description
This book examines the ways in which traditions of philosophy and logic are reflected in major works of medieval literature.
Reynard the Fox: A New Translation
Author:
Publisher: W. W. Norton & Company
ISBN: 1631490370
Category : Literary Collections
Languages : en
Pages : 265
Book Description
One of the greatest characters of medieval literature, the trickster Reynard the Fox, comes to life in this rollicking new translation. What do a weak lion king, a grief-stricken rooster, a dim-witted bear, and one really angry wolf have in common? The answer is they’ve all been had by one sly fox named Reynard. Originally bursting forth from Europe in the twelfth century, Reynard the Fox—a classic trickster narrative centered on a wily and gleefully amoral fox and his numerous victims in the animal kingdom—anticipated both Tex Avery and The Prince by showing that it’s better to be clever than virtuous. However, where The Prince taught kings how to manipulate their subjects, Reynard the Fox demonstrated how, in a world of ruthless competition, clever subjects could outwit both their rulers and enemies alike. In these riotous pages, Reynard lies, cheats, or eats anyone and anything that he crosses paths with, conning the likes of Tybert the Cat, Bruin the Bear, and Bellin the Ram, among others. Reynard's rapacious nature and constant "stealing and roving" eventually bring him into conflict with the court of the less-than-perceptive Noble the Lion and the brutal Isengrim the Wolf, pitting cunning trickery against brute force. Unlike the animal fables of Aesop, which use small narratives to teach schoolboy morality, Reynard the Fox employs a dark and outrageous sense of humor to puncture the hypocritical authority figures of the “civilized” order, as the rhetorically brilliant fox outwits all comers by manipulating their bottomless greed. As James Simpson, one of the world’s leading scholars of medieval literature, notes in his introduction, with translations in every major European language and twenty-three separate editions between 1481 and 1700 in England alone, the Reynard tales were ubiquitous. However, despite its immense popularity at the time, this brains-over-brawn parable largely disappeared. Now, for the first time in over a century, the fifteenth-century version of Reynard the Fox reemerges in this rollicking translation. Readers both young and old will be delighted by Reynard’s exploits, as he excels at stitching up the vain, pompous, and crooked and escapes punishment no matter how tight the noose. Highlighted by new illustrations by Edith E. Newman, Simpson's translation of the late Middle English Caxton edition restores this classic as a part of a vital tradition that extends all the way to Br’er Rabbit, Bugs Bunny, and even Itchy & Scratchy. As Stephen Greenblatt writes in his foreword, Reynard is the "animal fable's version of Homer's Odysseus, the man of many wiles," proving that in a dog-eat-dog world the fox reigns supreme.
Publisher: W. W. Norton & Company
ISBN: 1631490370
Category : Literary Collections
Languages : en
Pages : 265
Book Description
One of the greatest characters of medieval literature, the trickster Reynard the Fox, comes to life in this rollicking new translation. What do a weak lion king, a grief-stricken rooster, a dim-witted bear, and one really angry wolf have in common? The answer is they’ve all been had by one sly fox named Reynard. Originally bursting forth from Europe in the twelfth century, Reynard the Fox—a classic trickster narrative centered on a wily and gleefully amoral fox and his numerous victims in the animal kingdom—anticipated both Tex Avery and The Prince by showing that it’s better to be clever than virtuous. However, where The Prince taught kings how to manipulate their subjects, Reynard the Fox demonstrated how, in a world of ruthless competition, clever subjects could outwit both their rulers and enemies alike. In these riotous pages, Reynard lies, cheats, or eats anyone and anything that he crosses paths with, conning the likes of Tybert the Cat, Bruin the Bear, and Bellin the Ram, among others. Reynard's rapacious nature and constant "stealing and roving" eventually bring him into conflict with the court of the less-than-perceptive Noble the Lion and the brutal Isengrim the Wolf, pitting cunning trickery against brute force. Unlike the animal fables of Aesop, which use small narratives to teach schoolboy morality, Reynard the Fox employs a dark and outrageous sense of humor to puncture the hypocritical authority figures of the “civilized” order, as the rhetorically brilliant fox outwits all comers by manipulating their bottomless greed. As James Simpson, one of the world’s leading scholars of medieval literature, notes in his introduction, with translations in every major European language and twenty-three separate editions between 1481 and 1700 in England alone, the Reynard tales were ubiquitous. However, despite its immense popularity at the time, this brains-over-brawn parable largely disappeared. Now, for the first time in over a century, the fifteenth-century version of Reynard the Fox reemerges in this rollicking translation. Readers both young and old will be delighted by Reynard’s exploits, as he excels at stitching up the vain, pompous, and crooked and escapes punishment no matter how tight the noose. Highlighted by new illustrations by Edith E. Newman, Simpson's translation of the late Middle English Caxton edition restores this classic as a part of a vital tradition that extends all the way to Br’er Rabbit, Bugs Bunny, and even Itchy & Scratchy. As Stephen Greenblatt writes in his foreword, Reynard is the "animal fable's version of Homer's Odysseus, the man of many wiles," proving that in a dog-eat-dog world the fox reigns supreme.
