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Author: Laura Patricia Kearney
Publisher: BookRix
ISBN: 3739613122
Category : Poetry
Languages : en
Pages : 38
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Book Description
And the angels who did not keep their positions of authority but abandoned their own home--these he has kept in darkness, bound with everlasting chains for judgment on the great Day Jude 1.6
Author: Laura Patricia Kearney
Publisher: BookRix
ISBN: 3739613122
Category : Poetry
Languages : en
Pages : 38
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Book Description
And the angels who did not keep their positions of authority but abandoned their own home--these he has kept in darkness, bound with everlasting chains for judgment on the great Day Jude 1.6
Author: Milton Meltzer
Publisher: Syracuse University Press
ISBN: 9780815606222
Category : Biography & Autobiography
Languages : en
Pages : 426
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Book Description
Dorothea Lange's depression-era photographs became mythic symbols in their time and are exhibited worldwide as standards of classic photography. In this first biography of Lange, Milton Meltzer documents her development as an artist and provides a moving portrayal of a life burdened with illness and the conflicting demands of family and profession.
Author: Jan Goggans
Publisher: Univ of California Press
ISBN: 0520266218
Category : Biography & Autobiography
Languages : en
Pages : 362
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Book Description
"Jan Goggans has found a wonderful way to explore the rich history of 1930s California: by giving us a deep look at the indispensable work of economist Paul Taylor and photographer Dorothea Lange, the brilliant husband-wife team whose classic from '39, An American Exodus, deserves a spot on the shelf right next to The Grapes of Wrath. With prose that's as insightful as Taylor's own and as vivid as a Lange photograph, California on the Breadlines both captures and contextualizes this hugely important period. Goggans's book will surely find its own place in the canon of Californiana."--Rick Wartzman, author of Obscene in the Extreme: The Burning and Banning of John Steinbeck's The Grapes of Wrath "During the Great Depression, Paul Taylor and Dorothea Lange took to the embattled fields of California on behalf of a suffering nation. This elegant narrative presents the national service and shared passion of two talented Americans swept up by the drama of their times and their growing discovery of each other."--Kevin Starr, University of Southern California "A rich and gorgeous book, and an elegant treatment of the complex and fascinating personal/professional relationship between husband and wife, labor economist Paul Taylor and photographer Dorothea Lange. Their photojournalism gave face and voice to the mute shuffling in 1930s California breadlines, etching into the national mind the greatest sufferers in a decade of agony. Professor Goggans' study is seminal in 21st century California studies: thoroughly researched, critically sophisticated and global in imagination, a pleasure to pore over and read through. California on the Breadlines is a true and riveting narrative of the rare, singular partnership between Lange and Taylor."--Jack Hicks, co-editor of The Literature of California, Volume I "This is an extraordinary book. Goggans elegantly interweaves sound scholarship with the moving human stories of California's Dust Bowl immigrants. In bringing the agony of Depression-era California home to the nation, we immediately think of John Steinbeck and Carey McWilliams. But Goggans makes it dramatically clear that Taylor and Lange, labor economist and photographer, husband and wife, fused documentary photojournalism and the traditions of protest literature to create a new form that was at least as essential in telling that story and in proposing remedies. As such, California on the Breadlines is a powerful reminder that even in terrible economic times, when Americans are willing, hope and imagination are always possible."--Peter Schrag, author of Not Fit for Our Society: Immigration and Nativism in America "A major contribution, meticulously researched and written. Goggans refracts the complex histories of California labor and migration through the lens of Lange and Taylor's fieldwork, landmark images, and remarkable marriage. Rare in scholarship, this book narrates history's epic arc alongside the more intimate story of Lange and Taylor, providing a wealth of insights on the Great Depression that reads like the Great American novel."--John T. Caldwell, author of Production Culture and director of Rancho California (por favor) "California on the Breadlines offers a compelling analysis of how Lange's and Taylor's work grew out of their shared social concerns and how that work offers a unique portrait of the cultural imagination of their time--which of course, their work also helped to shape."--Terry Beers, author of Gunfight at Mussel Slough: Evolution of a Western Myth "Goggans provides an accessible and compelling account of the path that brought Paul Taylor and Dorothea Lange together and led them to dedicate their lives and work to documenting conditions of poverty in California."--Flannery Burke, author of From Greenwich Village to Taos: Primitivism and Place at Mabel Dodge Luhan's
Author: Melissa A. McEuen
Publisher: University Press of Kentucky
ISBN: 9780813128450
Category : Photography
Languages : en
Pages : 388
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Book Description
Author: Judith Keller
Publisher: Getty Publications
ISBN: 9780892366750
Category : Art
Languages : en
Pages : 148
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Book Description
Dorothea Lange is chiefly renowned for her social documentary work in the Great Depression of the 1930s. Judith Keller discusses several of her pictures held by the Getty Museum and includes an edited transcript of a colloquium on Lange and a chronicle of her life in this illustrated study.
