Androids, Humanoids, and Other Science Fiction Monsters PDF Download
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Author: Per Schelde
Publisher: NYU Press
ISBN: 0814779956
Category : Art
Languages : en
Pages : 292
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Book Description
Unlike science fiction literature, science fiction film has until now been largely neglected as a genre worthy of study and scholarship. Androids, Humanoids, and Other Folklore Monsters explores science fiction (sf) film as the modern incarnation of folklore, emblematic of the struggle between nature and culture-but with a new twist.
Author: Per Schelde
Publisher: NYU Press
ISBN: 0814779956
Category : Art
Languages : en
Pages : 292
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Book Description
Unlike science fiction literature, science fiction film has until now been largely neglected as a genre worthy of study and scholarship. Androids, Humanoids, and Other Folklore Monsters explores science fiction (sf) film as the modern incarnation of folklore, emblematic of the struggle between nature and culture-but with a new twist.
Author: Steven Mintz
Publisher: John Wiley & Sons
ISBN: 1118976525
Category : History
Languages : en
Pages : 453
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Book Description
Fully revised, updated, and extended, the fifth edition of Hollywood’s America provides an important compilation of interpretive essays and primary documents that allows students to read films as cultural artifacts within the contexts of actual past events. A new edition of this classic textbook, which ties movies into the broader narrative of US and film history This fifth edition contains nine new chapters, with a greater overall emphasis on recent film history, and new primary source documents which are unavailable online Entries range from the first experiments with motion pictures all the way to the present day Well-organized within a chronological framework with thematic treatments to provide a valuable resource for students of the history of American film
Author: Kieran Tranter
Publisher: Edinburgh University Press
ISBN: 1474420907
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
First comparative study to address the rediscovery of baroque aesthetic in modernism.
Author: Sean Redmond
Publisher: Columbia University Press
ISBN: 0231501846
Category : Performing Arts
Languages : en
Pages : 369
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Book Description
Liquid Metal brings together 'seminal' essays that have opened up the study of science fiction to serious critical interrogation. Eight distinct sections cover such topics as the cyborg in science fiction; the science fiction city; time travel and the primal scene; science fiction fandom; and the 1950s invasion narratives. Important writings by Susan Sontag, Vivian Sobchack, Steve Neale, J.P. Telotte, Peter Biskind and Constance Penley are included.
Author: Lawrence J. Terlizzese
Publisher: Christian Publishing House
ISBN:
Category : Computers
Languages : en
Pages : 134
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Book Description
Technophobia causes us to reflect, to stop and ask “what for?” Why are we doing this and could there be negative consequences to our actions. Technophobia is not anti-technology if we are honest no one is really anti-technology that would be a rejection of life itself. But neither does technophobia give the green light to all things technical. An altogether too common position these days is to accept technology as manna from heaven as if just the very use of it will inherently lead us in the right direction. All use is good use. Technophobia does not allow us such an easy conscience.
Author: Heike Paul
Publisher: LIT Verlag Münster
ISBN: 3825805980
Category : Mass media and culture
Languages : en
Pages : 250
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Book Description
Author: Dennis Patrick Slattery
Publisher: Daimon
ISBN: 3856307257
Category : Mythology
Languages : en
Pages : 258
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Book Description
This book presents contributions from different authors covering the mythical basis for different religions. It also shows how psychology and philosopy have been influenced by myths.
Author: Cynthia Freeland
Publisher: Routledge
ISBN: 0429975864
Category : Social Science
Languages : en
Pages : 290
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Book Description
Horror is often dismissed as mass art or lowbrow entertainment that produces only short-term thrills. Horror films can be bloody, gory, and disturbing, so some people argue that they have bad moral effects, inciting viewers to imitate cinematic violence or desensitizing them to atrocities. In The Naked and the Undead: Evil and the Appeal of Horror, Cynthia A. Freeland seeks to counter both aesthetic disdain and moral condemnation by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and nature of evil?both human and cosmic. In exploring these films, the author argues against a purely psychoanalytic approach and opts for both feminist and philosophical understandings. She looks at what it is in these movies that serves to elicit specific reactions in viewers and why such responses as fear and disgust are ultimately pleasurable. The author is particularly interested in showing how gender figures into screen presentations of evil.The book is divided into three sections: Mad Scientists and Monstrous Mothers, which looks into the implications of male, rationalistic, scientific technology gone awry; The Vampire's Seduction, which explores the attraction of evil and the human ability (or inability) to distinguish active from passive, subject from object, and virtue from vice; and Sublime Spectacles of Disaster, which examines the human fascination with horror spectacle. This section concludes with a chapter on graphic horror films like The Texas Chainsaw Massacre. Written for both students and film enthusiasts, the book examines a wide array of films including: The Silence of the Lambs, Repulsion, Frankenstein, The Fly, Dead Ringers, Alien, Bram Stoker's Dracula, Interview with the Vampire, Frenzy, The Shining, Eraserhead, Hellraiser, and many others.
Author: J. P. Telotte
Publisher: University of Illinois Press
ISBN: 9780252064661
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
A haunting fascination fuels our interest in the robot, the android, the cyborg, the replicant. Born in science fiction literature, the artificial human has come into its own in films, lurching to life, holding a mirror to humanity's soul. Beginning with a pre-history of the filmic robot, J. P. Telotte traces its development through early sci-fi landmarks such as Metropolis (1926), the alien films of the 1950s (including Forbidden Planet), and recent explorations of the artificial human in Blade Runner, Robocop, and the Terminator films. Replications also considers the tension between the technological wonders that science fiction depicts and the human values it champions. Film-makers employ the latest developments in technology to fashion ever more realistic human doubles, and then use them to explore what it means to be human. Telotte shows us how the sci-fi genre has always addressed changing cultural attitudes toward technology, the body, gender roles, human intelligence, reality, and even film itself.
Author: N. Megan Kelley
Publisher: Univ. Press of Mississippi
ISBN: 149680628X
Category : Performing Arts
Languages : en
Pages : 437
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Book Description
A key concern in postwar America was “who's passing for whom?” Analyzing representations of passing in Hollywood films reveals changing cultural ideas about authenticity and identity in a country reeling from a hot war and moving towards a cold one. After World War II, passing became an important theme in Hollywood movies, one that lasted throughout the long 1950s, as it became a metaphor to express postwar anxiety. The potent, imagined fear of passing linked the language and anxieties of identity to other postwar concerns, including cultural obsessions about threats from within. Passing created an epistemological conundrum that threatened to destabilize all forms of identity, not just the longstanding American color line separating white and black. In the imaginative fears of postwar America, identity was under siege on all fronts. Not only were there blacks passing as whites, but women were passing as men, gays passing as straight, communists passing as good Americans, Jews passing as gentiles, and even aliens passing as humans (and vice versa). Fears about communist infiltration, invasion by aliens, collapsing gender and sexual categories, racial ambiguity, and miscegenation made their way into films that featured narratives about passing. N. Megan Kelley shows that these films transcend genre, discussing Gentleman's Agreement, Home of the Brave, Pinky, Island in the Sun, My Son John, Invasion of the Body-Snatchers, I Married a Monster from Outer Space, Rebel without a Cause, Vertigo, All about Eve, and Johnny Guitar, among others. Representations of passing enabled Americans to express anxieties about who they were and who they imagined their neighbors to be. By showing how pervasive the anxiety about passing was, and how it extended to virtually every facet of identity, Projections of Passing broadens the literature on passing in a fundamental way. It also opens up important counter-narratives about postwar America and how the language of identity developed in this critical period of American history.