Medieval Latin and Middle English Literature
Author: Jill Mann
Publisher: DS Brewer
ISBN: 1843842637
Category : Foreign Language Study
Languages : en
Pages : 281
Book Description
Fresh and provocative approaches to the literature of the middle ages, offering close readings of texts from Chaucer to Henryson, and beast fable to devotional works. Jill Mann's writing, teaching, and scholarship have transformed our understanding of two distinct fields, medieval Latin and Middle English literature, as well as their intersection. Essays in this volume seek to honour this achievement by looking at entirely new aspects of these fields (the relationship of song to affect, the political valence of classical allusion, the Latin background of Middle English devotional texts). Others look again at the literary kinds and ideas most important in Mann's own work (beast fable, the nature of allegory, the nature of "nature", the relationship of economic thought and literature, satire, language as a subject for poetry) in the poets she hasbeen most drawn to (Chaucer, Langland, Henryson). All of the essays involve close readings of the most careful kind, taking as their primary method Professor Mann's repeated injunction to attend, above all, to the"words on the page". Christopher Cannon is Professor of English, New York University; Maura Nolan is Associate Professor of English, University of California, Berkeley. Contributors: Siobhain Bly Calkin, Christopher Cannon, Rebecca Davis, Peter Dronke, A.S.G. Edwards, Elizabeth B. Edwards, Maura Nolan, Paul J. Patterson, Derek Pearsall, Ad Putter, Paul Gerhard Schmidt, James Simpson, Barry Windeatt, Nicolette Zeeman
Publisher: DS Brewer
ISBN: 1843842637
Category : Foreign Language Study
Languages : en
Pages : 281
Book Description
Fresh and provocative approaches to the literature of the middle ages, offering close readings of texts from Chaucer to Henryson, and beast fable to devotional works. Jill Mann's writing, teaching, and scholarship have transformed our understanding of two distinct fields, medieval Latin and Middle English literature, as well as their intersection. Essays in this volume seek to honour this achievement by looking at entirely new aspects of these fields (the relationship of song to affect, the political valence of classical allusion, the Latin background of Middle English devotional texts). Others look again at the literary kinds and ideas most important in Mann's own work (beast fable, the nature of allegory, the nature of "nature", the relationship of economic thought and literature, satire, language as a subject for poetry) in the poets she hasbeen most drawn to (Chaucer, Langland, Henryson). All of the essays involve close readings of the most careful kind, taking as their primary method Professor Mann's repeated injunction to attend, above all, to the"words on the page". Christopher Cannon is Professor of English, New York University; Maura Nolan is Associate Professor of English, University of California, Berkeley. Contributors: Siobhain Bly Calkin, Christopher Cannon, Rebecca Davis, Peter Dronke, A.S.G. Edwards, Elizabeth B. Edwards, Maura Nolan, Paul J. Patterson, Derek Pearsall, Ad Putter, Paul Gerhard Schmidt, James Simpson, Barry Windeatt, Nicolette Zeeman
Literature Search
Author: National Library of Medicine (U.S.)
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 690
Book Description
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 690
Book Description
William Blake
Author: Tilottama Rajan
Publisher: University of Toronto Press
ISBN: 1487534434
Category : Literary Criticism
Languages : en
Pages : 482
Book Description
William Blake: Modernity and Disaster explores the work of the Romantic writer, artist, and visionary William Blake as a profoundly creative response to cultural, scientific, and political revolution. In the wake of such anxieties of discovery, including the revolution in the life sciences, Blake’s imagination – often prophetic, apocalyptic, and deconstructive – offers an inside view of such tumultuous and catastrophic change. A hybrid of text and image, Blake’s writings and illuminations offer a disturbing and productive exception to accepted aesthetic, social, and political norms. Accordingly, the essays in this volume, reflecting Blake’s unorthodox perspective, challenge past and present critical approaches in order to explore his oeuvre from multiple perspectives: literary studies, critical theory, intellectual history, science, art history, philosophy, visual culture, and psychoanalysis. Covering the full range of Blake’s output from the shorter prophecies to his final poems, the essays in William Blake: Modernity and Disaster predict the discontents of modernity by reading Blake as a prophetic figure alert to the ends of history. His legacy thus provides a lesson in thinking and living through the present in order to ask what it might mean to envision a different future, or any future at all.
Publisher: University of Toronto Press
ISBN: 1487534434
Category : Literary Criticism
Languages : en
Pages : 482
Book Description
William Blake: Modernity and Disaster explores the work of the Romantic writer, artist, and visionary William Blake as a profoundly creative response to cultural, scientific, and political revolution. In the wake of such anxieties of discovery, including the revolution in the life sciences, Blake’s imagination – often prophetic, apocalyptic, and deconstructive – offers an inside view of such tumultuous and catastrophic change. A hybrid of text and image, Blake’s writings and illuminations offer a disturbing and productive exception to accepted aesthetic, social, and political norms. Accordingly, the essays in this volume, reflecting Blake’s unorthodox perspective, challenge past and present critical approaches in order to explore his oeuvre from multiple perspectives: literary studies, critical theory, intellectual history, science, art history, philosophy, visual culture, and psychoanalysis. Covering the full range of Blake’s output from the shorter prophecies to his final poems, the essays in William Blake: Modernity and Disaster predict the discontents of modernity by reading Blake as a prophetic figure alert to the ends of history. His legacy thus provides a lesson in thinking and living through the present in order to ask what it might mean to envision a different future, or any future at all.