Author: Kathleen Tyner
Publisher: Routledge
ISBN: 1135690847
Category : Social Science
Languages : en
Pages : 323
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Book Description
In this book, Kathleen Tyner examines the tenets of literacy through a historical lens to demonstrate how new communication technologies are resisted and accepted over time. New uses of information for teaching and learning create a "disconnect" in the complex relationship between literacy and schooling, and raise questions about the purposes of literacy in a global, networked, educational environment. The way that new communication technologies change the nature of literacy in contemporary society is discussed as a rationale for corresponding changes in schooling. Digital technologies push beyond alphabetic literacy to explore the way that sound, image, and text can be incorporated into education. Attempts to redefine literacy terms--computer, information, technology, visual, and media literacies--proliferate and reflect the need to rethink entrenched assumptions about literacy. These multiple literacies are advanced to help users make sense of the information glut by fostering the ability to access, analyze, and produce communication in a variety of forms. Tyner explores the juncture between two broad movements that hope to improve education: educational technology and media education. A comparative analysis of these two movements develops a vision of teaching and learning that is critical, hands on, inquiry-based, and suitable for life in a mobile, global, participatory democracy.
Author: Kerry Acker
Publisher: Infobase Publishing
ISBN: 1438124147
Category : Juvenile Nonfiction
Languages : en
Pages : 137
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Book Description
Discusses the life and work of the twentieth century American photographer, Dorothea Lange.
Author: Alma Davenport
Publisher: UNM Press
ISBN: 9780826320766
Category : History
Languages : en
Pages : 220
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Book Description
A compact, readable, up-to-date overview of the history of photography.
Author: Stuart Cohen
Publisher: David R. Godine Publisher
ISBN: 1567923402
Category : History
Languages : en
Pages : 218
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Book Description
Housed at the Library of Congress, the archives of the Farm Security Administration constitute an essential visual record of American life from the late 1920s through the onset of the Second World War. Guided by the adroit hands and watchful eyes of the master photo editor Roy Stryker, the FSA archive includes the work of dozens of photographers, from acknowledged giants like Walker Evans, Ben Shahn, and Dorothea Lange to Marion Post Wolcott and Russell Lee, whose names and work may be less familiar. Stryker's approach to his photographers' assignments was a bracing mix of structure and improvisation. He sent his artists across the country to shoot for a few weeks, mostly in small towns and rural areas. They worked from what Stryker called shooting scripts - laundry lists of possible subjects and situations - but were always free to explore their own perspectives on a locale, its inhabitants, and their activities. When negatives and prints arrived, Stryker would guide his artists with suggestions, advice, and sharp-eyed criticism, all designed to elicit their best work. This book collects work from nine of these trips - Evans in Louisana and Alabama, Shahn in West Virginia, Lange in California, and others - uniting them with Stryker's shooting scripts, letters, and other relevant archival documents. What emerges, beyond the images themselves, is a complex and vital overview of the FSA at work, not just the work, but how the work evolved and matured under Stryker's guidance. The book concludes with photographs of New Orleans, the only city photographed in depth by the FSA artists. Reproduced in duotone, the 175 photographs in The Likes of Us, all printed from the original negatives at the Library of Congress, offer a rare opportunity not only to see a choice selection of famous and little-known images but also to understand the working of one of the government's most original and creative pre-war initiatives.
Author: David P. Peeler
Publisher: University of Georgia Press
ISBN: 0820331406
Category : History
Languages : en
Pages : 362
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Book Description
In Hope Among Us Yet, David Peeler examines art and literature of the Great Depression to reveal a common pursuit and common dream in the work of writers, photographers, and painters who turned their talents toward the utter dislocation and despair of 1930s America. Thrust out of the gilded world of the 1920s by the extent of the crisis, these artists used their canvases, cameras, and pens to condemn capitalism and seal its demise with stunning evidence of its evils. As the years drew on, however, artists began to dream of a new, more equitable social order, and the solace of those dreams rather than the earlier vilification came to dominate Depression art. Discussing the photographs and paintings (many of them reproduced in this book), the essays and novels of the Depression era, David Peeler shows that in their pursuit of the reality of 1930s America, social artists also dreamed of a rebirth of Western art. But, as American capitalism revived with the onset of World War II, hopes for a new order faded, and the vision of the Depression's artists remained the unfilled prophecy of their works.
