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Author: Andres Serrano
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 4
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Book Description
Author: Andres Serrano
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 4
Get Book Here
Book Description
Author: Andres Serrano
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 118
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Book Description
" ... an American photographer and artist who has become famous through his photos of corpses and his use of feces and bodily fluids in his work ..."--Wikipedia.
Author: Mieke Bal
Publisher: University of Chicago Press
ISBN: 9780226035567
Category : Art
Languages : en
Pages : 340
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Book Description
A rigorous, rewarding work, "Quoting Caravaggio" is at once a meditation on history as a creative, nonlinear process; a study of the work of Caravaggio and the Baroque; and a brilliant critical exposition of contemporary artistic expression. 62 color plates. 25 halftones.
Author: Lynne Warren
Publisher: Routledge
ISBN: 1135205434
Category : Photography
Languages : en
Pages : 1849
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Book Description
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
Author: Roger Chapman
Publisher: M.E. Sharpe
ISBN: 0765622505
Category : Business & Economics
Languages : en
Pages : 768
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Book Description
A collection of letters from a cross-section of Japanese citizens to a leading Japanese newspaper, relating their experiences and thoughts of the Pacific War.
Author: Richard J. Powell
Publisher: University of Chicago Press
ISBN: 0226677273
Category : Art
Languages : en
Pages : 293
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Book Description
Examining portraits of black people over the past two centuries, Cutting a Figure argues that these images should be viewed as a distinct category of portraiture that differs significantly from depictions of people with other racial and ethnic backgrounds. The difference, Richard Powell contends, lies in the social capital that stems directly from the black subject’s power to subvert dominant racist representations by evincing such traits as self-composure, self-adornment, and self-imagining. Powell forcefully supports this argument with evidence drawn from a survey of nineteenth-century portraits, in-depth case studies of the postwar fashion model Donyale Luna and the contemporary portraitist Barkley L. Hendricks, and insightful analyses of images created since the late 1970s. Along the way, he discusses major artists—such as Frédéric Bazille, John Singer Sargent, James Van Der Zee, and David Hammons—alongside such overlooked producers of black visual culture as the Tonka and Nike corporations. Combining previously unpublished images with scrupulous archival research, Cutting a Figure illuminates the ideological nature of the genre and the centrality of race and cultural identity in understanding modern and contemporary portraiture.
Author:
Publisher:
ISBN:
Category : Art, Colombian
Languages : en
Pages : 688
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Book Description
Author: Madeline Harrison Caviness
Publisher: University of Pennsylvania Press
ISBN: 9780812235999
Category : Art
Languages : en
Pages : 260
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Book Description
For Caviness, an awareness of historical context places pressure upon contemporary theories like that of the "male gaze," changing their shapes and creating even richer dialogues with the past."--BOOK JACKET.
Author: Lisa Philips
Publisher: Getty Publications
ISBN: 1606065963
Category : Art
Languages : en
Pages : 292
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Book Description
The first anthology to assemble the writings of the groundbreaking art historian, critic, and curator Marcia Tucker. These influential, hard-to-obtain texts —many of which have never before been published—by Marcia Tucker, founding director of New York's New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker’s writing and highlights her critical attention to art’s relationship to broader culture and politics. The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker’s tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field.
Author: Taylor Worley
Publisher: Routledge
ISBN: 0429671059
Category : Religion
Languages : en
Pages : 271
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Book Description
This book explores how four contemporary artists—Francis Bacon, Joseph Beuys, Robert Gober, and Damien Hirst—pursue the question of death through their fraught appropriations of Christian imagery. Each artist is shown to not only pose provocative theological questions, but also to question the abilities of theological speech to adequately address current attitudes to death. When set within a broader theological context around the thought of death, Bacon’s works invite fresh readings of the New Testament’s narration of the betrayal of Christ, and Beuys’ works can be appreciated for the ways they evoke Resurrection to envision possible futures for Germany in the aftermath of war. Gober’s immaculate sculptures and installations serve to create alternative religious environments, and these places are both evocative of his Roman Catholic upbringing and virtually haunted by the ghosts of his excommunication from that past. Lastly and perhaps most problematically, Hirst has built his brand as an artist from making jokes about death. By opening fresh arenas of dialogue and meaning-making in our society and culture today, the rich humanity of these artworks promises both renewed depths of meaning regarding our exit from this world as well as how we might live well within it for the time that we have. As such, it will be a vital resource for all scholars in Theology, the Visual Arts, Material Religion and Religious Studies.
